A Performer S Guide To Music Of The Romantic Period
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A Performer S Guide To Music Of The Romantic Period
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Author : Anthony Burton
language : en
Publisher:
Release Date : 2002
A Performer S Guide To Music Of The Romantic Period written by Anthony Burton and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Music categories.
Helps students and their teachers achieve stylish performances of music of the Baroque, Classical and Romantic periods. These guides include chapters from leading experts on historical background, notation and interpretation, and sources and editions. They are also illustrated with many music examples, facsimiles and pictures.
A Performer S Guide To Music Of The Romantic Period
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Author :
language : en
Publisher:
Release Date : 2009
A Performer S Guide To Music Of The Romantic Period written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with categories.
A Performer S Guide To Music Of The Romantic Period
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Author :
language : en
Publisher:
Release Date : 2018
A Performer S Guide To Music Of The Romantic Period written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with categories.
A Performer S Guide To Music Of The Romantic Period
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Author :
language : en
Publisher:
Release Date : 2004
A Performer S Guide To Music Of The Romantic Period written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with categories.
A Performer S Guide To Music Of The Classical Period
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Author : Anthony Burton
language : en
Publisher:
Release Date : 2002
A Performer S Guide To Music Of The Classical Period written by Anthony Burton and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Classicism in music categories.
Helps students and their teachers achieve stylish performances of music of the Baroque, Classical and Romantic periods. These guides include chapters from leading experts on historical background, notation and interpretation, and sources and editions. They are also illustrated with many music examples, facsimiles and pictures.
A Performer S Guide To Music Of The Baroque Period
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Author : Associated Board of the Royal Schools of Music (Great Britain)
language : en
Publisher:
Release Date : 2002
A Performer S Guide To Music Of The Baroque Period written by Associated Board of the Royal Schools of Music (Great Britain) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Music categories.
Clear, comprehensive and with a CD that complements the text, this book focuses on the music of the Baroque period. It will assist AS/A2 music students, degree students, and also amateur performers and their teachers.
A Performer S Guide To The Music Of The Classical Period
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Author :
language : en
Publisher:
Release Date : 2004
A Performer S Guide To The Music Of The Classical Period written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with categories.
Piano Pedagogy
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Author : Gilles Comeau
language : en
Publisher: Routledge
Release Date : 2013-01-11
Piano Pedagogy written by Gilles Comeau and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-11 with Music categories.
Piano Pedagogy: A Research and Information Guide provides a detailed outline of resources available for research and/or training in piano pedagogy. Like its companion volumes in the Routledge Music Bibliographies series, it serves beginning and advanced students and scholars as a basic guide to current research in the field. The book will includes bibliographies, research guides, encyclopedias, works from other disciplines that are related to piano pedagogy, current sources spanning all formats, including books, journals, audio and video recordings, and electronic sources.
Inside Early Music
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Author : Bernard D. Sherman
language : en
Publisher: Oxford University Press
Release Date : 2003-10-09
Inside Early Music written by Bernard D. Sherman and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-10-09 with Music categories.
The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? Now, in Inside Early Music, Bernard D. Sherman has invited many of the leading practitioners to speak out about their passion for early music--why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras--Medieval, Renaissance, Baroque, and Classic and Romantic--with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is "authentic," the value of playing on period instruments, and how to interpret the composer's intentions. Whether debating how to perform Monteverdi's madrigals or comparing Andrew Lawrence-King's Renaissance harp playing to jazz, the performers convey not only a devotion to the spirit of period performance, but the joy of discovery as they struggle to bring the music most truthfully to life. Spurred on by Sherman's probing questions and immense knowledge of the subject, these conversations movingly document the aspirations, growing pains, and emerging maturity of the most exciting movement in contemporary classical performance, allowing each artist's personality and love for his or her craft to shine through. From medieval plainchant to Brahms' orchestral works, Inside Early Music takes readers-whether enthusiasts or detractors-behind the scenes to provide a masterful portrait of early music's controversies, challenges, and rewards.
Classical And Romantic Performing Practice 1750 1900
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Author : Clive Brown
language : en
Publisher: Oxford University Press
Release Date : 2004-05-20
Classical And Romantic Performing Practice 1750 1900 written by Clive Brown and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-05-20 with Music categories.
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.