Aaron Copland In Latin America


Aaron Copland In Latin America
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Aaron Copland In Latin America


Aaron Copland In Latin America
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Author : Carol A. Hess
language : en
Publisher: University of Illinois Press
Release Date : 2023-06-06

Aaron Copland In Latin America written by Carol A. Hess and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-06-06 with Music categories.


Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics.



Inter American Series


Inter American Series
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Author :
language : en
Publisher:
Release Date : 1938

Inter American Series written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1938 with categories.




Aaron Copland


Aaron Copland
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Author : Howard Pollack
language : en
Publisher: University of Illinois Press
Release Date : 2000

Aaron Copland written by Howard Pollack and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Biography & Autobiography categories.


Features the biography of Aaron Copland, his life, and his music.



Latin American Composers And Their Problems


Latin American Composers And Their Problems
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Author : William Berrien
language : en
Publisher:
Release Date : 1938

Latin American Composers And Their Problems written by William Berrien and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1938 with Music categories.




Aaron Copland


Aaron Copland
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Author : Aaron Copland
language : en
Publisher: Psychology Press
Release Date : 2004

Aaron Copland written by Aaron Copland and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Biography & Autobiography categories.


First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.



Aaron Copland


Aaron Copland
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Author : Marta Robertson
language : en
Publisher: Routledge
Release Date : 2003-08-27

Aaron Copland written by Marta Robertson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-08-27 with Biography & Autobiography categories.


Aaron Copland (1900-1990) is generally considered the most popular and well-known composer of American art music, and yet little scholarly attention has been paid to Copland since the 1950s. This volume begins with a portrait of the composer and an evaluation of significant research trends which is intended to fill a void and to suggest directions for further research. The guide also provides a section discussing Copland's interdisciplinary interests, such as ballet and film work, as well as a comprehensive bibliography of writings about Copland and his music.



Music For The Common Man Aaron Copland During The Depression And War


Music For The Common Man Aaron Copland During The Depression And War
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Author : Elizabeth B. Crist Assistant Professor of Musicology University of Texas at Austin
language : en
Publisher: Oxford University Press, USA
Release Date : 2005-10-27

Music For The Common Man Aaron Copland During The Depression And War written by Elizabeth B. Crist Assistant Professor of Musicology University of Texas at Austin and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-10-27 with Music categories.


In the 1930s, Aaron Copland began to write in an accessible style he described as "imposed simplicity." Works like El Salon Mexico, Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a tuneful idiom that brought the composer unprecedented popular success and came to define an American sound. Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked. While it has long been acknowledged that Copland subscribed to leftwing ideals, Music for the Common Man is the first sustained attempt to understand some of Copland's best-known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. Musicologist Elizabeth Crist argues that Copland's politics never merely accorded with mainstream New Deal liberalism, wartime patriotism, and Communist Party aesthetic policy, but advanced a progressive vision of American society and culture. Copland's music can be heard to accord with the political tenets of progressivism in the 1930s and '40s, including a fundamental sensitivity toward those less fortunate, support of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Crist explores how his works wrestle with the political complexities and cultural contradictions of the era by investing symbols of America--the West, folk song, patriotism, or the people--with progressive social ideals. Much as been written on the relationship between politics and art in the 1930s and '40s, but very little on concert music of the era. Music for the Common Man offers fresh insights on familiar pieces and the political context in which they emerged.



Beyond Bola O


Beyond Bola O
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Author : Héctor Hoyos
language : en
Publisher: Columbia University Press
Release Date : 2015-01-27

Beyond Bola O written by Héctor Hoyos and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-27 with Literary Collections categories.


Through a comparative analysis of the novels of Roberto Bolaño and the fictional work of César Aira, Mario Bellatin, Diamela Eltit, Chico Buarque, Alberto Fuguet, and Fernando Vallejo, among other leading authors, Héctor Hoyos defines and explores new trends in how we read and write in a globalized era. Calling attention to fresh innovations in form, voice, perspective, and representation, he also affirms the lead role of Latin American authors in reshaping world literature. Focusing on post-1989 Latin American novels and their representation of globalization, Hoyos considers the narrative techniques and aesthetic choices Latin American authors make to assimilate the conflicting forces at work in our increasingly interconnected world. Challenging the assumption that globalization leads to cultural homogenization, he identifies the rich textual strategies that estrange and re-mediate power relations both within literary canons and across global cultural hegemonies. Hoyos shines a light on the unique, avant-garde phenomena that animate these works, such as modeling literary circuits after the dynamics of the art world, imagining counterfactual "Nazi" histories, exposing the limits of escapist narratives, and formulating textual forms that resist worldwide literary consumerism. These experiments help reconfigure received ideas about global culture and advance new, creative articulations of world consciousness.



Music In Latin America And The Caribbean An Encyclopedic History


Music In Latin America And The Caribbean An Encyclopedic History
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Author : Malena Kuss
language : en
Publisher: University of Texas Press
Release Date : 2010-07-05

Music In Latin America And The Caribbean An Encyclopedic History written by Malena Kuss and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-05 with Music categories.


The music of the peoples of South and Central America, Mexico, and the Caribbean has never received a comprehensive treatment in English until this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Within a history marked by cultural encounters and dislocations, music emerges as the powerful tool that negotiates identities, enacts resistance, performs belief, and challenges received aesthetics. This work, more than two decades in the making, was conceived as part of "The Universe of Music: A History" project, initiated by and developed in cooperation with the International Music Council, with the goals of empowering Latin Americans and Caribbeans to shape their own musical history and emphasizing the role that music plays in human life. The four volumes that constitute this work are structured as parts of a single conception and gather 150 contributions by more than 100 distinguished scholars representing 36 countries. Volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico, focuses on the inextricable relationships between worldviews and musical experience in the current practices of indigenous groups. Worldviews are built into, among other things, how music is organized and performed, how musical instruments are constructed and when they are played, choreographic formations, the structure of songs, the assignment of gender to instruments, and ritual patterns. Two CDs with 44 recorded examples illustrate the contributions to this rich volume.



The Sound Of A Superpower


The Sound Of A Superpower
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Author : Emily Abrams Ansari
language : en
Publisher: Oxford University Press
Release Date : 2018-05-15

The Sound Of A Superpower written by Emily Abrams Ansari and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-15 with Music categories.


Classical composers seeking to create an American sound enjoyed unprecedented success during the 1930s and 1940s. Aaron Copland, Roy Harris, Howard Hanson and others brought national and international attention to American composers for the first time in history. In the years after World War II, however, something changed. The prestige of musical Americanism waned rapidly as anti-Communists made accusations against leading Americanist composers. Meanwhile a method of harmonic organization that some considered more Cold War-appropriate--serialism--began to rise in status. For many composers and historians, the Cold War had effectively "killed off" musical Americanism. In The Sound of a Superpower: Musical Americanism and the Cold War, Emily Abrams Ansari offers a fuller, more nuanced picture of the effect of the Cold War on Americanist composers. The ideological conflict brought both challenges and opportunities. Some Americanist composers struggled greatly in this new artistic and political environment. Those with leftist politics sensed a growing gap between the United States that their music imagined and the aggressive global superpower that their nation seemed to be becoming. But these same composers would find unique opportunities to ensure the survival of musical Americanism thanks to the federal government, which wanted to use American music as a Cold War propaganda tool. By serving as advisors to cultural diplomacy programs and touring as artistic ambassadors, the Americanists could bring their now government-backed music to new global audiences. Some with more right-wing politics, meanwhile, would actually flourish in the new ideological environment, by aligning their music with Cold War conceptions of American identity. The Americanists' efforts to safeguard the reputation of their style would have significant consequences. Ultimately, Ansari shows, they effected a rebranding of musical Americanism, with consequences that remain with us today.