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A Critical Review Of The Contributions Of The Ballet Royal De La Nucit To The Reign Of Louis The Xiv


A Critical Review Of The Contributions Of The Ballet Royal De La Nucit To The Reign Of Louis The Xiv
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A Critical Review Of The Contributions Of The Ballet Royal De La Nucit To The Reign Of Louis The Xiv


A Critical Review Of The Contributions Of The Ballet Royal De La Nucit To The Reign Of Louis The Xiv
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Author : Michelle Marie Neverusky
language : en
Publisher:
Release Date : 2004

A Critical Review Of The Contributions Of The Ballet Royal De La Nucit To The Reign Of Louis The Xiv written by Michelle Marie Neverusky and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Ballet categories.




A Critical Review Of The Contributions Of The Ballet Royale De La Nucit To The Reign Of Louis Xiv


A Critical Review Of The Contributions Of The Ballet Royale De La Nucit To The Reign Of Louis Xiv
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Author : Michelle Marie Neverusky
language : en
Publisher:
Release Date : 2004

A Critical Review Of The Contributions Of The Ballet Royale De La Nucit To The Reign Of Louis Xiv written by Michelle Marie Neverusky and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Ballet categories.




Musical Theatre At The Court Of Louis Xiv


Musical Theatre At The Court Of Louis Xiv
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Author : Rebecca Harris-Warrick
language : en
Publisher: Cambridge University Press
Release Date : 2005-09-29

Musical Theatre At The Court Of Louis Xiv written by Rebecca Harris-Warrick and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-09-29 with Biography & Autobiography categories.


Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance to the study of French Baroque dance. This facsimile reproduction of the entire manuscript is accompanied by a comprehensive study of the work itself and the context in which it was created and performed. Dated 1688, it provides a wealth of new and detailed information on numerous aspects of theatrical dance. It differs from the known choreographic sources in many respects, the two most important being the completeness of all its components--choreography, music, and text--and the use of a previously unknown dance notation system.