A Sonata Theory Handbook
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A Sonata Theory Handbook
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Author : James Hepokoski
language : en
Publisher: Oxford University Press
Release Date : 2020-12-01
A Sonata Theory Handbook written by James Hepokoski and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-01 with Music categories.
Sonata form is the most commonly encountered organizational plan in the works of the classical-music masters, from Haydn, Mozart, and Beethoven to Schubert, Brahms, and beyond. Sonata Theory, an analytic approach developed by James Hepokoski and Warren Darcy in their award-winning Elements of Sonata Theory (2006), has emerged as one of the most influential frameworks for understanding this musical structure. What can this method from "the new Formenlehre" teach us about how these composers put together their most iconic pieces and to what expressive ends? In this new Sonata Theory Handbook, Hepokoski introduces readers step-by-step to the main ideas of this approach. At the heart of the book are close readings of eight individual movements from Mozart's Piano Sonata in B-flat, K. 333, to such structurally complex pieces as Schubert's "Death and the Maiden" String Quartet and the finale of Brahms's Symphony No 1 that show this analytical method in action. These illustrative analyses are supplemented with four updated discussions of the foundational concepts behind the theory, including dialogic form, expositional action zones, trajectories toward generically normative cadences, rotation theory, and the five sonata types. With its detailed examples and deep engagements with recent developments in form theory, schema theory, and cognitive research, this handbook updates and advances Sonata Theory and confirms its status as a key lens for analyzing sonata form.
A Sonata Theory Handbook
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Author : James Hepokoski
language : en
Publisher:
Release Date : 2021
A Sonata Theory Handbook written by James Hepokoski and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Music categories.
Sonata form is the most commonly encountered organizational plan in the works of the classical-music masters, from Haydn, Mozart, and Beethoven to Schubert, Brahms, and beyond. Sonata Theory, an analytic approach developed by James Hepokoski and Warren Darcy in their award-winning Elements of Sonata Theory (2006), has emerged as one of the most influential frameworks for understanding this musical structure. What can this method from "the new Formenlehre" teach us about how these composers put together their most iconic pieces and to what expressive ends? In this new Sonata Theory Handbook, Hepokoski introduces readers step-by-step to the main ideas of this approach. At the heart of the book are close readings of eight individual movements -- from Mozart's Piano Sonata in B-flat, K. 333, to such structurally complex pieces as Schubert's "Death and the Maiden" String Quartet and the finale of Brahms's Symphony No 1 -- that show this analytical method in action. These illustrative analyses are supplemented with four updated discussions of the foundational concepts behind the theory, including dialogic form, expositional action zones, trajectories toward generically normative cadences, rotation theory, and the five sonata types. With its detailed examples and deep engagements with recent developments in form theory, schema theory, and cognitive research, this handbook updates and advances Sonata Theory and confirms its status as a key lens for analyzing sonata form.
Elements Of Sonata Theory
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Author : James Hepokoski
language : en
Publisher: Oxford University Press
Release Date : 2006-08-31
Elements Of Sonata Theory written by James Hepokoski and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-08-31 with Music categories.
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
A Poetics Of Handel S Operas
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Author : Nathan Link
language : en
Publisher: Oxford University Press
Release Date : 2023-03-10
A Poetics Of Handel S Operas written by Nathan Link and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-03-10 with Music categories.
What should we consider when thinking about the relationship between an onstage performance and the story the performance tells? A Poetics of Handel's Operas explores this question by analyzing the narratives of Handel's operas in relation to the rich representational fabric of performance used to convey them. Nathan Link notes that in most storytelling genres, the audience can naturally discern between a story and the way that story is represented: with film, for example, the viewer would recognize that a character hears neither her own voiceover nor the ambient music that accompanies it, whereas in discussions of opera, some audiences may be distracted by the seemingly artificial nature of such conventions as characters singing their dialogue. Link proposes that when engaging with opera, distinguishing between the performance we see and hear on the stage and the story represented offers a meaningful approach to engaging with and interpreting the work. Handel's operas are today the most-performed works in the Baroque opera seria tradition. This genre, with its intricate dramaturgy and esoteric conventions, stands to gain much from an investigation into the relationships between the onstage performance and the story to which that performance directs us. In his analysis, Link offers theoretical studies on opera and narratological theories of literature, drama, and film, providing rich engagement with Handel's work and what it conveys about the relationship between text, story, and performance.
Classical Form
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Author : William E. Caplin
language : en
Publisher: Oxford University Press
Release Date : 2000-12-28
Classical Form written by William E. Caplin and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-12-28 with Music categories.
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Tonality
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Author : Dmitri Tymoczko
language : en
Publisher: Oxford University Press
Release Date : 2023
Tonality written by Dmitri Tymoczko and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Music categories.
Wide-ranging in scope, and with almost 700 musical examples from the Middle Ages to the present day, Tonality: An Owner's Manual weaves philosophy, mathematics, statistics, and computational analysis into a new and truly twenty-first century theory of music. It proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Each of its central chapters re-examines a basic music-theoretical concept such as voice leading, repetition, nonharmonic tones, the origins of tonal harmony, the grammar of tonal harmony, modulation, and melody.
Rethinking Brahms
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Author : Nicole Grimes
language : en
Publisher: Oxford University Press
Release Date : 2022
Rethinking Brahms written by Nicole Grimes and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Music categories.
Drawing on the expertise of a wide range of musicologists, performer-scholars, and music theorists, Rethinking Brahms provides new perspectives on Brahms's music, the contexts of his creativity, and the reception of his works.
Musical Meaning And Interpretation
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Author : Michael J. Puri
language : en
Publisher: Oxford University Press
Release Date : 2025-03-28
Musical Meaning And Interpretation written by Michael J. Puri and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-03-28 with Music categories.
Revived with new intensity at the end of the twentieth century, questions of meaning and interpretation in music continue to generate widespread interest and give rise to new research directions and methods. This collection of essays brings together leading musicologists and music theorists working across a range of genres--classical, jazz, and popular--to offer fresh perspectives on a concern that bestrides every area of musical scholarship. While many accounts of musical meaning tend to limit and constrain, Musical Meaning and Interpretation contends that music's capacity to mean is virtually limitless and therefore resists clean and orderly taxonomies. Taken together, the essays attest to this nearly infinite variety of ways in which music may mean. Individually, they explore the intellectual underpinnings of rotational form, the mysterious agencies that populate our hermeneutic discourse, and the significance of pleasure in the interpretive act, among other topics, along with extended discussions of music by Beethoven, Chabrier, Unsuk Chin, Coltrane, Stephen Foster, Mahler, and Chou Wen-chung. Rooted in humanistic values, the essays combine rich analytical insights with critical perspectives on meaning and hermeneutics, arguing collectively for the strength, necessity, and urgency of interpretive work in music.
The Oxford Handbook Of Critical Concepts In Music Theory
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Author : Alexander Rehding
language : en
Publisher:
Release Date : 2019
The Oxford Handbook Of Critical Concepts In Music Theory written by Alexander Rehding and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Music categories.
Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.
Symphonic Spectacles
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Author : Sam Reenan
language : en
Publisher: Oxford University Press
Release Date : 2025
Symphonic Spectacles written by Sam Reenan and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025 with Music categories.
How did composers in the early twentieth century combine traditional approaches to musical structure? In Symphonic Spectacles author Sam Reenan presents a set of case studies, using works by Strauss, Beach, Ellington, and Mahler among others to show readers how analyses of these works can tease apart the compositional design and reception histories of each piece. The book makes these comprehensive analyses even more relevant by including discussion of how the musical works reflect aspects of their composers' identities within their historical contexts.