Abstract Musical Intervals
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Abstract Musical Intervals
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Author : Ming Tsao
language : en
Publisher: Lulu.com
Release Date : 2007
Abstract Musical Intervals written by Ming Tsao and has been published by Lulu.com this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Music categories.
This book is an introduction to GIS (Generalized Interval Systems) theory that includes the major results of pitch-class theory. It provides mathematicians with applications of group theory to music and music theorists with the essential connections between GIS theory and pitch-class theory. Many of the results in pitch-class theory are not addressed by David Lewin (such as power functions or the Common Tone Theorem for inversions). The book states those results and generalizes them to conform with GIS theory. Finally, it addresses recent criticisms leveled at pitch-class theory and suggests how they can be addressed in GIS theory.
Generalized Musical Intervals And Transformations
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Author : David Lewin
language : en
Publisher: Oxford University Press, USA
Release Date : 2011
Generalized Musical Intervals And Transformations written by David Lewin and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Music categories.
Generalized Musical Intervals and Transformations is by far the most significant contribution to the field of systematic music theory in the last half-century, generating the framework for the "transformational theory" movement.
Proceedings Of The Worldwide Music Conference 2021
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Author : Ildar D. Khannanov
language : en
Publisher: Springer Nature
Release Date : 2021-09-07
Proceedings Of The Worldwide Music Conference 2021 written by Ildar D. Khannanov and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-09-07 with Music categories.
This Volume II of the Proceedings of the Worldwide Music Conference 2021 continues the line of publications of the first volume in a highly interdisciplinary mode. This time, we offer eight chapters that provide the in-depth study of music in four large sub-fields: mathematics, language and theory of narrative, evolution and perception, and, finally, sociology. The first chapter, by Roman Ruditsa, is devoted to the study of structural pitch organization. This is based upon a formal logical interpretation of the idea of pitch. The chapter contains formal definitions of such objects as tones, intervals, and interval systems and a demonstration of the logical relationships that exist between them. The second chapter, in the same mathematical venue, by Celina Richter and Stefan E. Schmidt, revisits the millennial question of the essence of an interval, using highly advanced mathematical language, the categories of monoid and the algebraic theory of measurement. The next block is dedicated to language and narrative; the first chapter is by Vincent Meelberg. Here, the reader will find fascinating developments in the ongoing deliberations on this elusive category. The name of Trevor Rawbone, perhaps, does not need an introduction to those involved with cognitive studies of music. This time, his chapter deals with the idea of the language of musical thought, which shifts the traditional discussion of language into a very new dimension. Carlos Almada begins a new section in the book, the one dedicated to evolution and perception. He begins with Darwin and takes us through the exciting path of development of the science of evolution, which he masterfully connects to his model of derivative analysis of music. The question of psycho-physiological foundation of the ethnic hearing, raised in the chapter by Аlla V. Toropova and Irina N. Simakova, is a difficult one. The idea of ethnic character of music had been a part of traditional musicology and usually was expressed in specific language of humanities. The chapter by Daniil Shutko on the theoretical ideas of the legendary professor of St. Petersburg conservatory, Dr. Tatiana Bershadskaya, was difficult to put into any category. Her concept of music was truly universal and interdisciplinary. At the same time, the concept and Shutko’s description are as closely focused on music theory in a narrow and precise sense as possible. The art and culture of consumption of wine in correlation with the choice of music for listening is a theme for a true connoisseur. It becomes even more intriguing when the authors, Diego Pérez-Fuertes, Emma Juaneda-Ayensa and Cristina Olarte-Pascual, add to the discussion the special circumstance of the pandemic and the way human spirit meets this challenge in the most graceful way.
Essay On Musical Intervals Harmonics And The Temperament Of The Musical Scale C
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Author : Wesley Stoker Barker Woolhouse
language : en
Publisher:
Release Date : 1835
Essay On Musical Intervals Harmonics And The Temperament Of The Musical Scale C written by Wesley Stoker Barker Woolhouse and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1835 with Music categories.
Essay On Musical Intervals Harmonics And The Temperament Of The Musical Scale
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Author : Wesley Stoker Barker Woolhouse
language : en
Publisher:
Release Date : 1835
Essay On Musical Intervals Harmonics And The Temperament Of The Musical Scale written by Wesley Stoker Barker Woolhouse and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1835 with Music categories.
Neurobiology Of Interval Timing
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Author : Hugo Merchant
language : en
Publisher: Springer
Release Date : 2014-10-30
Neurobiology Of Interval Timing written by Hugo Merchant and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-30 with Medical categories.
The study of how the brain processes temporal information is becoming one of the most important topics in systems, cellular, computational, and cognitive neuroscience, as well as in the physiological bases of music and language. During the last and current decade, interval timing has been intensively studied in humans and animals using increasingly sophisticated methodological approaches. The present book will bring together the latest information gathered from this exciting area of research, putting special emphasis on the neural underpinnings of time processing in behaving human and non-human primates. Thus, Neurobiology of Interval Timing will integrate for the first time the current knowledge of both animal behavior and human cognition of the passage of time in different behavioral context, including the perception and production of time intervals, as well as rhythmic activities, using different experimental and theoretical frameworks. The book will the composed of chapters written by the leading experts in the fields of psychophysics, functional imaging, system neurophysiology, and musicology. This cutting-edge scientific work will integrate the current knowledge of the neurobiology of timing behavior putting in perspective the current hypothesis of how the brain quantifies the passage of time across a wide variety of critical behaviors.
Essay On Musical Intervals Harmonics And The Temperament Of The Musical Scale
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Author : Wesley Stoker B Woolhouse
language : en
Publisher: Literary Licensing, LLC
Release Date : 2014-08-07
Essay On Musical Intervals Harmonics And The Temperament Of The Musical Scale written by Wesley Stoker B Woolhouse and has been published by Literary Licensing, LLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-07 with categories.
This Is A New Release Of The Original 1835 Edition.
Musica Ficta
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Author : Karol Berger
language : en
Publisher: Cambridge University Press
Release Date : 2004-01-05
Musica Ficta written by Karol Berger and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-01-05 with Music categories.
Clarifies the conventions governing the practice of implied accidentals in vocal polyphony from the fourteenth to sixteenth centuries.
Essay On Musical Intervals Harmonics And The Temperament Of The Musical Scale C
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Author : Wesley Stoker B. Woolhouse
language : en
Publisher:
Release Date : 2017-08-20
Essay On Musical Intervals Harmonics And The Temperament Of The Musical Scale C written by Wesley Stoker B. Woolhouse and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-08-20 with Literary Collections categories.
Graph Theoretical Models Of Abstract Musical Transformation
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Author : Jeffrey Johnson
language : en
Publisher: Greenwood
Release Date : 1997-08-21
Graph Theoretical Models Of Abstract Musical Transformation written by Jeffrey Johnson and has been published by Greenwood this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-08-21 with Mathematics categories.
An introduction to a new way of modeling musical surfaces for theorists and for generating precompositional relationships for composers, this unique music theory reference work introduces, classifies, and enumerates graph theoretical models for musical transformations in compositional and analytical applications. It also provides a practical application of musical applications for students of graph theory and could serve as an introduction to the further cross-integration of these two disciplines. Of interest to scholars, advanced music theory students, and composers, this work endeavors to facilitate the expression and understanding of musical ideas by presenting an unexplored way of notating relationships between transformational objects that is not attached to specific compositional or analytical systems. Graph theoretical models of abstract musical transformations supplement and refine the ability to articulate orderings with pitch structures in analytical environments. An extended analysis of the opening section of Form IV: Broken Sequences by Stefan Wolpe is used as a demonstration. The use of these diagrams to generate compositional surfaces differs slightly from their use in analysis: an analytical model relates to a single musical surface, whereas compositional applications can be used to generate any potential surface derived from construction of the graphs.