Abbas Kiarostami And Film Philosophy
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Abbas Kiarostami And Film Philosophy
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Author : Mathew Abbott
language : en
Publisher: Edinburgh University Press
Release Date : 2016-10-27
Abbas Kiarostami And Film Philosophy written by Mathew Abbott and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-27 with Philosophy categories.
A deflationary, anti-theoretical film-philosophy through the cinema of Abbas KiarostamiMathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostamis films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, NoAl Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostamis most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love.
Where Is Abbas Kiarostami
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Author : Hamid Dabashi
language : en
Publisher:
Release Date : 2025-01-21
Where Is Abbas Kiarostami written by Hamid Dabashi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-01-21 with Art categories.
When Abbas Kiarostami suddenly passed away in July 2016, he was already an iconic figure in world cinema--and his reputation as a master filmmaker has only grown since. In this book, celebrated scholar Hamid Dabashi offers a new way of looking at Kiarostami's art world, one that questions the very idea of film philosophy. Dabashi's authoritative account of the philosophical resonances of Kiarostami's oeuvre offers an iconoclastic critique of the field's Eurocentrism and, in vivid prose, makes the case for a new method of appreciating the work of this essential figure. The result is a provocative perspective on the totality of Kiarostami's legacy that, with deep roots in Iranian aesthetic and Persian poetic and philosophical traditions, overcomes film's provincial preoccupation with its Western heritage and charts a new path forward for film philosophy.
Trust In The World
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Author : Josef Früchtl
language : en
Publisher: Routledge
Release Date : 2017-09-20
Trust In The World written by Josef Früchtl and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-20 with Philosophy categories.
This book examines the theory, originally raised in Gilles Deleuze’s philosophy of film, that cinema has the power to restore our trust in the world. Früchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting. Cinema shares this ability with other arts, but what sets it apart in particular is that it evokes Modernity and its principle of subjectivity. This book further develops the idea of trust and cinema by synthesizing the philosophies of complementary thinkers such as Kant, Nancy, Agamben, Benjamin and Rancière. It concludes with examination of Cavell’s solution to the problem of scepticism and a synthesis of Kantian aesthetic theory with Cavellian pragmatism. Originally published in German under the title Vertrauen in die Welt, this English-language translation features a new introduction that situates Früchtl’s work within contemporary analytical philosophy of film. It will be of interest to scholars working in Continental aesthetics, philosophy of film, and film theory.
Iranian Cinema And Philosophy
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Author : Farhang Erfani
language : en
Publisher: Springer
Release Date : 2012-01-02
Iranian Cinema And Philosophy written by Farhang Erfani and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-02 with Performing Arts categories.
In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
Abbas Kiarostami And Film Philosophy
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Author : Mathew Abbott
language : en
Publisher: Edinburgh University Press
Release Date : 2016-10-27
Abbas Kiarostami And Film Philosophy written by Mathew Abbott and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-27 with Philosophy categories.
A deflationary, anti-theoretical film-philosophy through the cinema of Abbas KiarostamiMathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostamis films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, NoAl Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostamis most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love.
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Author : Jean-Luc Nancy
language : fr
Publisher: Yves Gevaert
Release Date : 2007
written by Jean-Luc Nancy and has been published by Yves Gevaert this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Performing Arts categories.
Pour les cent ans du cinema, en 1994, les Cahiers du cinema avaient voulu faire un livre dans lequel cent auteurs ecriraient sur cent films afin de composer une imaginaire histoire du cinema. Jean-Luc Nancy presente ainsi des les premieres pages les peripeties qui ont mene a la naissance de L'evidence du film. Abbas Kiarostami, que l'on peut voir comme une longue conversation avec le realisateur iranien sur le rapport entre l'image, la photographie et le cinema. Il y aborde la problematique de l'image et du regard, analysant ensuite la matiere grace a l'interview de Kiarostami, " realisateur qui fait du cinema et en meme temps qui est en dehors du cinema ."
The Cinema Of Abbas Kiarostami
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Author : Alberto Elena
language : en
Publisher: Saqi Books
Release Date : 2005
The Cinema Of Abbas Kiarostami written by Alberto Elena and has been published by Saqi Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Biography & Autobiography categories.
Abbas Kiarostami's films have taken their place alongside the masterworks of world cinema. Respected cinema historian Alberto Elena, using Iranian sources wherever possible, has written a comprehensive and instructive overview of Kiarostami's work.
Non Cinema
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Author : William Brown
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2018-07-12
Non Cinema written by William Brown and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-12 with Performing Arts categories.
Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded – the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.
Imaging Religion In Film
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Author : M. Gail Hamner
language : en
Publisher: Springer
Release Date : 2012-01-25
Imaging Religion In Film written by M. Gail Hamner and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-25 with Social Science categories.
This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa's Dersu Uzala ; Kiarostami's Taste of Cherry ; and the Coens' The Man Who Wasn't There .
Philosophers On Film From Bergson To Badiou
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Author : Christopher Kul-Want
language : en
Publisher: Columbia University Press
Release Date : 2019-10-15
Philosophers On Film From Bergson To Badiou written by Christopher Kul-Want and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-15 with Performing Arts categories.
Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each accompanied by an introduction and exposition by the editor, Christopher Kul-Want, that places the philosophers within a historical and intellectual framework of aesthetic and social thought. Encompassing a range of intellectual traditions—Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories—this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and Silverman. Many of the texts discuss cinema as a mass medium; others develop phenomenological analyses of particular films. Reflecting upon the potential of films to challenge dominant forms of ideology, the anthology considers the ways in which they can disrupt the clichés of capitalist images and offer radical possibilities for creating new worlds of visceral experience outside the grasp of habitual forms of knowledge and subjectivity. Ranging from the early silent period of cinema through the classics of European and Hollywood cinema to the early twenty-first century, the films discussed offer a vivid sense of these philosophers’ concepts and ideas, casting new light on the history of cinema. This reader is an essential and valuable resource for a wide range of courses in film and philosophy.