An Ethics Of Improvisation
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An Ethics Of Improvisation
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Author : Tracey Nicholls
language : en
Publisher: Bloomsbury Publishing PLC
Release Date : 2012-03-09
An Ethics Of Improvisation written by Tracey Nicholls and has been published by Bloomsbury Publishing PLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-09 with Philosophy categories.
An Ethics of Improvisation takes up the puzzles and lessons of improvised music in order to theorize the building blocks of a politically just society. The investigation of what politics can learn from the people who perform and listen to musical improvisation begins with an examination of current social discourses about “the political” and an account of what social justice could look like. From there, the book considers what a politically just society’s obligations are to people who do not want to be part of the political community, establishing respect for difference as a fundamental principle of social interaction. What this respect for difference entails when applied to questions of the aesthetic value of music is aesthetic pluralism, the book argues. Improvised jazz, in particular, embodies different values than those of the Western classical tradition, and must be judged on its own terms if it is to be respected. Having established the need for aesthetic pluralism in order to respect the diversity of musical traditions, the argument turns back to political theory, and considers what distinct resources improvisation theory—the theorizing of the social context in which musical improvisation takes place—has to offer established political philosophy discourses of deliberative democracy and the politics of recognition—already themselves grounded in a respect for difference. This strand of the argument takes up the challenge, familiar to peace studies, of creative ways to rebuild fractured civil societies. Throughout all of these intertwined discussions, various behaviors, practices, and value-commitments are identified as constituent parts of the “ethics of improvisation” that is articulated in the final chapter as the strategy through which individuals can collaboratively build responsive democratic communities.
An Ethics Of Improvisation
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language : en
Publisher:
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An Ethics Of Improvisation written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
The Fierce Urgency Of Now
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Author : Daniel Fischlin
language : en
Publisher: Duke University Press
Release Date : 2013-06-14
The Fierce Urgency Of Now written by Daniel Fischlin and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-14 with Music categories.
The Fierce Urgency of Now links musical improvisation to struggles for social change, focusing on the connections between the improvisation associated with jazz and the dynamics of human rights struggles and discourses. The authors acknowledge that at first glance improvisation and rights seem to belong to incommensurable areas of human endeavor. Improvisation connotes practices that are spontaneous, personal, local, immediate, expressive, ephemeral, and even accidental, while rights refer to formal standards of acceptable human conduct, rules that are permanent, impersonal, universal, abstract, and inflexible. Yet the authors not only suggest that improvisation and rights can be connected; they insist that they must be connected. Improvisation is the creation and development of new, unexpected, and productive cocreative relations among people. It cultivates the capacity to discern elements of possibility, potential, hope, and promise where none are readily apparent. Improvisers work with the tools they have in the arenas that are open to them. Proceeding without a written score or script, they collaborate to envision and enact something new, to enrich their experience in the world by acting on it and changing it. By analyzing the dynamics of particular artistic improvisations, mostly by contemporary American jazz musicians, the authors reveal improvisation as a viable and urgently needed model for social change. In the process, they rethink politics, music, and the connections between them.
Improvisation
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Author : Samuel Wells
language : en
Publisher: Baker Academic
Release Date : 2018-11-06
Improvisation written by Samuel Wells and has been published by Baker Academic this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-06 with Religion categories.
This introductory textbook establishes theatrical improvisation as a model for Christian ethics, helping Christians embody their faith in the practices of discipleship. Clearly, accessibly, and creatively written, it has been well received as a text for courses in Christian ethics. The repackaged edition has updated language and recent relevant resources, and it includes a new afterword by Wesley Vander Lugt and Benjamin D. Wayman that explores the reception and ongoing significance of the text.
An Ethics Of Improvisation
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Author : Tracey Nicholls
language : en
Publisher: Lexington Books
Release Date : 2012-01-01
An Ethics Of Improvisation written by Tracey Nicholls and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-01 with Social Science categories.
This book explores the intersection of improvised music-making and political community-building, with particular attention to creative ways to redress historic injustices and to constitute responsive, democratic societies.
Philosophy Of Improvisation
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Author : Susanne Ravn
language : en
Publisher: Routledge
Release Date : 2021-05-31
Philosophy Of Improvisation written by Susanne Ravn and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-31 with Philosophy categories.
This volume brings together philosophical and interdisciplinary perspectives on improvisation. The contributions connect the theoretical dimensions of improvisation with different viewpoints on its practice in the arts and the classroom. The chapters address the phenomenon of improvisation in two related ways. On the one hand, they attend to the lived practices of improvisation both within and without the arts in order to explain the phenomenon. They also extend the scope of improvisational practices to include the role of improvisation in habit and in planned action, at both individual and collective levels. Drawing on recent work done in the philosophy of mind, they address questions such as whether improvisation is a single unified phenomenon or whether it entails different senses that can be discerned theoretically and practically. Finally, they ask after the special kind of improvisational expertise which characterizes musicians, dancers, and other practitioners, an expertise marked by the artist’s ability to participate competently in complex situations while deliberately relinquishing control. Philosophy of Improvisation will appeal to anyone with a strong interest in improvisation, to researchers working in philosophy, aesthetics, and pedagogy as well as practitioners involved in different kinds of music, dance, and theater performances.
The Oxford Handbook Of Critical Improvisation Studies
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Author : George Lewis
language : en
Publisher: Oxford University Press
Release Date : 2016
The Oxford Handbook Of Critical Improvisation Studies written by George Lewis and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.
V. 1. Cognitions -- v. 2. Critical theories
Improvisation And Music Education
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Author : Ajay Heble
language : en
Publisher: Routledge
Release Date : 2016-02-19
Improvisation And Music Education written by Ajay Heble and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-19 with Education categories.
This book offers compelling new perspectives on the revolutionary potential of improvisation pedagogy. Bringing together contributions from leading musicians, scholars, and teachers from around the world, the volume articulates how improvisation can breathe new life into old curricula; how it can help teachers and students to communicate more effectively; how it can break down damaging ideological boundaries between classrooms and communities; and how it can help students become more thoughtful, engaged, and activist global citizens. In the last two decades, a growing number of music educators, music education researchers, musicologists, cultural theorists, creative practitioners, and ethnomusicologists have suggested that a greater emphasis on improvisation in music performance, history, and theory classes offers enormous potential for pedagogical enrichment. This book will help educators realize that potential by exploring improvisation along a variety of trajectories. Essays offer readers both theoretical explorations of improvisation and music education from a wide array of vantage points, and practical explanations of how the theory can be implemented in real situations in communities and classrooms. It will therefore be of interest to teachers and students in numerous modes of pedagogy and fields of study, as well as students and faculty in the academic fields of music education, jazz studies, ethnomusicology, musicology, cultural studies, and popular culture studies.
The Improvisation Of Musical Dialogue
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Author : Bruce Ellis Benson
language : en
Publisher: Cambridge University Press
Release Date : 2003-02-27
The Improvisation Of Musical Dialogue written by Bruce Ellis Benson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-02-27 with Music categories.
This book is an important contribution to the philosophy of music. Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that it is improvisation that is primary in the moment of music making.It will be a provocative read.