An Introduction To Chinese Art
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An Introduction To Chinese Art
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Author : Michael Sullivan
language : en
Publisher: Univ of California Press
Release Date :
An Introduction To Chinese Art written by Michael Sullivan and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
An Introduction To Chinese Art
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Author : Mario Prodan
language : en
Publisher: London : Spring Books
Release Date : 1966
An Introduction To Chinese Art written by Mario Prodan and has been published by London : Spring Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 1966 with Art categories.
An Introduction To Chinese Art
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Author : Michael Sullivan
language : en
Publisher: Univ of California Press
Release Date : 2023-12-22
An Introduction To Chinese Art written by Michael Sullivan and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-22 with Art categories.
The Art Book Of Chinese Paintings
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Author : Ming Deng
language : en
Publisher:
Release Date : 2006
The Art Book Of Chinese Paintings written by Ming Deng and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Art categories.
An introduction to a millennium's worth of Chinese paintings features 400 classical works by more than 240 artists that represent their different historical periods, in a volume that offers insight into how Chinese art uniquely reflects cultural perspectives and the natural world.
Philosophy Of Chinese Art
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Author : Zhu Zhirong
language : en
Publisher: Routledge
Release Date : 2021-09-16
Philosophy Of Chinese Art written by Zhu Zhirong and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-09-16 with Philosophy categories.
This title provides a systematic examination of the philosophy of Chinese art, exploring the peculiarity of artistic forms and distinctive conceptions and artistic principles of Chinese art which are grounded in the life awareness of the ancient Chinese and interconnect with the Chinese philosophy of life. Synthesizing Chinese theories of art with Western philosophical systems, the book is organized into five parts: (1) the subject, the actor who creates, appreciates, and criticizes artistic works; (2) ontological aspects, that is, the artwork per se and the dynamic process of creation; (3) aesthetic traits, the organic whole constituted by rhythm, meter, the principle of harmony, and space-time awareness; (4) artistic representation, which is manifested in the rhythm of vital energy, momentum of genre, vigour of style, and taste and inclination; and (5) the evolution of Chinese art. Based on this structural thread, the author looks into the interwoven relationship between the philosophy of Chinese art and ancient Chinese thought in terms of the spirit of life, nature–human relations, and ontological awareness of human-centredness. The book will appeal to scholars, students, and general readers interested in aesthetics, art theory, art philosophy, Chinese art, and ancient Chinese culture.
An Introduction To Chinese Art 0
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Author : Michael 1916-2013 Sullivan
language : en
Publisher: Hassell Street Press
Release Date : 2021-09-09
An Introduction To Chinese Art 0 written by Michael 1916-2013 Sullivan and has been published by Hassell Street Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-09-09 with categories.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An Introduction To The History Of Chinese Pictorial Art
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Author : Herbert Allen Giles
language : en
Publisher:
Release Date : 1905
An Introduction To The History Of Chinese Pictorial Art written by Herbert Allen Giles and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1905 with Art categories.
Chinese Antiquities
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Author : Ms Audrey Wang
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2012-07-01
Chinese Antiquities written by Ms Audrey Wang and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-01 with Art categories.
Chinese Antiquities: An Introduction to the Art Market provides an essential guide to the growing market for Chinese antiquities, encompassing all sectors of the market, from Classical Chinese paintings and calligraphy to ceramics, jade, bronze and ritual sculpture. Aimed at current and aspiring collectors, investors and galleries interested in Chinese antiquities, the book sets out to demystify the process of buying and selling in the Asian context, highlighting Asia-specific issues that market-players might encounter and making this category of art more accessible to newcomers to the market.
China Art Modernity
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Author : David Clarke
language : en
Publisher: Hong Kong University Press
Release Date : 2019-01-22
China Art Modernity written by David Clarke and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-22 with Art categories.
China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London
The Reception Of Chinese Art Across Cultures
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Author : Michelle Ying Ling Huang
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2014-10-02
The Reception Of Chinese Art Across Cultures written by Michelle Ying Ling Huang and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-02 with Art categories.
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.