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A Tricultural Theatrical Tradition


A Tricultural Theatrical Tradition
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A Tricultural Theatrical Tradition


A Tricultural Theatrical Tradition
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Author : Cynthia Ann Klima
language : en
Publisher:
Release Date : 1995

A Tricultural Theatrical Tradition written by Cynthia Ann Klima and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with categories.




A Tricultural Theatrical Tradition


A Tricultural Theatrical Tradition
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Author : Cynthia Ann Klima
language : en
Publisher:
Release Date : 1995

A Tricultural Theatrical Tradition written by Cynthia Ann Klima and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with categories.




Theatre At The Crossroads Of Culture


Theatre At The Crossroads Of Culture
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Author : Patrice Pavis
language : en
Publisher: Routledge
Release Date : 2003-09-02

Theatre At The Crossroads Of Culture written by Patrice Pavis and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-09-02 with Art categories.


Pavis analyses the political and aesthetic consequences of cultures meeting at the crossroads of theatre, looking at productions including Brook's Mahabharata, Cixous/Mnouchkine's Indiande, and Barba's Faust.



Theatre And The World


Theatre And The World
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Author : Rustom Bharucha
language : en
Publisher: Routledge
Release Date : 2003-09-02

Theatre And The World written by Rustom Bharucha and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-09-02 with Performing Arts categories.


In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a 'Third World' perspective. Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century's most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism. Theatre and the World bravely challenges much of today's 'multicultural' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.



Theatre In Southeast Asia


Theatre In Southeast Asia
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Author : James R. Brandon
language : en
Publisher: Harvard University Press
Release Date : 1967

Theatre In Southeast Asia written by James R. Brandon and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1967 with Family & Relationships categories.


A 1967 illustrated book about the forms of drama and theater in Southeast Asia.



By Means Of Performance


By Means Of Performance
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Author : Richard Schechner
language : en
Publisher: Cambridge University Press
Release Date : 1990-05-25

By Means Of Performance written by Richard Schechner and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-05-25 with Social Science categories.


The field of performance studies embraces performance behaviour of all kinds and in all contexts, from everyday life to high ceremony. This volume investigates a wide range of performance behaviour - dance, ritual, conflict situation, sports, storytelling and display behaviour - in a variety of circumstances and cultures. It considers such issues as the relationship between training and the finished performance; whether performance behaviour is universal or culturally specific; and the relationships between ritual aesthetics, popular entertainment and religion, and sports and theatre and dance. The volume brings together essays from leading anthropologists, artists and performance theorists to provide a definitive introduction to the burgeoning field of performance studies. It will be of value to scholars, teachers and students of anthropology, theatre, folklore, semiotics and performance studies.



Modern Theatre In Russia


Modern Theatre In Russia
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Author : Stefan Aquilina
language : en
Publisher:
Release Date :

Modern Theatre In Russia written by Stefan Aquilina and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with Electronic books categories.


"What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes? The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission ? training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories ? contribute to the formation and consolidation of theatre traditions. Through English translations of rare Russian sources, the book expounds on: *side-lined material on Stanislavsky, including his relationship with German actor Ludwig Barnay, use of improvisation at the First Studio, and rehearsal practices for Artists and Admirers (1933); *Valentin Smyshlaev's acting manual The Technique to Process Stage Performance and the creation of hybrid practices; *proletarian theatre as an amateur-professional combination and force in the transformation of everyday life, as seen in the Proletkult's volume Art at the Workers' Clubs ; *Meyerhold's Borodin Studio as an early example of Practice as Research, his European tour of 1930, and international persona as depicted in newspapers published in the West; and *Asja Lacis's work with children, which contributes to current efforts to address the gender imbalance that is often characteristic of modernism. This historical-theoretical investigation is combined with practical exercises that provide a more experiential understanding of the modern performance realities involved. In this way, the book speaks not only to theatre scholars and historians, but also to students and practitioners engaged in practical work."--



Reader S Guide To Judaism


Reader S Guide To Judaism
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Author : Michael Terry
language : en
Publisher: Routledge
Release Date : 2013-12-02

Reader S Guide To Judaism written by Michael Terry and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-02 with Reference categories.


The Reader's Guide to Judaism is a survey of English-language translations of the most important primary texts in the Jewish tradition. The field is assessed in some 470 essays discussing individuals (Martin Buber, Gluckel of Hameln), literature (Genesis, Ladino Literature), thought and beliefs (Holiness, Bioethics), practice (Dietary Laws, Passover), history (Venice, Baghdadi Jews of India), and arts and material culture (Synagogue Architecture, Costume). The emphasis is on Judaism, rather than on Jewish studies more broadly.



Theatre Worlds In Motion


Theatre Worlds In Motion
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Author : Hans van Maanen
language : en
Publisher: Rodopi
Release Date : 1998

Theatre Worlds In Motion written by Hans van Maanen and has been published by Rodopi this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Drama categories.


Theatre Worlds in Motion aims to clarify the different theatre traditions and practices in Western Europe from a historical and sociological perspective. The book grew out of a perceived need among theatre scholars who had recognised that, while they understood the theatre system of their own country, they often found it difficult to discover how it compared with other countries. The chapters analyse the basic components and dynamics of theatre systems in seventeen Western European nations in order to elucidate how the systems function in general and how they vary in different cultures. The book provides a sense of what has been happening recently in particular countries, and indicates how the theatre systems have developed over time and have led to the current practices and structures. Each national chapter considers the historical tradition and place of theatre within the country and analyses the role of the state in fostering theatre during the last fifty years. Material from the national chapters has been used in two general chapters at the beginning and end of the book to provide an overview to developments in all Western Europe. The introductory chapter on decentralisation discusses the tendency amongst governments to encourage cultural development outside the national capital by providing subsidy for regional theatre venues and theatre companies and, in many cases, by developing the decision-making and budgetary powers for the theatre to regional and local authorities. The epilogue on the functioning of theatre examines the common structures of theatre in society as described in the seventeen national chapters, and it proposes areas for future research.



Inventing The Performing Arts


Inventing The Performing Arts
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Author : Matthew Isaac Cohen
language : en
Publisher: University of Hawaii Press
Release Date : 2016-02-29

Inventing The Performing Arts written by Matthew Isaac Cohen and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-29 with History categories.


Indonesia, with its mix of ethnic cultures, cosmopolitan ethos, and strong national ideology, offers a useful lens for examining the intertwining of tradition and modernity in globalized Asia. In Inventing the Performing Arts, Matthew Isaac Cohen explores the profound change in diverse arts practices from the nineteenth century until 1949. He demonstrates that modern modes of transportation and communication not only brought the Dutch colony of Indonesia into the world economy, but also stimulated the emergence of new art forms and modern attitudes to art, disembedded and remoored traditions, and hybridized foreign and local. In the nineteenth century, access to novel forms of entertainment, such as the circus, and newspapers, which offered a new language of representation and criticism, wrought fundamental changes in theatrical, musical, and choreographic practices. Musical drama disseminated print literature to largely illiterate audiences starting in the 1870s, and spoken drama in the 1920s became a vehicle for exploring social issues. Twentieth-century institutions—including night fairs, the recording industry, schools, itinerant theatre, churches, cabarets, round-the-world cruises, and amusement parks—generated new ways of making, consuming, and comprehending the performing arts. Concerned over the loss of tradition and "Eastern" values, elites codified folk arts, established cultural preservation associations, and experimented in modern stagings of ancient stories. Urban nationalists excavated the past and amalgamated ethnic cultures in dramatic productions that imagined the Indonesian nation. The Japanese occupation (1942–1945) was brief but significant in cultural impact: plays, songs, and dances promoting anti-imperialism, Asian values, and war-time austerity measures were created by Indonesian intellectuals and artists in collaboration with Japanese and Korean civilian and military personnel. Artists were registered, playscripts censored, training programs developed, and a Cultural Center established. Based on more than two decades of archival study in Indonesia, Europe, and the United States, this richly detailed, meticulously researched book demonstrates that traditional and modern artistic forms were created and conceived, that is "invented," in tandem. Intended as a general historical introduction to the performing arts in Indonesia, it will be of great interest to students and scholars of Indonesian performance, Asian traditions and modernities, global arts and culture, and local heritage.