A Cognitive Framework For The Analysis Of Acousmatic Music
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A Cognitive Framework For The Analysis Of Acousmatic Music
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Author : David Hirst
language : en
Publisher: VDM Publishing
Release Date : 2008
A Cognitive Framework For The Analysis Of Acousmatic Music written by David Hirst and has been published by VDM Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Music categories.
The analysis of acousmatic music has traditionally been very difficult since there is no score to freeze the music in time. Analysis relies heavily on the act of concentrated listening. Since aural perception is so crucial to the analysis of acousmatic music, this book poses the questions: Can a framework for the analysis of acousmatic music be derived from cognition theories, research on the auditory perception of everyday environmental sounds, and studies into the perception of Western tonal music? If so, what are the frameworks attributes? From experimental data documented in the relevant literature, this book draws together the constituents of a cognitive framework called the Segregation, Integration, Assimilation and Meaning (SIAM) framework for the analysis of acousmatic music. The book reports on the practical application of the SIAM framework through a detailed analysis of the work Wind Chimes, by Denis Smalley. This analytical methodology should be especially useful to auditory cognition professionals, researchers interested in musical analysis of non-notated music, and composers seeking to gain more insight into musical structures in electroacoustic music in general.
The Development Of A Cognitive Framework For The Analysis Of Acousmatic Music
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Author : David John Godfrey Hirst
language : en
Publisher:
Release Date : 2006
The Development Of A Cognitive Framework For The Analysis Of Acousmatic Music written by David John Godfrey Hirst and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Auditory perception categories.
A Chronological History Of Australian Composers And Their Compositions Vol 4 1999 2013
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Author : Stephen Pleskun
language : en
Publisher: Xlibris Corporation
Release Date : 2014-03-28
A Chronological History Of Australian Composers And Their Compositions Vol 4 1999 2013 written by Stephen Pleskun and has been published by Xlibris Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-28 with Music categories.
In this 4th and fi nal volume of a series that includes more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The foundation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year.
Denis Smalley
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Author : Évelyne Gayou
language : en
Publisher:
Release Date : 2010
Denis Smalley written by Évelyne Gayou and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Computer music categories.
Conceptualizing Music
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Author : Lawrence M. Zbikowski
language : en
Publisher: Oxford University Press
Release Date : 2002-11-14
Conceptualizing Music written by Lawrence M. Zbikowski and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-11-14 with Music categories.
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Composing Electronic Music
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Author : Curtis Roads
language : en
Publisher: Oxford University Press, USA
Release Date : 2015
Composing Electronic Music written by Curtis Roads and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Music categories.
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Composing Electronic Music outlines a new theory based on the powerful toolkit of electronic music techniques.
The Cognitive Continuum Of Electronic Music
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Author : Anil Çamci
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2021-12-30
The Cognitive Continuum Of Electronic Music written by Anil Çamci and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-30 with Music categories.
The electronic medium allows any audible sound to be contextualized as music. This creates unique structural possibilities as spectrum, dynamics, space, and time become continuous dimensions of musical articulation. What we hear in electronic music ventures beyond what we traditionally characterize as musical sound and challenges our auditory perception, on the one hand, and our imagination, on the other. Based on an extensive listening study conducted over four years, this book offers a comprehensive analysis of the cognitive processes involved in the experience of electronic music. It pairs artistic practice with theories from a range of disciplines to communicate how this music operates on perceptual, conceptual, and affective levels. Looking at the common and divergent ways in which our minds respond to electronic sound, it investigates how we build narratives from our experience of electronic music and situate ourselves in them.
Understanding The Art Of Sound Organization
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Author : Leigh Landy
language : en
Publisher: MIT Press
Release Date : 2007-08-17
Understanding The Art Of Sound Organization written by Leigh Landy and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-17 with Music categories.
The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations. The art of sound organization, also known as electroacoustic music, uses sounds not available to traditional music making, including prerecorded, synthesized, and processed sounds. The body of work of such sound-based music (which includes electroacoustic art music, turntable composition, computer games, and acoustic and digital sound installations) has developed more rapidly than its musicology. Understanding the Art of Sound Organization proposes the first general foundational framework for the study of the art of sound organization, defining terms, discussing relevant forms of music, categorizing works, and setting sound-based music in interdisciplinary contexts. Leigh Landy's goal in this book is not only to create a theoretical framework but also to make the work more accessible—to suggest a way to understand sound-based music, to give a listener what he terms “something to hold on to,” for example, by connecting elements in a work to everyday experience. Landy considers the difficulties of categorizing works and discusses such types of works as sonic art and electroacoustic music, pointing out where they overlap and how they are distinctive. He proposes a “sound-based music paradigm” that transcends such traditional categories as art and pop music. Landy defines patterns that suggest a general framework and places the studies of sound-based music into interdisciplinary contexts, from acoustics to semiotics, proposing a holistic research approach that considers the interconnectedness of a given work's history, theory, technological aspects, and social impact. The author's ElectroAcoustic Resource Site (EARS, www.ears.dmu.ac.uk), the architecture of which parallels this book's structure, offers updated bibliographic resource abstracts and related information.
Kult Ros Barai
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Author :
language : lt
Publisher:
Release Date : 2014
Kult Ros Barai written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Lithuania categories.
Music Language And The Brain
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Author : Aniruddh D. Patel
language : en
Publisher: Oxford University Press
Release Date : 2010-06-01
Music Language And The Brain written by Aniruddh D. Patel and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-01 with Medical categories.
In the first comprehensive study of the relationship between music and language from the standpoint of cognitive neuroscience, Aniruddh D. Patel challenges the widespread belief that music and language are processed independently. Since Plato's time, the relationship between music and language has attracted interest and debate from a wide range of thinkers. Recently, scientific research on this topic has been growing rapidly, as scholars from diverse disciplines, including linguistics, cognitive science, music cognition, and neuroscience are drawn to the music-language interface as one way to explore the extent to which different mental abilities are processed by separate brain mechanisms. Accordingly, the relevant data and theories have been spread across a range of disciplines. This volume provides the first synthesis, arguing that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities. Winner of the 2008 ASCAP Deems Taylor Award.