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Aux Sources Des Chansons Populaires


Aux Sources Des Chansons Populaires
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Aux Sources Des Chansons Populaires


Aux Sources Des Chansons Populaires
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Author : Martine David
language : fr
Publisher:
Release Date : 1984

Aux Sources Des Chansons Populaires written by Martine David and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Folk songs, French categories.


Histoire d'une centaine de chansons populaires. Les auteures se limitent aux chansons nées avant la fin de la Première Guerre mondiale. La musique n'est pas reproduite. Le plus souvent, la piste de chacune des chansons est suivie à travers les recueils successifs qui la reproduisent. Ordre alphabétique : de "Ah, dis-moi donc bergère" à "Voici la Saint-Jean."



Aux Sources De La Chanson R Aliste


Aux Sources De La Chanson R Aliste
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Author : Marie Charpentier-Leroy
language : fr
Publisher:
Release Date : 2022

Aux Sources De La Chanson R Aliste written by Marie Charpentier-Leroy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with categories.


Échappant à la rigueur d'une école esthétique aux normes prédéfinies, la chanson réaliste apparaît comme le fruit d'une évolution, portant en elle toute la charge de ses origines mais aussi des influences sociales, historiques et techniques qui l'ont façonnée à travers le temps. Mais qu'est-ce que la chanson réaliste ? et de quelle réalité est-il question ?0Issue de la tradition orale, sa forme a subi bien des variations au cours du temps. Le choix des rimes, la longueur du texte, la nature de la musique et de l'interprétation sont autant de données à prendre en considération. D'autre part, le sujet, les personnages, les lieux, ce fameux cadre narratif où évoluent les protagonistes relèvent-ils du témoignage ou de la pure invention ?0Au travers de ce retour aux sources, cet ouvrage propose non seulement de retracer l'histoire de la chanson dite ± réaliste ?, mais également d'appréhender les enjeux esthétiques, sociaux et économiques liés à un genre musical qui n'a cessé d'évoluer, façonné par la société dont il fut à la fois le produit et le dénonciateur.



Aimer Boire Et Chanter


Aimer Boire Et Chanter
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Author : Gérard Carreau
language : fr
Publisher: Editions de l'Atelier
Release Date : 1998

Aimer Boire Et Chanter written by Gérard Carreau and has been published by Editions de l'Atelier this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Folk songs, French categories.


Un recueil de quatre-vingt chansons réalisé par deux spécialistes de la chanson française. Les chants sur ces deux grands thèmes du folklore français sont puisés aux meilleures sources et pourvus de propositions d'accord réalisables à la guitare ou à l'aide d'un clavier.



Histoire De La Chanson Populaire En France


Histoire De La Chanson Populaire En France
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Author : Julien Tiersot
language : fr
Publisher:
Release Date : 1889

Histoire De La Chanson Populaire En France written by Julien Tiersot and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1889 with Ballads, French categories.




Le Livre Des Chansons


Le Livre Des Chansons
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Author : Henri Irénée Marrou
language : fr
Publisher:
Release Date : 1977

Le Livre Des Chansons written by Henri Irénée Marrou and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Folk-songs, French categories.


Anthologie commentée de chansons populaires françaises, précédée d'une introduction importante, p. 11-144, en quatre chapitres : Qu'est-ce que la chanson populaire?- Les deux sources de la chanson populaire - Histoire - Esthétique. Bibliographie sélective mise à jour. L'auteur a écrit cette étude au début des années 1940 et la première édition a paru en 1944. [SDM].



More Than Words


More Than Words
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Author : John Willis
language : en
Publisher: University of Ottawa Press
Release Date : 2007-01-01

More Than Words written by John Willis and has been published by University of Ottawa Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with History categories.


More Than Words features the work of more than twenty scholars from Canada and abroad on post-related topics. Drawing on recent trends in social and cultural history, these new essays address the history and importance of the post from such perspectives as infrastructure, technology, nation-building and interpersonal communications.



The Garland Encyclopedia Of World Music


The Garland Encyclopedia Of World Music
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Author : Timothy Rice
language : en
Publisher: Routledge
Release Date : 2017-09-25

The Garland Encyclopedia Of World Music written by Timothy Rice and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-25 with Music categories.


First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.



Handbook Of French Popular Culture


Handbook Of French Popular Culture
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Author : Pierre L. Horn
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 1991-05-21

Handbook Of French Popular Culture written by Pierre L. Horn and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991-05-21 with Social Science categories.


Throughout the world, there has been much scholarly and general interest in French popular culture, but very little has been written on the subject in English. The authors of this book address that lack in a series of highly readable and well-documented essays describing French life styles, attitudes, and entertainments as well as the writers and performers currently favored by the French public. Several chapters explore French tastes in popular literature and other reading matter, including comics, cartoons, mystery and spy fiction, newspapers and magazines, and science fiction. Film, popular music, radio, and television are also discussed in detail, and influences from other cultures--particularly American imports--are assessed. The remaining essays examine French sports, the use of leisure time, the French style of eating and drinking, and relations between men and women and their attitudes toward romantic love. Each chapter provides up-to-date historical and bibliographic information that will enable the reader to pursue subjects of particular interest. Written by an international group of specialists, this handbook offers the benefits of broad coverage, a variety of viewpoints, and solid scholarship.



British Music And The French Revolution


British Music And The French Revolution
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Author : Paul F. Rice
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2010-04-16

British Music And The French Revolution written by Paul F. Rice and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-16 with Performing Arts categories.


British Music and the French Revolution investigates the nature of British musical responses to the cataclysmic political events unfolding in France during the period of 1789–1795, a time when republican and royalist agendas were in conflict in both nations. While the parallel demands for social and political change resulted from different stimuli, and were resolved very differently, the 1790s proved to be a defining period for each country. In Britain, the combination of a protracted period of Tory conservatism, and the strong spirit of patriotism which swept the nation, had a profound influence on the arts. There was an outpouring of concert and theatrical music dealing with the French Revolution and the subsequent war with France. While patriotic songs might be expected when a country is at war, the number of recreations on the London stages of events taking place on the Continent may surprise. Initially, such topical subjects were restricted to the summer or “minor” theatres; however, government restrictions were relaxed after 1793, giving Londoners the opportunity to see topical theatre in the royal or “patent” theatres, as well. The resulting repertoire of plays and recreations (often propagandist in nature) made considerable use of music, and those performed in the “minor” theatres were all-sung. Consequently, there exists a large repertoire of music which has been little studied. British Music and the French Revolution investigates this repertoire within a social and political context. Initial chapters examine the historical relationship between France and Britain from a musical perspective, the powerful symbols of national identity in both countries, and the complex laws that governed commercial theatres in London. Thereafter, the materials are presented in a chronological fashion, starting with the fall of the Bastille in 1789, and the Fête de la Fédération in 1790. The period of the Captivity was one of growing tension and fear in both France and Britain as war became an ever-increasing threat between the two nations. Two subsequent chapters examine the war years of 1793 until first half of 1795. The choice of a five-year period allows the reader to follow British musical reactions to the fall of the Bastille and subsequent events up to the rise of Napoléon.



Singing The French Revolution


Singing The French Revolution
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Author : Laura Mason
language : en
Publisher: Cornell University Press
Release Date : 2018-09-05

Singing The French Revolution written by Laura Mason and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-05 with History categories.


Laura Mason examines the shifting fortunes of singing as a political gesture to highlight the importance of popular culture to revolutionary politics. Arguing that scholars have overstated the uniformity of revolutionary political culture, Mason uses songwriting and singing practices to reveal its diverse nature. Song performances in the streets, theaters, and clubs of Paris showed how popular culture was invested with new political meaning after 1789, becoming one of the most important means for engaging in revolutionary debate.Throughout the 1790s, French citizens came to recognize the importance of anthems for promoting their interpretations of revolutionary events, and for championing their aspirations for the Revolution. By opening new arenas of cultural activity and demolishing Old Regime aesthetic hierarchies, revolutionaries permitted a larger and infinitely more diverse population to participate in cultural production and exchange, Mason contends. The resulting activism helps explain the urgency with which successive governments sought to impose an official political culture on a heterogeneous and mobilized population. After 1793, song culture was gradually depoliticized as popular classes retreated from public arenas, middle brow culture turned to the strictly entertaining, and official culture became increasingly rigid. At the same time, however, singing practices were invented which formed the foundation for new, activist singing practices in the next century. The legacy of the Revolution, according to Mason, was to bestow new respectability on popular singing, reshaping it from an essentially conservative means of complaint to an instrument of social and political resistance.