A History Of German Theatre
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A History Of German Theatre
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Author : Simon Williams
language : en
Publisher: Cambridge University Press
Release Date : 2011-03-03
A History Of German Theatre written by Simon Williams and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-03-03 with Drama categories.
Covering German-language theatre from the Middle Ages to the present day, this study demonstrates how and why theatre became so important in German-speaking countries. Written by leading international scholars of German theatre, chapters cover all aspects of theatrical performance, including acting, directing, play-writing, scenic design and theatre architecture. The book argues that theatre is more central to the artistic life of German-speaking countries than anywhere else in the world. Relating German-language theatre to its social and intellectual context, the History demonstrates how theatre has often been used as a political tool. It challenges the idea that German theatre was undeveloped in contrast to other European countries in the seventeenth and early eighteenth centuries, provides a thematic survey of the crucial period of growth in the late eighteenth and nineteenth centuries, and discusses modern and contemporary German theatre by focusing in turn on the directors, playwrights, designers and theatre architecture.
The German Theatre Volume V
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Author : Benjamin Thompson
language : en
Publisher: Legare Street Press
Release Date : 2023-07-18
The German Theatre Volume V written by Benjamin Thompson and has been published by Legare Street Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-18 with categories.
This landmark study provides a comprehensive overview of the rich history of German theater, from its early roots in medieval religious drama to the avant-garde experimentation of the modern era. With detailed analyses of key plays and major theatrical movements, Benjamin Thompson offers readers a fascinating glimpse into the vibrant and diverse world of German theater. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Jews And The Making Of Modern German Theatre
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Author : Jeanette R. Malkin
language : en
Publisher: University of Iowa Press
Release Date : 2010-04-15
Jews And The Making Of Modern German Theatre written by Jeanette R. Malkin and has been published by University of Iowa Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-15 with Performing Arts categories.
While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional view of modern German theatre the history and conflicts of its Jewish participants in the last third of the nineteenth and first third of the twentieth centuries and illuminate the influence of Jewish ethnicity in the creation of the modernist German theatre. The nontraditional forms and themes known as modernism date roughly from German unification in 1871 to the end of the Weimar Republic in 1933. This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues. The extraordinary artistic innovations that Germans and Jews co-created during the relatively short period of this era of creativity reached across the old assumptions, traditions, and prejudices that had separated people as the modern arts sought to reformulate human relations from the foundations to the pinnacles of society. The essayists, writing from a variety of perspectives, carve out historical overviews of the role of theatre in the constitution of Jewish identity in Germany, the position of Jewish theatre artists in the cultural vortex of imperial Berlin, the role played by theatre in German Jewish cultural education, and the impact of Yiddish theatre on German and Austrian Jews and on German theatre. They view German Jewish theatre activity through Jewish philosophical and critical perspectives and examine two important genres within which Jewish artists were particularly prominent: the Cabaret and Expressionist theatre. Finally, they provide close-ups of the Jewish artists Alexander Granach, Shimon Finkel, Max Reinhardt, and Leopold Jessner. By probing the interplay between “Jewish” and “German” cultural and cognitive identities based in the field of theatre and performance and querying the effect of theatre on Jewish self-understanding, they add to the richness of intercultural understanding as well as to the complex history of theatre and performance in Germany.
The Revolution In German Theatre 1900 1933 Routledge Revivals
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Author : Michael Patterson
language : en
Publisher: Routledge
Release Date : 2016-04-06
The Revolution In German Theatre 1900 1933 Routledge Revivals written by Michael Patterson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-06 with Drama categories.
First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from the decline of Naturalism through the Expressionist upheaval to the political theatre of Piscator and Brecht. Early productions of Kaiser’s From Morning till Midnight and Toller’s Transfiguration are presented as examples of Expressionism. A thorough analysis of Piscator’s Hoppla, Such is Life! And Brecht’s Man show the similarities and differences in political theatre. In addition, elements of stage-craft are examined — illustrated with tabulated information, an extensive chronology, and photographs and designs of productions.
Retrieving Women S History
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Author : S. J. Kleinberg
language : en
Publisher: Bloomsbury Academic
Release Date : 1992-08-26
Retrieving Women S History written by S. J. Kleinberg and has been published by Bloomsbury Academic this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992-08-26 with History categories.
This volume investigates the role played by women in ancient, more recent and contemporary history and demonstrates that taking into account the activities of women radically alters the perspectives of historians.
The German Theatre Volume 1
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Author : August Wilhelm Iffland
language : en
Publisher: Legare Street Press
Release Date : 2023-07-18
The German Theatre Volume 1 written by August Wilhelm Iffland and has been published by Legare Street Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-18 with categories.
Explore the rich history and vibrant culture of German theatre in this informative work by Benjamin Thompson. From stagecraft to the development of influential playwrights, Thompson provides an in-depth look at this influential art form. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Theatre In Europe Under German Occupation
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Author : Anselm Heinrich
language : en
Publisher: Routledge
Release Date : 2017-08-07
Theatre In Europe Under German Occupation written by Anselm Heinrich and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-08-07 with History categories.
The Second World War went beyond previous military conflicts. It was not only about specific geographical gains or economic goals, but also about the brutal and lasting reshaping of Europe as a whole. Theatre in Europe Under German Occupation explores the part that theatre played in the Nazi war effort. Using a case-study approach, it illustrates the crucial and heavily subsidised role of theatre as a cultural extension of the military machine, key to Nazi Germany’s total war doctrine. Covering theatres in Oslo, Riga, Lille, Lodz, Krakau, Warsaw, Prague, The Hague and Kiev, Anselm Heinrich looks at the history and context of their operation; the wider political, cultural and propagandistic implications in view of their function in wartime; and their legacies. Theatre in Europe Under German Occupation focuses for the first time on Nazi Germany’s attempts to control and shape the cultural sector in occupied territories, shedding new light on the importance of theatre for the regime’s military and political goals.
The Public And Performance
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Author : Michael Hays
language : en
Publisher: Ann Arbor, Mich. : UMI Research Press
Release Date : 1981
The Public And Performance written by Michael Hays and has been published by Ann Arbor, Mich. : UMI Research Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Performing Arts categories.
The German Theatre
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Author :
language : en
Publisher:
Release Date : 1801
The German Theatre written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1801 with English drama categories.
Shylock In Germany
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Author : Andrew G. Bonnell
language : en
Publisher: Bloomsbury Publishing
Release Date : 2007-11-28
Shylock In Germany written by Andrew G. Bonnell and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-11-28 with History categories.
How did the catastrophic development of antisemitism in Germany interact with the portrayal of Shylock on the German stage? Here Andrew Bonnell gives us the first cultural history of this tragic character from Shakespeare's "The Merchant of Venice" as performed on the German stage from the late eighteenth century to the end of World War II. In addition to analysing the performances of the most famous German actors in the role from 1777 to 1944, "Shylock in Germany" looks at the rising and falling popularity of "The Merchant of Venice" across Germany in this period, and the extent to which the role's history reflects changes in the situation of Jews in Germany and Austria.It follows the evolution of Shylock in nineteenth century and Imperial Germany, from the formative years of the modern German theatre as a cultural (and civic) institution; through the Weimar Republic, an epoch remembered for innovation and experiment, but also a period marked by an estrangement between an aggressively modernist metropolitan culture and a provincial cultural life which clung more to continuity; and, finally, considers the impact of the Nazi period with its murderous state-ordained antisemitism. Shylock's career in Germany after 1933 was neither as conspicuous nor as unambiguous as one might expect. Using archival research and drawing on much primary source material, Bonnell does not confine the book to theatre history only - but instead uses the changing portrayal of Shylock to analyse German cultural attitudes towards Jews over time.