The Parisian Avant Garde In The Age Of Cinema 1900 1923
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The Parisian Avant Garde In The Age Of Cinema 1900 1923
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Author : Jennifer Wild
language : en
Publisher: Univ of California Press
Release Date : 2023-04-28
The Parisian Avant Garde In The Age Of Cinema 1900 1923 written by Jennifer Wild and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-28 with Performing Arts categories.
The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, behind, and beyond the screen, Wild shows how canonical works of modern art may be understood as responding to the changing characteristics of daily life after the cinema. Drawing from a vast popular cultural, cinematic, and art-historical archive, Wild challenges how we have told the story of modern artists’ earliest encounter with cinema and urges us to reconsider how early projection, film stardom, and film distribution transformed their understanding of modern life, representation, and the act of beholding. By highlighting the cultural, ideological, and artistic forms of interpellation and resistance that shape the phenomenology of a wartime era, The Parisian Avant-Garde in the Age of Cinema, 1900–1923 provides an interdisciplinary history of radical form. This book also offers a new historiography that redefines how we understand early cinema and avant-garde art before artists turned to making films themselves.
Form And Meaning In Avant Garde Collage And Montage
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Author : Magda Dragu
language : en
Publisher: Routledge
Release Date : 2020-02-06
Form And Meaning In Avant Garde Collage And Montage written by Magda Dragu and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-06 with Art categories.
This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period. Magda Dragu distinguishes between the concepts of collage and montage, as defined across several media (fine arts, literature, music, film, photography), based on the type of artistic meaning they generate, rather than the mechanical procedures involved. The book applies theories of intermediality to collage and montage, which is crucial for understanding collage as a form of cultural production. Throughout, the author considers the political implications, as collages and montages were often used for propagandistic purposes. This book combines research methods used in several areas of inquiry: art history, literary criticism, analytical philosophy, musicology, and aesthetics.
Historic Avant Garde Work On Paper
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Author : Sascha Bru
language : en
Publisher: Taylor & Francis
Release Date : 2024-03-13
Historic Avant Garde Work On Paper written by Sascha Bru and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-03-13 with Art categories.
This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstrate that the material and formal analysis of paper in the avant-garde’s artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde’s attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design.
Cinematic Representations Of Women In Modern Celebrity Culture 1900 1950
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Author : María Cristina C. Mabrey
language : en
Publisher: Routledge
Release Date : 2022-04-15
Cinematic Representations Of Women In Modern Celebrity Culture 1900 1950 written by María Cristina C. Mabrey and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-15 with History categories.
The purpose of this edited volume is to explore the contributions of women to European, Mexican, American and Indian film industries during the years 1900 to 1950, an important period that signified the rise and consolidation of media technologies. Their pioneering work as film stars, writers, directors, designers and producers as well as their endeavors to bridge the gap between the avant-garde and mass culture are significant aspects of this collection. This intersection will be carefully nuanced through their cinematographic production, performances and artistic creations. Other distinctive features pertain to the interconnection of gender roles and moral values with ways of looking, which paves the way for realigning social and aesthetic conventions of femininity. Based on this thematic and diverse sociocultural context, this study has an international scope, their main audiences being scholars and graduate students that pursue to advance interdisciplinary research in the field of feminist theory, film, gender, media and avant-garde studies. Likewise, historians, art and literature specialists will find the content appealing to the degree that intermedial and cross-cultural approaches are presented.
Acrobatic Modernism From The Avant Garde To Prehistory
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Author : Jed Rasula
language : en
Publisher: Oxford University Press, USA
Release Date : 2020-02-27
Acrobatic Modernism From The Avant Garde To Prehistory written by Jed Rasula and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-27 with Literary Criticism categories.
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
French Cinema A Very Short Introduction
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Author : Dudley Andrew
language : en
Publisher: Oxford University Press
Release Date : 2023-10-18
French Cinema A Very Short Introduction written by Dudley Andrew and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-10-18 with History categories.
It is often claimed that the French invented cinema, and although their prominence may have been supplanted by Hollywood today, the French film industry remains both prolific and highly lauded. Exploring the entire French cinematic oeuvre, Andrew teases out the distinguishing themes, to bring the defining features of French cinema to light.
Documenting The Visual Arts
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Author : Roger Hallas
language : en
Publisher: Routledge
Release Date : 2019-12-06
Documenting The Visual Arts written by Roger Hallas and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-06 with Social Science categories.
Bringing together an international range of scholars, as well as filmmakers and curators, this book explores the rich variety in form and content of the contemporary art documentary. Since their emergence in the late 1940s as a distinct genre, documentaries about the visual arts have made significant contributions to art education, public television, and documentary filmmaking, yet they have received little scholarly attention from either art history or film studies. Documenting the Visual Arts brings that attention to the fore. Whether considering documentaries about painting, sculpture, photography, performance art, site-specific installation, or fashion, the chapters of this book engage with the key question of intermediality: how film can reframe other visual arts through its specific audio-visual qualities, in order to generate new ways of understanding those arts. The essays illuminate furthermore how art documentaries raise some of the most critical issues of the contemporary global art world, specifically the discourse of the artist, the dynamics of documentation, and the visuality of the museum. Contributors discuss documentaries by filmmakers such as Frederick Wiseman, Lynn Hershman Leeson, Jia Zhangke, and Trisha Ziff, and about artists such as Michael Heizer, Ai Weiwei, Do Ho Suh, and Marina Abramović. This collection of new international and interdisciplinary scholarship on visual art documentaries is ideal for students and scholars of visual arts and filmmaking, as well as art history, arts education, and media studies.
Critical Mass
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Author : Steven Ungar
language : en
Publisher: U of Minnesota Press
Release Date : 2018-08-21
Critical Mass written by Steven Ungar and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-21 with Performing Arts categories.
Thirty-five years of nonfiction films offer a unique lens on twentieth-century French social issues Critical Mass is the first sustained study to trace the origins of social documentary filmmaking in France back to the late 1920s. Steven Ungar argues that socially engaged nonfiction cinema produced in France between 1945 and 1963 can be seen as a delayed response to what filmmaker Jean Vigo referred to in 1930 as a social cinema whose documented point of view would open the eyes of spectators to provocative subjects of the moment. Ungar identifies Vigo’s manifesto, his 1930 short À propos de Nice, and late silent-era films by Georges Lacombe, Boris Kaufman, André Sauvage, and Marcel Carné as antecedents of postwar documentaries by Eli Lotar, René Vautier, Alain Resnais, Chris Marker, and Jean Rouch, associated with critiques of colonialism and modernization in Fourth and early Fifth Republic France. Close readings of individual films alternate with transitions to address transnational practices as well as state- and industry-wide reforms between 1935 and 1960. Critical Mass is an indispensable complement to studies of nonfiction film in France, from Georges Lacombe’s La Zone (1928) to Chris Marker’s Le Joli Mai (1963).
Moving Modernism
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Author : Nell Andrew
language : en
Publisher: Oxford University Press, USA
Release Date : 2020
Moving Modernism written by Nell Andrew and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.
"Moving Modernism reenacts the simultaneous eruption of three spectacular revolutions, the development of pictorial abstraction, the first modern dance, and the birth of cinema, which together changed the artistic landscape of early-twentieth-century Europe and the future of modern art. Rather than a book about dancing pictures or about pictures of dancing, however, this study follows the chronology of the historical avant-garde to show how dance and pictures were engaged in a kindred exploration of the limits of art and perception that required the process of abstraction. Recovering performances, working methods, and circles of aesthetic influence and reception for avant-garde dance pioneers and experimental filmmakers from the turn of the century to the interwar period, Moving Modernism challenges to modernism's medium-specific frameworks by demonstrating the significant role played by the arts of motion in the historical avant-garde's development of abstraction: from the turn-of-the-century dancer Loïe Fuller who awakened in symbolist artists the possibility of prolonged or suspended vision; to cubo-futurist and neo-symbolist artists who reached pure abstraction in tandem with the radical dance theory and performance of Valentine de Saint-Point; Sophie Taeuber's hybrid Dadaism between art and dance; to Akarova, a prolific choreographer linked to Belgian constructivism, whose pioneers called her dance "music architecture," "living geometry," and "pure plastics"; and finally to the dancing images of early cinematic abstraction from Edison and the Lumières to Hans Richter, Fernand Léger and Germaine Dulac. Each chapter reveals abstraction's emergence not only as a formal strategy but as an apparatus of creation, perception, and reception deployed across artistic media toward shared modernist goals. Focusing on abstraction's productive rather than reproductive value, Andrew argues that abstraction can be worked like a muscle, a medium through which habits of reception and perception are broken and art's viewers engaged by the kinaesthetic sensation to move and be moved"--
A Companion To Experimental Cinema
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Author : Federico Windhausen
language : en
Publisher: John Wiley & Sons
Release Date : 2022-08-22
A Companion To Experimental Cinema written by Federico Windhausen and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-22 with Performing Arts categories.
An exploration of what experimental cinema was, is, and might become A Companion to Experimental Cinema is a collection of original essays organized around both theoretical and historical issues of concern to film scholars, programmers, filmmakers, and viewers. Newly-commissioned essays written by specialists in the field, along with dialogues conducted with a diverse range of practitioners, focus on core subjects to present an international array of overlapping and contrasting perspectives. This unique text not only provides detailed accounts of particular films and filmmakers, but also discusses new approaches of understanding, characterizing, and shaping experimental cinema. The Companion offers readers an accessible point of entry to the material while seeking to contribute to scholarly debates. Essays explore a wide range of topics within the realm of experimental film, including the shift from traditional biography to broader contexts, the increased attention afforded to local and transnational circuits of exchange, and the deepening of theoretical considerations regarding cultural identity and cinematic aesthetics. Key themes and concepts are inter-woven throughout the text, offering fresh perspectives on experimental cinema’s dialogues with other modes and practices of film and video, its interactions with the non-cinematic arts, its responses to changing technological landscapes, and more. An essential addition to the field, the Companion: Balances introductory summaries and scholarly dialogue with existing literature Explores how the study of experimental cinema can benefit from scholarship in other disciplines Includes numerous analyses of films that are readily available to view via digital media Discusses both canonical and obscure or neglected works Examines the effects of the growing diversification of experimental film scholarship A Companion to Experimental Cinema is a valuable resource for scholars of film studies and art history, curators and programmers, critics and bloggers, filmmakers and artists, and anyone interested in exploring experimental or avant-garde cinema.