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Ansina Me Llaman Y Ansina Yo Soy

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Ansina Me Llaman Y Ansina Yo Soy

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Author :
language : es
Publisher:
Release Date : 1996

Ansina Me Llaman Y Ansina Yo Soy written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Black people categories.

Afro Uruguayan Literature

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Author : Marvin A. Lewis
language : en
Publisher: Bucknell University Press
Release Date : 2003

Afro Uruguayan Literature written by Marvin A. Lewis and has been published by Bucknell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Literary Criticism categories.

This is a continuing process to which the written record holds the key. It has been common knowledge among literary historians that Afro-Uruguayans published a number of periodicals beginning as early as 1872. It is only now, however, with recent discoveries in the National Library in Montevideo that the extent of this production has become evident. It is primarily through these periodicals, the focus here, that much of the cultural legacy of Afro-Uruguayans can be reconstructed."--BOOK JACKET.

Blackness In The White Nation

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Author : George Reid Andrews
language : en
Publisher: Univ of North Carolina Press
Release Date : 2010-10-18

Blackness In The White Nation written by George Reid Andrews and has been published by Univ of North Carolina Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-18 with History categories.

Uruguay is not conventionally thought of as part of the African diaspora, yet during the period of Spanish colonial rule, thousands of enslaved Africans arrived in the country. Afro-Uruguayans played important roles in Uruguay's national life, creating the second-largest black press in Latin America, a racially defined political party, and numerous social and civic organizations. Afro-Uruguayans were also central participants in the creation of Uruguayan popular culture and the country's principal musical forms, tango and candombe. Candombe, a style of African-inflected music, is one of the defining features of the nation's culture, embraced equally by white and black citizens. In Blackness in the White Nation, George Reid Andrews offers a comprehensive history of Afro-Uruguayans from the colonial period to the present. Showing how social and political mobilization is intertwined with candombe, he traces the development of Afro-Uruguayan racial discourse and argues that candombe's evolution as a central part of the nation's culture has not fundamentally helped the cause of racial equality. Incorporating lively descriptions of his own experiences as a member of a candombe drumming and performance group, Andrews consistently connects the struggles of Afro-Uruguayans to the broader issues of race, culture, gender, and politics throughout Latin America and the African diaspora generally.

No Ofendo Ni Temo

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Author : Leonardo Borges
language : es
Publisher: B DE BOOKS
Release Date : 2022-09-12

No Ofendo Ni Temo written by Leonardo Borges and has been published by B DE BOOKS this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-09-12 with History categories.

La pregunta que intenta responder este libro no es quién es Artigas, sino quién pensamos que es. No ofendo ni temo es la invitación a recorrer el imaginario que hemos creado sobre la figura de José Artigas a través de la canción, la poesía y la pintura, tratando de hallar en esta búsqueda las diferentes versiones que se han querido imponer a lo largo del tiempo, muchas veces ex profeso, de un héroe nacional sin rostro. Allí encontraremos al héroe de bronce idealizado hasta al extremo —«para la patria un dios»— pasando por un caudillo compañero con el que queremos conversar —«Che, José Gervasio»—, un líder traicionado al que reivindicamos con dolor —«porque José Gervasio de Artigas soñaba otra cosa»—, y un padre al que necesitamos asesinar para encontrar, al fin, nuestra propia identidad —«El día que Artigas se emborrachó». Los autores nos invitan a mirar a Artigas sin prejuicios y reflexionar sobre el poder que el arte ha tenido en nosotros para ir mostrándonos diferentes caras de un mismo héroe de acuerdo con un imaginario que, en algunos casos, se construyó motivado por intereses históricos concretos.