Archaic Modernism
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Archaic Modernism
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Author : Christophe Szpajdel
language : en
Publisher:
Release Date : 2020
Archaic Modernism written by Christophe Szpajdel and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Gothic type categories.
Archaic Modernism
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Author : Daniel Humphrey
language : en
Publisher: Wayne State University Press
Release Date : 2020-11-10
Archaic Modernism written by Daniel Humphrey and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-10 with Art categories.
In Archaic Modernism, Daniel Humphrey offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini: Oedipus Rex (1967), Medea (1969), and Notes Towards an African Orestes (1970/1973). Considering Pasolini’s own theories of a "Cinema of Poetry" alongside Jacques Derrida’s concept of écriture, as well as more recent scholarship by queer theory scholars advocating for an antirelational and antisocial subjectivity, Humphrey maintains that Pasolini’s Greek tragedy films exemplify a paradoxical sense of "archaic modernism" that is at the very heart of the filmmaker’s project. More daringly, he contends that they ultimately reveal the queer roots of Western civilization’s formative texts. Archaic Modernism is comprised of three chapters. Chapter 1 focuses on Oedipus Rex, assessing both the filmic language employed and the deeply queer mythological source material that haunts the tragedy even as it remains largely at a subtextual yet palpable level. Chapter 2 extends and deepens the concept of queer fate and queer negativity in a scene-by-scene analysis of Medea. Chapter 3 looks at the most obscure of Pasolini’s feature length films, Notes Towards an African Orestes, a film long misunderstood as an unwitting failure, but which could perhaps best be understood as a deliberate, sacrificial act on the filmmaker’s part. Considering the film as the third in an informal, maybe unconscious, trilogy, Humphrey concludes his monograph by arguing that this "trilogy of myth" can best be understood as a deconstruction, gradually more and more severe, of three of the most important origin tales of Western civilization. Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world: Mamma Roma, The Gospel According to Matthew, Teorema, The Trilogy of Life, and Salò, and that they are of continuing, perhaps even increasing, value today. This book is of specific interest to scholars, students, and researchers of film and queer studies.
Archaism Modernism And The Art Of Paul Manship
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Author : Susan Rather
language : en
Publisher: University of Texas Press
Release Date : 2014-11-06
Archaism Modernism And The Art Of Paul Manship written by Susan Rather and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-06 with Art categories.
Archaism, an international artistic phenomenon from early in the twentieth century through the 1930s, receives its first sustained analysis in this book. The distinctive formal and technical conventions of archaic art, especially Greek art, particularly affected sculptors—some frankly modernist, others staunchly conservative, and a few who, like American Paul Manship, negotiated the distance between tradition and modernity. Susan Rather considers the theory, practice, and criticism of early twentieth-century sculpture in order to reveal the changing meaning and significance of the archaic in the modern world. To this end—and against the background of Manship’s career—she explores such topics as the archaeological resources for archaism, the classification of the non-Western art of India as archaic, the interest of sculptors in modem dance (Isadora Duncan and Ruth St. Denis), and the changing critical perception of archaism. Rather rejects the prevailing conception of archaism as a sterile and superficial academic style to argue its initial importance as a modernist mode of expression. The early practitioners of archaism—including Aristide Maillol, André Derain, and Constantin Brancusi—renounced the rhetorical excess, overrefined naturalism, and indirect techniques of late nineteenth-century sculpture in favor of nonnarrative, stylized and directly carved works, for which archaic Greek art offered an important example. Their position found implicit support in the contemporaneous theoretical writings of Emmanuel Löwy, Wilhelm Worringer, and Adolf von Hildebrand. The perceived relationship between archaic art and tradition ultimately compromised the modernist authority of archaism and made possible its absorption by academic and reactionary forces during the 1910s. By the 1920s, Paul Manship was identified with archaism, which had become an important element in the aesthetic of public sculpture of both democratic and totalitarian societies. Sculptors often employed archaizing stylizations as ends in themselves and with the intent of evoking the foundations of a classical art diminished in potency by its ubiquity and obsolescence. Such stylistic archaism was not an empty formal exercise but an urgent affirmation of traditional values under siege. Concurrently, archaism entered the mainstream of fashionable modernity as an ingredient in the popular and commercial style known as Art Deco. Both developments fueled the condemnation of archaism—and of Manship, its most visible exemplar—by the avant-garde. Rather’s exploration of the critical debate over archaism, finally, illuminates the uncertain relationship to modernism on the part of many critics and highlights the problematic positions of sculpture in the modernist discourse.
Archaism Modernism And The Art Of Paul Manship
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Author : Susan Rather
language : en
Publisher: University of Texas Press
Release Date : 1993
Archaism Modernism And The Art Of Paul Manship written by Susan Rather and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Art categories.
Archaism, an international artistic phenomenon from early in the twentieth century through the 1930s, receives its first sustained analysis in this book. The distinctive formal and technical conventions of archaic art, especially Greek art, particularly affected sculptors - some frankly modernist, others staunchly conservative, and a few who, like American Paul Manship, negotiated the distance between tradition and modernity. Professor Susan Rather considers the theory, practice, and criticism of early twentieth-century sculpture in order to reveal the changing meaning and significance of the archaic in the modern world. To this end - and against the background of Manship's career - she explores such topics as the archaeological resources for archaism, the classification of the non-Western art of India as archaic, the interest of sculptors in modern dance (Isadora Duncan and Ruth St. Denis), and the changing critical perception of archaism. Rather rejects the prevailing conception of archaism as a sterile and superficial academic style to argue its initial importance as a modernist mode of expression. The early practitioners of archaism - including Aristide Maillol, Andre Derain, and Constantin Brancusi - renounced the rhetorical excess, overrefined naturalism, and indirect techniques of late nineteenth-century sculpture in favor of nonnarrative, stylized and directly carved works, for which archaic Greek art offered an important example. Their position found implicit support in the contemporaneous theoretical writings of Emmanuel Lowy, Wilhelm Worringer, and Adolf von Hildebrand. The perceived relationship between archaic art and tradition ultimately compromised the modernist authorityof archaism and made possible its absorption by academic and reactionary forces during the 1910s. By the 1920s, Paul Manship was identified with archaism, which had become an important element in the aesthetic of public sculpture of both democratic and totalitarian societies. Sculptors often employed archaizing stylizations as ends in themselves and with the intent of evoking the foundations of a classical art diminished in potency by its ubiquity and obsolescence. Such stylistic archaism was not an empty formal exercise but an urgent affirmation of traditional values under siege. Concurrently, archaism entered the mainstream of fashionable modernity as an ingredient in the popular and commercial style known as Art Deco. Both developments fueled the condemnation of archaism - and of Manship, its most visible exemplar - by the avant-garde. Rather's exploration of the critical debate over archaism, finally, illuminates the uncertain relationship to modernism on the part of many critics and highlights the problematic positions of sculpture in the modernist discourse. The first book-length study of archaism and the first critical study of Paul Manship, this work will be important reading in several fields, including American studies and twentieth-century art history. Numerous black-and-white illustrations complement the text.
Fragmentary Modernism
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Author : Nora Goldschmidt
language : en
Publisher: Oxford University Press
Release Date : 2023-11-13
Fragmentary Modernism written by Nora Goldschmidt and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-13 with Literary Collections categories.
Fragmentary Modernism begins from a simple observation: what has been called the 'apotheosis of the fragment' in the art and writing of modernism emerged hand in hand with a series of paradigm-shifting developments in classical scholarship, which brought an unprecedented number of fragmentary texts and objects from classical antiquity to light in modernity. Focusing primarily on the writers who came to define the Anglophone modernist canon — Ezra Pound, T.S. Eliot, Hilda Doolittle (H.D.), and Richard Aldington, and the artists like Jacob Epstein and Henri Gaudier-Brzeska with whom they were associated — the book plots the multiple networks of interaction between modernist practices of the fragment and the disciplines of classical scholarship. Some of the most radical writers and artists of the period can be shown to have engaged intensively with the fragments of Greek and Roman antiquity and their mediations by classical scholars. But the direction of influence also worked the other way: the modernist aesthetic of gaps, absence, and fracture came to shape how classical scholars and museum curators themselves interpreted and presented the fragments of the past to audiences in the present. From papyrology to philology, from epigraphy to archaeology, the 'classical fragment', as we still often see it today, emerged as the joint cultural production of classical scholarship and the literary and visual cultures of modernism.
The Cambridge Companion To Irish Modernism
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Author : Joseph N. Cleary
language : en
Publisher: Cambridge University Press
Release Date : 2014-08-11
The Cambridge Companion To Irish Modernism written by Joseph N. Cleary and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-11 with Literary Criticism categories.
This volume takes an interdisciplinary approach to Irish modernism, offering readers an accessible overview of key writers and artists.
Modernism And The Ideology Of History
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Author : Louise Blakeney Williams
language : en
Publisher: Cambridge University Press
Release Date : 2002-07-04
Modernism And The Ideology Of History written by Louise Blakeney Williams and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-07-04 with Literary Criticism categories.
Louise Williams explores the nature of historical memory in the work of five major Modernists: Yeats, Pound, Hulme, Ford and Lawrence. These Modernists, Williams argues, started their careers with historical assumptions derived from the nineteenth century. But their views on the universal structure of history, on the abandonment of progress and the adoption of a cyclical sense of the past, were the result of important conflicts and changes within the Modernist period. Williams focuses on the period immediately before World War I, and shows in detail how Modernism developed and why it is considered a unique intellectual movement. She also revisits the theory that the Edwardian age was a difficult period of transition to the modern world. Finally, she illuminates the contribution of non-Western culture to the literature and thought of the period. This wide-ranging and inter-disciplinary study is essential reading for literary and cultural historians of the modernist period.
A Handbook Of Modernism Studies
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Author : Jean-Michel Rabaté
language : en
Publisher: John Wiley & Sons
Release Date : 2013-02-26
A Handbook Of Modernism Studies written by Jean-Michel Rabaté and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-26 with Literary Criticism categories.
Featuring the latest research findings and exploring the fascinating interplay of modernist authors and intellectual luminaries, from Beckett and Kafka to Derrida and Adorno, this bold new collection of essays gives students a deeper grasp of key texts in modernist literature. Provides a wealth of fresh perspectives on canonical modernist texts, featuring the latest research data Adopts an original and creative thematic approach to the subject, with concepts such as race, law, gender, class, time, and ideology forming the structure of the collection Explores current and ongoing debates on the links between the aesthetics and praxis of authors and modernist theoreticians Reveals the profound ways in which modernist authors have influenced key thinkers, and vice versa
The Jewish Reformation
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Author : Michah Gottlieb
language : en
Publisher: Oxford University Press
Release Date : 2020-10-01
The Jewish Reformation written by Michah Gottlieb and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-01 with Religion categories.
In the late eighteenth century, German Jews began entering the middle class with remarkable speed. That upward mobility, it has often been said, coincided with Jews' increasing alienation from religion and Jewish nationhood. In fact, Michah Gottlieb argues, this period was one of intense engagement with Jewish texts and traditions. One expression of this was the remarkable turn to Bible translation. In the century and a half beginning with Moses Mendelssohn's pioneering translation and the final one by Martin Buber and Franz Rosenzweig, German Jews produced sixteen different translations of at least the Pentateuch. Exploring Bible translations by Mendelssohn, Leopold Zunz, and Samson Raphael Hirsch, Michah Gottlieb argues that each translator sought a "reformation" of Judaism along bourgeois lines, which involved aligning Judaism with a Protestant concept of religion. Buber and Rosenzweig famously critiqued bourgeois German Judaism as a craven attempt to establish social respectability to facilitate Jews' entry into the middle class through a vapid, domesticated Judaism. But Mendelssohn, Zunz, and Hirsch saw in bourgeois values the best means to serve God and the authentic actualization of Jewish tradition. Through their learned, creative Bible translations, these scholars presented competing visions of middle-class Judaism that affirmed Jewish nationhood while lighting the path to a purposeful, emotionally-rich spiritual life grounded in ethical responsibility.
World Literature Transnational Cinema And Global Media
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Author : Robert Stam
language : en
Publisher: Routledge
Release Date : 2019-02-27
World Literature Transnational Cinema And Global Media written by Robert Stam and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-02-27 with Social Science categories.
With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema, and media studies. Orchestrating a layered conversation between arts, disciplines, and media, Stam argues for their "mutual embeddedness" and their shared "in-between" territories. Rather than merely adding to the existing scholarship, the book builds a relational framework through the connectivities within literature, cinema, music, and media that opens up analysis to new categories and concepts, while crossing spatial, temporal, theoretical, disciplinary, and mediatic borders. The book also questions an array of hierarchies: literature over cinema; source novel over adaptation; feature film over documentary; erudite over vernacular culture; Western modernisms over "peripheral" modernisms; classical over popular music; written poetry over sung poetry, and so forth. The book is structured around the concept of the "commons," forming a strong thread which links various struggles against "enclosures" of all kinds, with emphasis on natural, indigenous, cultural, creative, digital, and the transdisciplinary commons. World Literature, Transnational Cinema, and Global Media is ideal to further the theoretical discussion for those undergraduate and graduate departments in cinema studies, media studies, arts and art history, communications, journalism, and new digital media programs at all levels.