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Avant Le Cin Matographe


Avant Le Cin Matographe
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Back And Forth


Back And Forth
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Author : Bart Testa
language : en
Publisher: Wilfrid Laurier Univ. Press
Release Date : 1992

Back And Forth written by Bart Testa and has been published by Wilfrid Laurier Univ. Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Experimental films categories.


Back and Forth: Early Cinema and the Avant-Garde focuses on two areas of cinema--the first phases of cinematic production and the tradition of avant-garde films that resurrect early films by incorporating or reworking them. The impetus for the catalogue and film series Back and Forth: Early Cinema and the Avant-Garde grew out of an exhibition entitled The Avant-Garde and Primitive Cinema prepared in 1985 by Bart Testa with Charlie Keil for the Funnel, in Toronto. In the seven-year peiod between the two exhibitions, a massive scholarly and curatorial reappraisal of the subject has taken place in the form of specialist conferences, journal articles and the publication of numerous books. As a result of this activity, new film prints of the very early material have been struck and archival work has become much more active. This film material, often fascinating and sometimes beautiful, is critical to understanding the genesis of the art of film. While the earlier series at the Funnel took a cursory look at this subject, the great quantity of new material that has since been made available presents the opportunity for a much more thorough and interesting investigation of this topic. The curious and important relationship between avant-garde filmmaking and the reassessment of early cinema is explored both in this catalogue and in the film series held at the Art Gallery of Ontario in the spring of 1992. --from the preface by Cathy Jonasson, Curator, Film, Art Gallery of Ontario



Unseen Cinema


Unseen Cinema
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Author : Bruce Charles Posner
language : en
Publisher: Filmmakers Showcase
Release Date : 2001

Unseen Cinema written by Bruce Charles Posner and has been published by Filmmakers Showcase this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Dance in motion pictures, television, etc categories.


El proyecto de recuperación de películas históricas Unseen Cinema explora en detalle los logros, desconocidos hasta la fecha, de los cineastas pioneros que desarrollaron su labor dentro y fuera de las fronteras de Estados Unidos durante el periodo formativo del cine americano. Con la colaboración de innumerables instituciones, desde los archivos de la Academia de Cine de Hollywood, el Museo de Arte Moderno de Nueva York (MOMA), el British Film Institute, el Deustchen Film museum hasta el Gosfilmofond de Russia, la recuperación de estas películas y su posterior organización en 7 discos postula una visión innovadora del cine experimental. Un buen número de estas películas no había estado disponible desde su creación hace más de un siglo, algunas nunca se habían proyectado en público, y en casi todos los casos, hasta ahora, no se disponía de una copia prístina de proyección. En palabras de su compilador se trata de rectificar una pequeña parte de la negligencia con la que se ha tratado a los primeros cineastas y películas de vanguardia. Pese a la exhaustiva labor de busca y rastreo por parte de Posner y otros historiadores del cine para desenterrar las copias de los filmes incluidos en la colección, a día de hoy muchas no han sido recuperadas.



The Parisian Avant Garde In The Age Of Cinema 1900 1923


The Parisian Avant Garde In The Age Of Cinema 1900 1923
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Author : Jennifer Wild
language : en
Publisher: Univ of California Press
Release Date : 2023-04-28

The Parisian Avant Garde In The Age Of Cinema 1900 1923 written by Jennifer Wild and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-28 with Performing Arts categories.


The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, behind, and beyond the screen, Wild shows how canonical works of modern art may be understood as responding to the changing characteristics of daily life after the cinema. Drawing from a vast popular cultural, cinematic, and art-historical archive, Wild challenges how we have told the story of modern artists’ earliest encounter with cinema and urges us to reconsider how early projection, film stardom, and film distribution transformed their understanding of modern life, representation, and the act of beholding. By highlighting the cultural, ideological, and artistic forms of interpellation and resistance that shape the phenomenology of a wartime era, The Parisian Avant-Garde in the Age of Cinema, 1900–1923 provides an interdisciplinary history of radical form. This book also offers a new historiography that redefines how we understand early cinema and avant-garde art before artists turned to making films themselves.



Avant Le Cinematographe La Chronophotographie


Avant Le Cinematographe La Chronophotographie
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Author : Exposition. Beaune. 1984
language : en
Publisher:
Release Date : 1984

Avant Le Cinematographe La Chronophotographie written by Exposition. Beaune. 1984 and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.




Avant Le Cinematographe La Chronophotographie Temps Photographie


Avant Le Cinematographe La Chronophotographie Temps Photographie
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Author : Exposition. Beaune. 1984
language : fr
Publisher:
Release Date : 1984

Avant Le Cinematographe La Chronophotographie Temps Photographie written by Exposition. Beaune. 1984 and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.




Avant Le Cin Matographe


Avant Le Cin Matographe
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Author : Michel Frizot
language : fr
Publisher:
Release Date : 1984

Avant Le Cin Matographe written by Michel Frizot and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Cinematography categories.




La Vie Est Nous


La Vie Est Nous
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Author : Ginette Vincendeau
language : en
Publisher:
Release Date : 1986

La Vie Est Nous written by Ginette Vincendeau and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Performing Arts categories.




Avant Le Cin Ma


Avant Le Cin Ma
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Author : Daniel Banda
language : fr
Publisher: Armand Colin
Release Date : 2012

Avant Le Cin Ma written by Daniel Banda and has been published by Armand Colin this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Image (Philosophy) categories.


Le rève de transporter, de projeter et d'animer les images est peut-ètre immémorial et l'histoire de ceux qui ont voulu faire vivre ce rève est déjà longue quand, en 1895, les frères Lumière projettent la vie, prise sur le vif, sur l'écran du cinématographe. Cette anthologie rassemble quelque cent textes qui nous invitent à parcourir une histoire culturelle de la vision, de ses moyens et dispositifs, de l'idée que nous nous faisons du visible, des attentes, des croyances et de l'imaginaire qui s'y rattachent, afin de mieux comprendre nos propres façons de voir et de vivre avec les images. De Platon à Jules Verne, avant le cinéma, sans le cinéma, se croisent les préoccupations philosophiques, artistiques et littéraires autant que sociales, scientifiques et techniques. Autour des jeux de l'ombre et de la lumière, de la chambre noire, des lanternes magiques, de la fantasmagorie, des panoramas, de la photographie, des machines optiques et des images en mouvement, dialoguent, parmi bien d'autres, Vinci, Kepler et Sterne, Kircher, Inés de la Cruz et Leibniz, Robertson, Balzac et Strindberg, et encore Kleist, Wordsworth et Hawthorne, Lichtenberg, Hoffmann, Hugo, Marx et Zola, Arago, Poe, Delacroix et Nadar, Plateau, Baudelaire, Marey et Edison, Villiers de l'Isle-Adam, H. G. Wells et Charles Cros... Daniel Banda, professeur agrégé, enseigne la philosophie au Lycée Victor Hugo à Paris et l'esthétique à l'université de Paris I Panthéon- Sorbonne. José Moure, ancien élève de l'École normale supérieure, est professeur en études cinématographiques à l'université de Paris I Panthéon- Sorbonne. Ensemble, ils ont publié Le Cinéma: naissance d'un art. 1895-1920 et Le Cinéma: l'art d'une civilisation. 1920-1960.



Avant Doc


Avant Doc
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Author : Scott MacDonald
language : en
Publisher: Oxford University Press
Release Date : 2015

Avant Doc written by Scott MacDonald and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Performing Arts categories.


MacDonald explores the cinematic territory between the traditional categories of "documentary" and "avant-garde" film, through candid, in-depth conversations with filmmakers whose work has challenged these categories. Arranged in an imaginative chronology and written to be accessible to any film-interested reader, the interviews in Avant-Doc chart half a century of thinking by inventive filmmakers such as Robert Gardner, Ed Pincus, Alfred Guzzetti, Ross McElwee, Leonard Retel Helmrich, Michael Glawogger, Susana de Sousa Dias, Jonathan Caouette, Pawel Wojtasik, and Todd Haynes. Recent breakthroughs by Amie Siegel, Jane Gillooly, Jennifer Proctor, Betzy Bromberg, and Godfrey Reggio are discussed; and considerable attention is paid to Harvard's innovative Sensory Ethnography Lab, producer of Sweetgrass, Leviathan, and Manakamana. A rare interview with pioneering scholar Annette Michelson begins Avant-Doc's meta-conversation.



Early Cinema Today


Early Cinema Today
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Author : Martin Loiperdinger
language : en
Publisher: Indiana University Press
Release Date : 2012-01-11

Early Cinema Today written by Martin Loiperdinger and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-11 with Performing Arts categories.


A collection of essays exploring current issues in early film archiving, curation, and research. Invented in the 1890s and premiered in Paris by the Lumière brothers, the cinematograph along with Louis Le Prince’s single-lens camera projector are considered by film historians to be the precursors to modern-day motion picture devices. These early movies were often shown in town halls, on fairgrounds, and in theaters, requiring special showmanship skills to effectively work the equipment and entertain onlookers. Within the last decade, film archives and film festivals have unearthed this lost art and have featured outstanding examples of the culture of early cinema reconfigured for today’s audiences. “[T]oday’s programming of early cinema . . . has to consider the audience if it wants to be successful in making the visual heritage available to as many people as possible. Early Cinema Today shows in a fascinating, versatile, and refreshing way how this can be implemented. . . . [This book] provides practitioners with innovative ideas on how to engage potential audiences, while providing scholars with valuable insight into how film archivists and curators shape perceptions of early cinema and, through this, the direction of film scholarship.” —The Moving Image “[This] collection presents a wide range of approaches to the programming of early film, both historically and in the present-day context, while sounding a vibrant and timely call to review the relation that has evolved between scholars, archivists, and film programmers in matters relating to the programming of early cinema today.” —Film History