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Artistic Collaboration In The Twentieth Century


Artistic Collaboration In The Twentieth Century
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Artistic Collaboration In The Twentieth Century


Artistic Collaboration In The Twentieth Century
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Author : Hirshhorn Museum and Sculpture Garden (Washington, D.C.)
language : en
Publisher:
Release Date : 1984

Artistic Collaboration In The Twentieth Century written by Hirshhorn Museum and Sculpture Garden (Washington, D.C.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.




Collaborative Art In The Twenty First Century


Collaborative Art In The Twenty First Century
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Author : Sondra Bacharach
language : en
Publisher: Routledge
Release Date : 2016-05-05

Collaborative Art In The Twenty First Century written by Sondra Bacharach and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-05 with Art categories.


Collaboration in the arts is no longer a conscious choice to make a deliberate artistic statement, but instead a necessity of artistic survival. In today’s hybrid world of virtual mobility, collaboration decentralizes creative strategies, enabling artists to carve new territories and maintain practice-based autonomy in an increasingly commercial and saturated art world. Collaboration now transforms not only artistic practices but also the development of cultural institutions, communities and personal lifestyles. This book explores why collaboration has become so integrated into a greater understanding of creative artistic practice. It draws on an emerging generation of contributors—from the arts, art history, sociology, political science, and philosophy—to engage directly with the diverse and interdisciplinary nature of collaborative practice of the future.



Artistic Collaboration In The Twentieth Century


Artistic Collaboration In The Twentieth Century
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Author :
language : en
Publisher:
Release Date : 1984

Artistic Collaboration In The Twentieth Century written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Avant-garde (Aesthetics) categories.




Artistic Collaborations 20th


Artistic Collaborations 20th
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Author : Cynthia Jaffee McCabe
language : en
Publisher: Smithsonian Books (DC)
Release Date : 1984-07-17

Artistic Collaborations 20th written by Cynthia Jaffee McCabe and has been published by Smithsonian Books (DC) this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984-07-17 with Avant-garde (Aesthetics) categories.


The myth of the solitary artist, particularly in the twentieth century, is the focus of this volume. Collaboration, according to Cynthia Jaffee McCabe, has been a vital and heretofore little recognised component of avant-garde artistic development in the visual arts throughout the 20th century. A European phenomenon during the early part of the century, collaboration among artist is now an integral part of the international scene.



Collaboration In Performance Practice


Collaboration In Performance Practice
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Author : Noyale Colin
language : en
Publisher: Springer
Release Date : 2016-04-29

Collaboration In Performance Practice written by Noyale Colin and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-29 with Performing Arts categories.


Collaboration between artists has been practised for centuries, yet over recent decades the act of collaborating has taken different meanings. This publication examines cultural, philosophical and political issues tied to specific instances of collaborative practice in the performing arts. Leading scholars and practitioners review historical developments of collaborative practice and reveal what it means to work together in creative contexts at the beginning of the twenty-first century. Key questions addressed include how artists are developing new ways of working together in response to contemporary economic trends, the significance of collaborating across culture and what opportunities are apparent when co-working between genres and disciplines. Noyale Colin and Stefanie Sachsenmaier present these perspectives in three thematic sections which interrogate the premises of collective intentions, the working strategies of current practitioners, as well as the role of failure and compromise in collaborative modes of creative work. This volume is an invaluable resource for scholars, practitioners and those interested in contemporary artistic methods of working.



Unraveling Artistic Influence And Collaboration In Early Twentieth Century Paris


Unraveling Artistic Influence And Collaboration In Early Twentieth Century Paris
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Author : Kristi N. Austin
language : en
Publisher:
Release Date : 2010

Unraveling Artistic Influence And Collaboration In Early Twentieth Century Paris written by Kristi N. Austin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Dance categories.


Studying the background of a particular ballet can yield a unique perspective regarding the process of creative collaboration. Daphnis et Chloé, a production of the Ballets Russes which had its premiere in Paris in 1912, was created through a collaborative process by artists who were aware of, and striving towards, the "total work of art" concept as propounded by Richard Wagner in the mid-nineteenth century. Wagner's term for the result of a collaboration that was greater than the sum of its parts was gesamtkunstwerk. Although Wagner generally applied the term to opera, the founder of the Ballets Russes, Serge Diaghilev, and his circle considered it a valid goal for ballet as well. This thesis examines the first Ballets Russes production of Daphnis et Chloé (1912) and those who created it through the lens of gesamtkunstwerk, asking the question, was Daphnis et Chloé a perfect synthesis of the arts, a totally successful gesamtkunstwerk ? In fact, although it cannot be considered an ideal example of collaboration, neither was it the total failure it may have seemed at the time. Contributors to the ballet in question were Maurice Ravel, composer of the musical score; Michel Fokine, the choreographer and librettist; and Léon Bakst, the designer and creator of the sets and costumes. The story was based on the ancient Greek novel, Daphnis and Chlöe, by Longus.



Culture Technology Creativity In The Late Twentieth Century


Culture Technology Creativity In The Late Twentieth Century
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Author : Philip Hayward
language : en
Publisher: Indiana University Press
Release Date : 1990

Culture Technology Creativity In The Late Twentieth Century written by Philip Hayward and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Art categories.


Addressing how technology and creativity interrelate in the arts and culture of the late 20th century, this anthology combines a general introduction with a set of case studies from a range of international critics.



Hybrid Practices


Hybrid Practices
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Author : David Cateforis
language : en
Publisher: University of California Press
Release Date : 2018-11-06

Hybrid Practices written by David Cateforis and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-06 with Art categories.


In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s—Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham, Fujiko Nakaya, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. Prominent engineers and scientists appearing in the book’s pages include Elsa Garmire, Billy Klüver, Frank Malina, Stanley Milgram, and Ed Wortz. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined.



The Third Hand


The Third Hand
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Author : Charles Green
language : en
Publisher: U of Minnesota Press
Release Date : 2001

The Third Hand written by Charles Green and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Art categories.


The lone artist is a worn cliche of art history but one that still defines how we think about the production of art. Since the 1960s, however, a number of artists have challenged this image by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions. Green looks at three distinct types of collaboration: the highly bureaucratic identities created by Joseph Kosuth, Ian Burn, Mel Ramsden, and other members of Art & Language in the late 1960s; the close-knit relationships based on marriage or lifetime partnership as practiced by the Boyle Family, Anne and Patrick Poirier, Helen Mayer Harrison and Newton Harrison; and couples -- like Christo and Jeanne-Claude, Gilbert & George, or Marina Abramovic and Ulay -- who developed third identities, effacing the individual artists almost entirely. These collaborations, Green contends, resulted in new and, at times, extreme authorial models that continue to inform current thinking about artistic identity and to illuminate the origins of postmodern art, suggesting, in the process, a new genealogy for art in the twenty-first century.



The Collaborative Artist S Book


The Collaborative Artist S Book
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Author : Alexandra J. Gold
language : en
Publisher: University of Iowa Press
Release Date : 2023-06-08

The Collaborative Artist S Book written by Alexandra J. Gold and has been published by University of Iowa Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-06-08 with Art categories.


"Offering readers a rare glimpse into collaborations between poets and painters from the 1950s to the present, this book highlights how the artist's book became a critical form for experimental American artists in the 20th and 21st centuries. In addition to providing a broad overview of the artist's book form since 1945 and the many ongoing debates surrounding it, this book thinks through the challenges, from the disciplinary to the institutional, that these forms continue to pose. It then turns to look at five case studies, detailing not only how each individual collaboration came to be but how all five together engage and challenge conventional ideals about art, subjectivity, poetry, and interpersonal relations, as well as complex social questions related to gender and race. Making several of these books, typically consigned to special collections libraries and museum archives, more available to a broad readership, the book aims to brings to light a whole genre of works that has been largely forgotten or neglected in critical scholarship and institutional exhibitions. As this study illustrates, the artist's book has been an especially rich site for both poets and painters to engage with the world around them and with each other since the mid-twentieth century and consequently deserves more scholarly and institutional attention than it has been previously granted"--