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A Perspective On Argentine Music


A Perspective On Argentine Music
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A Perspective On Argentine Music


A Perspective On Argentine Music
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Author : Shan Eileen McCalla
language : en
Publisher:
Release Date : 1982

A Perspective On Argentine Music written by Shan Eileen McCalla and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with categories.




Youth Identities And Argentine Popular Music


Youth Identities And Argentine Popular Music
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Author : P. Semán
language : en
Publisher: Springer
Release Date : 2012-04-14

Youth Identities And Argentine Popular Music written by P. Semán and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-14 with Social Science categories.


This book analyzes the music that young porteñas/os (the inhabitants of Buenos Aires, Argentina) actually listen to nowadays, which, contrary to well-entrenched stereotypes, is not tango but rock nacional, cumbiaand romantic music. Chapters examine the music and what the Argentinean youth use it to say about themselves.



Tracing Tangueros


Tracing Tangueros
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Author : Kacey Link
language : en
Publisher: Oxford University Press
Release Date : 2016

Tracing Tangueros written by Kacey Link and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.


Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. It first establishes parameters for tango scholarship and then offers ten in-depth profiles of representative tangueros within the genre's historical and stylistic trajectory.



The Music Of Buenos Aires


The Music Of Buenos Aires
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Author : Kacey Link
language : en
Publisher:
Release Date : 2013

The Music Of Buenos Aires written by Kacey Link and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with categories.


It is an exciting time for tango in Argentina as the art form is now undergoing revitalization in the twenty-first century. Tangueros, or tango musicians and composers, are maintaining the traditions of their heritage while also exploring new ways to conceive of the art form. Unfortunately, popular views of tango in the United States often limit the art form to vignettes from Dancing with the Stars or the music of Astor Piazzolla. With this document, I seek to introduce North American scholars and musicians to the new, vibrant tango music being created today in Argentina or what tangueros are calling the "Music of Buenos Aires." This document is based on my first-hand experience in Argentina during the South American winters of 2007, 2008, 2011, and 2012 with Argentine tangueros and this music. I focus on three tangueros who are currently composing and performing in Buenos Aires today, namely violinist Damián Bolotin (b. 1965), pianist Sonia Possetti (b. 1973), and bassist Juan Pablo Navarro (b. 1971). I provide brief biographical sketches of each tanguero and supply insights into his/her performance style. Additionally, I offer an interpretative guide to the performance practices of this music by placing it in a cultural and historical context. Musicians can then not only be aware of contemporary tango and the "Music of Buenos Aires," but they can obtain the necessarily knowledge to perform this music insightfully.



Troubling Gender


Troubling Gender
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Author : Pablo Vila
language : en
Publisher: Temple University Press
Release Date : 2011-07-22

Troubling Gender written by Pablo Vila and has been published by Temple University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-07-22 with Social Science categories.


Cumbia villera—literally, cumbia from the shantytowns— is a musical genre quite popular with Argentine youth who frequent urban dance halls. Its songs are known for having highly sexualized lyrics— about girls dancing provocatively or experiencing erotic pleasure. The songs exhibit the tensions at play in the different ways people relate to this musical genre. In Troubling Gender, noted sociologists Pablo Vila and Pablo Semán scrutinize the music's lyrics and the singers' and dancers' performances. At the same time, the authors conduct in-depth interviews to examine the ways males construct and appropriate cumbia's lyrics, and how females identify, appropriate, and playfully and critically manipulate the same misogynistic songs. Addressing the relationship between this form of music and the wider social, political, and economic changes that influence the lives of urban youth, Troubling Gender argues that the music both reflects and influences the ways in which women's and men's roles are changing in Argentine society.



Dis Ability In The Americas


Dis Ability In The Americas
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Author : Chantal Figueroa
language : en
Publisher: Springer Nature
Release Date : 2021-01-04

Dis Ability In The Americas written by Chantal Figueroa and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-04 with Education categories.


This edited volume highlights the rich and complex educational debates around Critical Disability Studies in Education (DSE), critical mental health, and crip theories. Chapter authors use the term Dis/ability to criticize aspects of education research and international development that do not center the experiences of dis/abled students and people with dis/abilities. Through case studies from around the Americas, chapters highlight how top-down approaches to disabilities further oppress rather than emancipate. The volume prioritizes the spaces of resistance where local initiatives speak back to the demands imposed by an ever-globalizing world shaped by colonialism and imperialism, undergird by intersectional ableism. Voices of disabled students and people with dis/abilities counter-narrate the personal, interpersonal, structural, and political ways in which biomedical and psychological models of disability have impacted their well-being throughout education and society in the Americas. Through a critical sentipensante approach that centers the “epistemologies of the south,” this volume challenges global mental health and dis/ability hegemony in the Americas.



Exploring Diasporic Perspectives In Music Education


Exploring Diasporic Perspectives In Music Education
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Author : Ruth Iana Gustafson
language : en
Publisher: Springer Nature
Release Date : 2020-07-28

Exploring Diasporic Perspectives In Music Education written by Ruth Iana Gustafson and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-28 with Education categories.


This book challenges simplified claims of racial, national, and ethnic belonging in music education by presenting diaspora as a new paradigm for teaching music, departing from the standard multicultural guides and offering the idea of unfinished identities for musical creations. While multiculturalism—the term most commonly used in music education—had promised a theoretical framework that puts classical, folk, and popular music around the world on equal footing, it has perpetuated the values of Western aesthetics and their singular historical development. Breaking away from this standard, the book illuminates a diasporic web of music’s historical pathways, avoiding the fragmentation of music by categories of presumed origins whether racial, ethnic, or national.



Opera And Society In Early Twentieth Century Argentina


Opera And Society In Early Twentieth Century Argentina
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Author : Jonathan Sauceda
language : en
Publisher:
Release Date : 2016

Opera And Society In Early Twentieth Century Argentina written by Jonathan Sauceda and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Opera categories.


Premiering at the twilight of the gauchesco era and the dawn of Argentine musical Modernism, El matrero (1929) by Felipe Boero (1884-1958) remains underexplored in terms of its social milieu and artistic heritage. Instantly hailed as a masterpiece, the work retains a place in the local repertory, though it has never been performed internationally. The opera draws on myths of the gaucho and takes further inspiration from the energized intellectual environment surrounding the one-hundred-year anniversary of Argentine Independence. The most influential writers of the Centenary were Leopoldo Lugones (1874-1938), Ricardo Rojas (1882-1957), and Manuel Gálvez (1882-1962). Their times were marked by contradictions: xenophobia and the desire for foreign approbation; pride in an imaginary, "barbaric" yet noble ideal wiped out by the "civilizing" ambitions of revered nineteenth-century leaders. Krausism, a system of ideas following the teachings of Karl Friedrich Krause (1781-1832), had an impact on the period as exhibited in the political philosophy of Hipólito Yrigoyen (1852-1933), who served as president from 1916 to 1922 and 1928 to 1930 when he was deposed by a right-wing coup d'état. Uncritical applications of traditional understandings of nationalism have had a negative impact on Latin American music scholarship. A distillation of scholarly conceptions of Argentine nacionalismo, which address the meaning of the word as it was used in the early twentieth century, combined with an examination of major works of important literary figures of the Centenary provide a firmer ground for discussion. Gálvez paints a conservative portrait of a refined, well-traveled dilettante who finds true enlightenment only in his own rural, Argentine culture. A liberal, Rojas understands nationalism as devotion to the development of national institutions and local art. Lugones argues the foundation of national art should be the gaucho, and articulates the hierarchical sociabilities it should articulate. Boero adopts elements of Krausism and the nationalistic system of values advanced by the Centenary writers within an Occidentalist framework. Occidentalism describes cosmopolitan initiatives to incorporate the ideals of the West as structural to Argentine identity. It shares the liberal outlook of the central government that valued international openness and European and Anglo-American affinity. Boero wrote to satisfy the responsibilities of the various occupations he held as opera composer, pedagogue, and art musician, but was always dedicated to the strengthening of national institutions and development of what he perceived to be a native art. His pieces evince the Occidental ideal in their adoption of Impressionistic, Puccinian, and folkloric elements in varied ways, sometimes in individual pieces in isolation, other times all within the same work. The use of each of these styles is done in a thoroughly Eurocentric manner as even the "gaucho" elements are utilized according to traditional art music conventions. Boero demonstrates his mastery of a variety of techniques throughout his oeuvre and explores each of them in his magnum opus. The play El matrero, written by the contemporary Uruguayan playwright, Yamandú Rodríguez, draws on themes explored and celebrated by the Centenary writers and resonates with certain Krausist values. The libretto diverges from the play in a few significant ways that suggest a more conservative political outlook. More than simply a story told in the popular gauchesco style, the work is a kind of origin story with supposedly authentic depictions of rural life that present a model for contemporary sociabilities informed by the Krausism and liberalism of the era. Musical analysis of the opera confirms affinities with verismo and Impressionism, but also reveals a unique stamp, not only in the use of gauchesco topoi, but the harmonic language and interplay of styles. These styles are not blended into a single, cohesive unity but arise at key points within the heterogeneous work. A critical analysis allows the musical styles to be considered to articulate a social hierarchy marked by Krausist organicism already hinted at in the text. The various character groups of the opera have distinct voices that reveal separate classes. In line with current Argentine thought rooted in the nineteenth century and the Centenary, and due to the work's status as an origin story, the relationships between the groups may be seen to represent a model for contemporary society with the elite successfully managing the affairs of their underlings. The music helps articulate these relationships with moments of diegetic gauchesco music-making being relegated to the voices and bodies of the lower classes and the representatives of the upper class speaking with a mixture of art music styles and a sublimated folkloric style. The combined study of text and music reveals an Occidentalist perspective with the native Argentine elements subordinated to the European. In spite of their lower sociopolitical position, the folk are not despised but given a coherent musical language with which to express themselves, and the higher characters are musically united to their gaucho compatriots. The combination of musical styles creates an engaging, complex tapestry more than worthy of considered study and appreciation.



Tango Dance And Music


Tango Dance And Music
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Author : Kendra Stepputat
language : en
Publisher: Taylor & Francis
Release Date : 2024-01-30

Tango Dance And Music written by Kendra Stepputat and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-01-30 with Music categories.


This book is the first to explore tango argentino as translocal practice, with a focus on the European context. Beyond that, the book crosses borders in the use of both qualitative and quantitative methods, ranging from participant observation to statistical data evaluation, including optical motion capture for movement analysis. Most of all, it is an important contribution to the emerging field of choreomusicology, focusing on movement and sound structures, dancers and musicians, and the complex relations between all of these factors that all have their share in shaping tango argentino practice.



Experimentalisms In Practice


Experimentalisms In Practice
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Author : Ana R. Alonso-Minutti
language : en
Publisher: Oxford University Press
Release Date : 2018-01-02

Experimentalisms In Practice written by Ana R. Alonso-Minutti and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-02 with Music categories.


Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.