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An Eye For Music

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An Eye For Music

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Author : John Richardson
language : en
Publisher: Oxford University Press on Demand
Release Date : 2012-01-26

An Eye For Music written by John Richardson and has been published by Oxford University Press on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-26 with Music categories.

In An Eye for Music, John Richardson navigates key areas of current thought - from music theory to film theory to cultural theory - to explore what it means that the experience of music is now cinematic, spatial, and visual as much as it is auditory.

The Music Of The Eye Or Essays On The Principles Of The Beauty And Perfection Of Architecture In The Three First Chapters Of Vitruvius

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Author : Peter Legh
language : en
Publisher:
Release Date : 1831

The Music Of The Eye Or Essays On The Principles Of The Beauty And Perfection Of Architecture In The Three First Chapters Of Vitruvius written by Peter Legh and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1831 with categories.

Eye Hear The Visual In Music

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Author : Simon Shaw-Miller
language : en
Publisher: PHP研究所
Release Date : 2013

Eye Hear The Visual In Music written by Simon Shaw-Miller and has been published by PHP研究所 this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art and music categories.

'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music's multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.

Eye Hear The Visual In Music

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Author : Simon Shaw-Miller
language : en
Publisher: Routledge
Release Date : 2017-07-05

Eye Hear The Visual In Music written by Simon Shaw-Miller and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.

'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music?s multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.