Any Sound You Can Imagine
DOWNLOAD
Download Any Sound You Can Imagine PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Any Sound You Can Imagine book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages. If the content not found or just blank you must refresh this page
Any Sound You Can Imagine
DOWNLOAD
Author : Paul Théberge
language : en
Publisher: Wesleyan University Press
Release Date : 1997-06-23
Any Sound You Can Imagine written by Paul Théberge and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-06-23 with Music categories.
Describes digital musical instruments, industries that supply and promote them, and the meanings they have for musicians. Winner of the International Association for the Study of Popular Music (IASPM) Book Award (1997) Recent innovations in musical instrument design are not simply a response to the needs of musicians, writes Paul Théberge; they also have become "a driving force with which musicians must contend." He argues that digital synthesizers, samplers, and sequencers in studio production and in the home have caused musicians to rely increasingly on manufacturers for both the instruments themselves as well as the very sounds and musical patterns that they use to make music. Musical practices have thus become allied with a new type of consumer practice that is altogether different from earlier relationships between musicians and their instruments as a means of production. Théberge places these developments within a broad social and historical perspective that examines the development of the musical instrument industry, particularly the piano industry, the economic and cultural role of musicians' magazines and computer networks, and the fundamental relationships between musical concepts, styles, and technology.
The Ashgate Research Companion To Popular Musicology
DOWNLOAD
Author : Derek B. Scott
language : en
Publisher: Routledge
Release Date : 2016-03-23
The Ashgate Research Companion To Popular Musicology written by Derek B. Scott and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-23 with Music categories.
The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
From Demo Tape To Record Deal
DOWNLOAD
Author : Daniel Levitan
language : en
Publisher: Alfred Music
Release Date :
From Demo Tape To Record Deal written by Daniel Levitan and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.
The process of getting a record deal can be long and frustrating. Five years is the average amount of time between the moment a band or musician decides they are ready for one until they actually get a contract. And it can take longer; bands who seem to be “overnight sensations” have often been playing together and making demos for seven to ten years. Having a good understanding of where you’re going and exactly what you are pursuing may make some of the inevitable setbacks less discouraging. With perseverance and the knowledge you will gain from playing the game long enough, you can greatly improve the odds of getting signed.
Damage Incorporated
DOWNLOAD
Author : Glenn Pillsbury
language : en
Publisher: Routledge
Release Date : 2013-09-05
Damage Incorporated written by Glenn Pillsbury and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-05 with Music categories.
"Damage Incorporated" is the first book about the legendary heavy metal band Metallica that provides a detailed exploration of the group’s music and its place within the wider popular music landscape. Written with a broad readership in mind, it offers an interdisciplinary study that incorporates a range of topics which intersect with the band’s music and cultural influence. For students of popular culture, mass media, and music, "Damage Incorporated" will be necessary reading, and sets a new standard for the study and exploration of metal within the field of popular music studies.
Push
DOWNLOAD
Author : Mike D'Errico
language : en
Publisher: Oxford University Press
Release Date : 2022
Push written by Mike D'Errico and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Performing Arts categories.
Push: Software Design and the Cultural Politics of Music Production shows how changes in the design of music software in the first decades of the twenty-first century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, user-friendly interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the industry standard, professional DAW of choice by incorporating design elements from pre-digital music technologies. Other software, like Cycling 74's Max, asserted its alterity to commercial DAWs by presenting users with nothing but a blank screen. These are more than just aesthetic design choices. Push examines the social, cultural, and political values designed into music software, and how those values become embodied by musical communities through production and performance. It reveals ties between the maximalist design of FL Studio, skeuomorphic design in Pro Tools, and gender inequity in the music products industry. It connects the computational thinking required by Max, as well as iZotope's innovations in artificial intelligence, with the cultural politics of Silicon Valley's design thinking. Finally, it thinks through what happens when software becomes hardware, and users externalize their screens through the use of MIDI controllers, mobile media, and video game controllers. Amidst the perpetual upgrade culture of music technology, Push provides a model for understanding software as a microcosm for the increasing convergence of globalization, neoliberal capitalism, and techno-utopianism that has come to define our digital lives.
Music Sound And Technology In America
DOWNLOAD
Author : Timothy D. Taylor
language : en
Publisher: Duke University Press
Release Date : 2012-06-19
Music Sound And Technology In America written by Timothy D. Taylor and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-19 with Business & Economics categories.
This reader collects primary documents on the phonograph, cinema, and radio before WWII to show how Americans slowly came to grips with the idea of recorded and mediated sound. Through readings from advertisements, newspaper and magazine articles, popular fiction, correspondence, and sheet music, one gains an understanding of how early-20th-century Americans changed from music makers into consumers.
Rethinking Music Through Science And Technology Studies
DOWNLOAD
Author : Antoine Hennion
language : en
Publisher: Taylor & Francis
Release Date : 2021-05-03
Rethinking Music Through Science And Technology Studies written by Antoine Hennion and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-03 with Music categories.
This volume seeks to offer a new approach to the study of music through the lens of recent works in Science and Technology Studies (STS). Applied to the study of music, this approach enables us to reconcile the human, social, factual, and technological aspects of the musical world, and opens the prospect of new areas of inquiry in musicology and sound studies. Drawing together contributions from a wide range of scholars, the book’s four sections focus on key areas of music study that are impacted by STS: organology, sound studies, music history, and epistemology.
Electronic Musical Instruments
DOWNLOAD
Author : Aaron Sequeira
language : en
Publisher: Smart Audio IL Mexico SAS de CV
Release Date : 2023-06-29
Electronic Musical Instruments written by Aaron Sequeira and has been published by Smart Audio IL Mexico SAS de CV this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-06-29 with Music categories.
We will address the historical development of the most relevant electronic instruments and explain each one without detailing their operation since many no longer operate today. In this sense, it is necessary to mention that it is not that the electronic instruments not developed in this volume do not matter, but that the importance of those addressed is much greater. Therefore, we will focus on the analysis of how they were manufactured and, where appropriate, how they evolved to become modern electronic music instruments. Since the design of new musical instruments has been complex, the instruments mentioned throughout this volume will not be explained primarily in technical detail. Still, the most relevant points will be mentioned as an introduction. Something that we must consider all the time when reading this volume is that all the instruments discussed have a common factor: their design has always been intrinsically linked to the technologies available to their inventor, depending on the time in which he lived. While many of them may seem somewhat outdated or childish when compared to those that exist today, we must never forget that most of these instruments ignored practices, aesthetic ideals, and industry standards about the time and place in which they were conceived, such as the ease of manufacture (the telharmonium is an incredible example), the sonic predictability and the economy of scale to be able to mass-manufacture them. For practical reasons, I have divided this volume into three sections: those developed in the 18th century, those produced in the 19th century, and finally, those manufactured in the 20th century, many of which are still in operation today. In this way, we will realize how most of the electronic instruments that are currently used are not more than a century old after they were manufactured for the first time, which is quite surprising. On the other hand, although a highly considerable number of patents for electronic instruments have been registered (especially in the 20th century), I have limited myself to mentioning the most relevant of them to have a notion of how it is that we got to the current point in this ambit. With this in mind, we will inevitably ask ourselves: Why have only very few of the electronic instruments discussed in this volume survived to date? Part of the answer to this question lies in the fact that those instruments that made it have had the capacity to adjust to the rapid and aggressive change of modernity, and because they have been conceived with too much intuition in mind; that is, they work perfectly or rarely fail, they generate familiarity in the consumer at the first contact, and their way of producing them has proven to be profitable for the investors behind the project or the company that manufactures them.
Vibe Merchants The Sound Creators Of Jamaican Popular Music
DOWNLOAD
Author : Ray Hitchins
language : en
Publisher: Routledge
Release Date : 2016-03-03
Vibe Merchants The Sound Creators Of Jamaican Popular Music written by Ray Hitchins and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-03 with Music categories.
Vibe Merchants offers an insider’s perspective on the development of Jamaican Popular Music, researched and analysed by a thirty-year veteran with a wide range of experience in performance, production and academic study. This rare perspective, derived from interviews and ethnographic methodologies, focuses on the actual details of music-making practice, rationalized in the context of the economic and creative forces that locally drive music production. By focusing on the work of audio engineers and musicians, recording studios and recording models, Ray Hitchins highlights a music creation methodology that has been acknowledged as being different to that of Europe and North America. The book leads to a broadening of our understanding of how Jamaican Popular Music emerged, developed and functions, thus providing an engaging example of the important relationship between music, technology and culture that will appeal to a wide range of scholars.
Sounds English
DOWNLOAD
Author : Nabeel Zuberi
language : en
Publisher: University of Illinois Press
Release Date : 2001
Sounds English written by Nabeel Zuberi and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Music categories.
"Zuberi looks at how the sounds, images, and lyrics of English popular music generate and critique ideas of national belonging, recasting the social and even the physical landscapes of cities like Manchester and London. The Smiths and Morrissey play on romanticized notions of the (white) English working class, while the Pet Shop Boys map a "queer urban Britain" in the AIDS era. The techno-culture of raves and dance clubs incorporates both an anti-institutional do-it-yourself politics and emergent leisure practices, while the potent mix of technology and creativity in British black music includes local conditions as well as a sense of global diaspora. British Asian musicians, drawing on Afrodiasporic and South Asian traditions, seek a sense of place in Britain as commercial interests try to pin down an image of them to market." "Sounds English shows how popular music complicates cherished notions of Englishness as it activates cultural outsiders and taps into a sense of not belonging."--BOOK JACKET.