1968 And Global Cinema
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1968 And Global Cinema
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Author : Christina Gerhardt
language : en
Publisher: Wayne State University Press
Release Date : 2018-10-17
1968 And Global Cinema written by Christina Gerhardt and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-17 with Performing Arts categories.
Examines the political cinema of 1968 in relation to global events.
Film Manifestos And Global Cinema Cultures
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Author : Scott MacKenzie
language : en
Publisher: University of California Press
Release Date : 2021-01-21
Film Manifestos And Global Cinema Cultures written by Scott MacKenzie and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-21 with Performing Arts categories.
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Celluloid Revolt
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Author : Christina Gerhardt
language : en
Publisher: Screen Cultures: German Film a
Release Date : 2019
Celluloid Revolt written by Christina Gerhardt and has been published by Screen Cultures: German Film a this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with History categories.
Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings.
Cinema And The City
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Author : Mark Shiel
language : en
Publisher: John Wiley & Sons
Release Date : 2011-07-15
Cinema And The City written by Mark Shiel and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-07-15 with Social Science categories.
This book brings together the literature of urban sociology and film studies to explore new analytical and theoretical approaches to the relationship between cinema and the city, and to show how these impact on the realities of life in urban societies.
Revolution
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Author : Peter Cowie
language : en
Publisher:
Release Date : 2006-01-01
Revolution written by Peter Cowie and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-01-01 with Motion picture producers and directors categories.
In the 1960s, film-makers including Godard, Truffaut, Pasolini and Bertolucci, Oshima and Forman, and Polanski and Cassavetes emerged to challenge the conformity and taboos of the 50s. This title recaptures the cultural mood of the period through interviews with key talents of the time.
Architectures Of Revolt
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Author : Mark Shiel
language : en
Publisher: Temple University Press
Release Date : 2018-06-01
Architectures Of Revolt written by Mark Shiel and has been published by Temple University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-01 with Architecture categories.
Coinciding with the fiftieth anniversary of the worldwide mass protest movements of 1968—against war, imperialism, racism, poverty, misogyny, and homophobia—the exciting anthology Architectures of Revolt explores the degree to which the real events of political revolt in the urban landscape in 1968 drove change in the attitudes and practices of filmmakers and architects alike. In and around 1968, as activists and filmmakers took to the streets, commandeering public space, buildings, and media attention, they sought to re-make the urban landscape as an expression of utopian longing or as a dystopian critique of the established order. In Architectures of Revolt, the editor and contributors chronicle city-specific case studies from Paris, Berlin, Milan, and Chicago to New York, Los Angeles, Mexico City, and Tokyo. The films discussed range from avant-garde and agitprop shorts to mainstream narrative feature films. All of them share a focus on the city and, often, particular streets and buildings as places of political contestation and sometimes violence, which the medium of cinema was uniquely equipped to capture. Contributors include: Stephen Barber, Stanley Corkin, Jesse Lerner, Jon Lewis, Gaetana Marrone, Jennifer Stob, Andrew Webber, and the editor.
Cin Ma Militant
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Author : Paul Douglas Grant
language : en
Publisher: Columbia University Press
Release Date : 2016-06-14
Cin Ma Militant written by Paul Douglas Grant and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-14 with Performing Arts categories.
This history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinélutte, Les groupes medvedkine, Atelier de recherche cinématographique, Cinéthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.
World Cinema Since 1945
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Author : William Luhr
language : en
Publisher: New York : Ungar
Release Date : 1987
World Cinema Since 1945 written by William Luhr and has been published by New York : Ungar this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Performing Arts categories.
Artikler om filmhistorien i 30 lande og verdensdele
Pictures At A Revolution
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Author : Mark Harris
language : en
Publisher: Penguin
Release Date : 2008-02-14
Pictures At A Revolution written by Mark Harris and has been published by Penguin this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-02-14 with History categories.
The epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever It's the mid-1960s, and westerns, war movies and blockbuster musicals-Mary Poppins, The Sound of Music-dominate the box office. The Hollywood studio system, with its cartels of talent and its production code, is hanging strong, or so it would seem. Meanwhile, Warren Beatty wonders why his career isn't blooming after the success of his debut in Splendor in the Grass; Mike Nichols wonders if he still has a career after breaking up with Elaine May; and even though Sidney Poitier has just made history by becoming the first black Best Actor winner, he's still feeling completely cut off from opportunities other than the same "noble black man" role. And a young actor named Dustin Hoffman struggles to find any work at all. By the Oscar ceremonies of the spring of 1968, when In the Heat of the Night wins the 1967 Academy Award for Best Picture, a cultural revolution has hit Hollywood with the force of a tsunami. The unprecedented violence and nihilism of fellow nominee Bonnie and Clyde has shocked old-guard reviewers but helped catapult Warren Beatty and Faye Dunaway into counterculture stardom and made the movie one of the year's biggest box-office successes. Just as unprecedented has been the run of nominee The Graduate, which launched first-time director Mike Nichols into a long and brilliant career in filmmaking, to say nothing of what it did for Dustin Hoffman, Simon and Garfunkel, and a generation of young people who knew that whatever their future was, it wasn't in plastics. Sidney Poitier has reprised the noble-black-man role, brilliantly, not once but twice, in Guess Who's Coming to Dinner and In the Heat of the Night, movies that showed in different ways both how far America had come on the subject of race in 1967 and how far it still had to go. What City of Nets did for Hollywood in the 1940s and Easy Riders, Raging Bulls for the 1970s, Pictures at a Revolution does for Hollywood and the cultural revolution of the 1960s. As we follow the progress of these five movies, we see an entire industry change and struggle and collapse and grow-we see careers made and ruined, studios born and destroyed, and the landscape of possibility altered beyond all recognition. We see some outsized personalities staking the bets of their lives on a few films that became iconic works that defined the generation-and other outsized personalities making equally large wagers that didn't pan out at all. The product of extraordinary and unprecedented access to the principals of all five films, married to twenty years' worth of insight covering the film industry and a bewitching storyteller's gift, Mark Harris's Pictures at a Revolution is a bravura accomplishment, and a work that feels iconic itself.
Third Cinema World Cinema And Marxism
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Author : Ewa Mazierska
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-09-17
Third Cinema World Cinema And Marxism written by Ewa Mazierska and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-17 with Performing Arts categories.
Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Cinema the aspirations of the middle stratum, the petit bourgeoisie and Third Cinema is a democratic, popular cinema.