Art And Ethical Criticism


Art And Ethical Criticism
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Art And Ethical Criticism


Art And Ethical Criticism
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Author : Garry L. Hagberg
language : en
Publisher: John Wiley & Sons
Release Date : 2010-10-18

Art And Ethical Criticism written by Garry L. Hagberg and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-18 with Philosophy categories.


Through a series of essays, Art and Ethical Criticism explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious New Directions in Aesthetics series, which confronts the most intriguing problems in aesthetics and the philosophy of art today



Artistic Creation And Ethical Criticism


Artistic Creation And Ethical Criticism
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Author : Ted Nannicelli
language : en
Publisher: Oxford University Press
Release Date : 2020-05-05

Artistic Creation And Ethical Criticism written by Ted Nannicelli and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-05 with Philosophy categories.


Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concerning the ethical criticism of art. First, he argues that judgments of an artwork's ethical value are already often made in terms of how it was created, and examines why some art forms more readily lend themselves to this form of ethical appraisal than others. He then asserts that production-oriented evaluations of artworks are less contested than other sorts of ethical criticism and so lead to certain practical consequences-from censure, dismissal, and prosecution to shifts in policy and even legislation. Finally, Nannicelli defends the production-oriented approach, arguing that it is not only tacit in many of our art appreciative practices, but is in fact rationally warranted. There are many cases in which we should ethically critique artworks in terms of how they are created because this approach handles cases that other approaches cannot and results in plausible judgments about the works' relative ethical and artistic value. The concise, powerful arguments presented here will appeal to moral philosophers, philosophers of art and aesthetics, and critics interested in the intersection of artistic production and criticism and ethics.



Artistic Creation And Ethical Criticism


Artistic Creation And Ethical Criticism
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Author : Ted Nannicelli
language : en
Publisher: Oxford University Press
Release Date : 2020-05-05

Artistic Creation And Ethical Criticism written by Ted Nannicelli and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-05 with Philosophy categories.


Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concerning the ethical criticism of art. First, he argues that judgments of an artwork's ethical value are already often made in terms of how it was created, and examines why some art forms more readily lend themselves to this form of ethical appraisal than others. He then asserts that production-oriented evaluations of artworks are less contested than other sorts of ethical criticism and so lead to certain practical consequences-from censure, dismissal, and prosecution to shifts in policy and even legislation. Finally, Nannicelli defends the production-oriented approach, arguing that it is not only tacit in many of our art appreciative practices, but is in fact rationally warranted. There are many cases in which we should ethically critique artworks in terms of how they are created because this approach handles cases that other approaches cannot and results in plausible judgments about the works' relative ethical and artistic value. The concise, powerful arguments presented here will appeal to moral philosophers, philosophers of art and aesthetics, and critics interested in the intersection of artistic production and criticism and ethics.



Dangerous Art


Dangerous Art
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Author : James Harold
language : en
Publisher: Oxford University Press
Release Date : 2020-08-21

Dangerous Art written by James Harold and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-21 with Philosophy categories.


Dangerous Art takes up the problem of judging works of art using moral standards. When we think that a work is racist, or morally dangerous, what do we mean? James Harold approaches the topic from two angles. First, he takes up the moral question on its own. What could it mean to say that a work of art (rather than, say, a human being) is immoral? He then steps back and examines how moral evaluation fits into the larger task of evaluating artworks. If an artwork is immoral, what does that tell us about how to value the artwork? By tackling the issue from both sides, Harold demonstrates how many of the reasons previously given for thinking that works of art are immoral do not stand up to careful scrutiny. While many philosophers of art have simply assumed that artworks can be evaluated morally and proceeded as though such assessments were unproblematic, Harold highlights the complexities and difficulties inherent in such evaluations. He argues that even when works of art are rightly condemned from a moral point of view, the relationship between that moral flaw and their value as artworks is complex. He instead defends a moderate, skeptic version of autonomism between morality and aesthetics. Employing figures and ideas from ancient Greece, classical China, and the Harlem Renaissance, as well as William Styron's novel The Confessions of Nat Turner, he argues that we cannot judge artworks in the same way that we judge people on moral grounds. In this sense, we can judge an artwork to be both wicked and beautiful; nothing requires us to judge an artwork more or less valuable aesthetically just because we judge it to be morally bad or good. Taking up complex issues at the intersection of art and ethics, Dangerous Art will appeal to philosophers and students interested in art, aesthetics, moral philosophy, and philosophy of mind.



Art Emotion And Ethics


Art Emotion And Ethics
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Author : Berys Gaut
language : en
Publisher: OUP Oxford
Release Date : 2007-05-24

Art Emotion And Ethics written by Berys Gaut and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-05-24 with Philosophy categories.


Art, Emotion and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is often an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations. Art, Emotion and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional. Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality.



Aesthetics And Ethics


Aesthetics And Ethics
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Author : Jerrold Levinson
language : en
Publisher: Cambridge University Press
Release Date : 1998

Aesthetics And Ethics written by Jerrold Levinson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.


This major collection of essays examines issues surrounding aesthetics and ethics.



Ethics And The Arts


Ethics And The Arts
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Author : David E. W. Fenner
language : en
Publisher: Routledge
Release Date : 2014-04-08

Ethics And The Arts written by David E. W. Fenner and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-08 with Philosophy categories.


The aim of this series is to make available texts and collections of essays on major moral issues. The present volume is a collection that focuses exclusively on diverse moral issues connected with the arts: censorship and subsidy, authenticity and ownership, and the connections between moral and aesthetic values and evaluative judgments. The collection is not only unique, but timely. It appears in a period when the National Endowment for the Arts is under fire and the government’s role in the arts is a hotly debated political issue, when the connection between moral or political content in art and its aesthetic value remains at the forefront of debate in aesthetics, and when ownership and commercialization of artworks continue to exercise the sociology of art.



Art And Morality


Art And Morality
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Author : José Luis Bermúdez
language : en
Publisher: Routledge
Release Date : 2020-10-28

Art And Morality written by José Luis Bermúdez and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-28 with Philosophy categories.


Featuring contributions from Matthew Kieran, Aaron Ridley, Roger Scruton and Mary Mothersill to name but a few, this collection of groundbreaking new papers on aesthetics and ethics, highlights the link between the two subjects. These leading figures tackle the important questions that arise when one thinks about the moral dimensions of art and the aesthetic dimension of moral life. The volume is a significant contribution to philosophical literature, opening up unexplored questions and shedding new light on more traditional debates in aesthetics. The topics explored include: the relation of aesthetic to ethical judgment the relation of artistic experience to moral consciousness the moral status of fiction the concepts of sentimentality and decadence the moral dimension of critical practice, pictorial art and music the moral significance of tragedy the connections between artistic and moral issues elaborated in the writings of central figures in modern philosophy, such as Kant, Schopenhauer and Nietzsche. The contributors share the view that progress in aesthetics requires detailed study of the practice of criticism. This volume will appeal to both the philosophical community and to researchers in areas such as literary theory, musicology and the theory of art.



Cosmopolitan Criticism


Cosmopolitan Criticism
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Author : Julia Prewitt Brown
language : en
Publisher: University of Virginia Press
Release Date : 1997

Cosmopolitan Criticism written by Julia Prewitt Brown and has been published by University of Virginia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Art categories.


Brown (English, Boston U.) places Wilde in the continuum of continental philosophy from Kant and Schiller through Kierkegaard and Nietzsche to Benjamin and Adorno, discussing his conception of art, its meaning, and the contradictory relations between art and the sphere of the ethical everyday. Annotation copyrighted by Book News, Inc., Portland, OR



Aesthetics At Large


Aesthetics At Large
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Author : Thierry de Duve
language : en
Publisher: University of Chicago Press
Release Date : 2019-02-27

Aesthetics At Large written by Thierry de Duve and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-02-27 with Art categories.


Immanuel Kant’s Critique of Judgment, Thierry de Duve argues in the first volume of Aesthetics at Large, is as relevant to the appreciation of art today as it was to the enjoyment of beautiful nature in 1790. Going against the grain of all aesthetic theories situated in the Hegelian tradition, this provocative thesis, which already guided de Duve’s groundbreaking book Kant After Duchamp (1996), is here pursued in order to demonstrate that far from confining aesthetics to a stifling formalism isolated from all worldly concerns, Kant’s guidance urgently opens the understanding of art onto ethics and politics. Central to de Duve’s re-reading of the Critique of Judgment is Kant’s idea of sensus communis, ultimately interpreted as the mere yet necessary idea that human beings are capable of living in peace with one another. De Duve pushes Kant’s skepticism to its limits by submitting the idea of sensus communis to various tests leading to questions such as: Do artists speak on behalf of all of us? Is art the transcendental ground of democracy? Or, Was Adorno right when he claimed that no poetry could be written after Auschwitz? Loaded with de Duve’s trademark blend of wit and erudition and written without jargon, these essays radically renew current approaches to some of the most burning issues raised by modern and contemporary art. They are indispensable reading for anyone with a deep interest in art, art history, or philosophical aesthetics.