Ave Mundi Domina
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Ave Mundi Domina
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Author : Gaspar van Weerbeke
language : en
Publisher: A-R Editions, Inc.
Release Date :
Ave Mundi Domina written by Gaspar van Weerbeke and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. The cycle Ave, mundi domina by Gaspar van Weerbeke (ca. 1452–1517) consists of eight four-voice motets on assorted Marian texts. All eight motets are preserved in Librone 1 of the Milanese Libroni (Gaffurius Codices), with two also appearing in Librone 2. Of all the surviving motetti missales cycles, Ave, mundi domina is the only cycle whose component motets can also be found in sources from outside Milan; particularly notable in this regard is its fourth motet, “Anima mea liquefacta est,” on a highly expressive text from the Song of Songs, which with seven concordant sources is not only the single most transmitted motet within the motetti missales repertory but also in Weerbeke’s entire output.
Early Music History
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Author : Iain Fenlon
language : en
Publisher: Cambridge University Press
Release Date : 2009-03-19
Early Music History written by Iain Fenlon and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-03-19 with Literary Criticism categories.
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume fifteen include: Costanzo Festa's Gradus ad Parnassum; Scenes from the life of Silvia Galiarti Manni, a seventeenth-century virtuosa; Galeazzo Maria Sforza and musical patronage in Milan: Compere, Weerbeke and Josquin.
Quam Pulchra Es
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Author : Gaspar van Weerbeke
language : en
Publisher: A-R Editions, Inc.
Release Date :
Quam Pulchra Es written by Gaspar van Weerbeke and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. The cycle Quam pulchra es by Gaspar van Weerbeke (ca. 1452–1517) consists of eight four-voice motets on centonate Marian texts. Among the motetti missales cycles, it boasts not only the most concordances within the Milanese Libroni but is also the only one whose motets were copied in Librone [4], the latest of these codices. So far, none of the motets of this cycle has been found in other contemporaneous sources, suggesting a particular connection between this cycle and Milan.
The Latin Hymn Writers And Their Hymns
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Author : Samuel Willoughby Duffield
language : en
Publisher:
Release Date : 1889
The Latin Hymn Writers And Their Hymns written by Samuel Willoughby Duffield and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1889 with Hymns, Latin categories.
Ave Domine Iesu Christe
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Author : Daniele V. Filippi
language : en
Publisher: A-R Editions, Inc.
Release Date :
Ave Domine Iesu Christe written by Daniele V. Filippi and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. The anonymous motet cycle Ave, Domine Iesu Christe, transmitted uniquely in Librone 1 of the Milanese Libroni, consists of eight motets for four and five voices on Christological texts; the first four, each of which begins with the words “Ave, Domine Iesu Christe,” take their text from a prayer to Christ popular in contemporary prayer books. Despite the anonymous transmission, several notable stylistic features of the cycle—including use of the technique of “split tenors”—suggest a possible attribution to Loyset Compère (ca. 1450–1518). All eight motets bear loco rubrics indicating their placement in the mass liturgy.
Pierre De La Rue And Musical Life At The Habsburg Burgundian Court
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Author : Honey Meconi
language : en
Publisher: Oxford University Press, USA
Release Date : 2003
Pierre De La Rue And Musical Life At The Habsburg Burgundian Court written by Honey Meconi and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with History categories.
For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
Hodie Nobis De Virgine
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Author : Loyset Compère
language : en
Publisher: A-R Editions, Inc.
Release Date :
Hodie Nobis De Virgine written by Loyset Compère and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. The cycle Hodie nobis de virgine by Loyset Compère (ca. 1450–1518) consists of eight four-voice motets on assorted Christmas texts, making it the only of Compère’s motet cycles to center clearly on a specific occasion of the liturgical year. All eight motets are preserved uniquely in Librone 1 of the Milanese Libroni (Gaffurius Codices) and bear loco rubrics indicating their placement in the mass liturgy.
A Dictionary Of Hymnology
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Author : John Julian
language : en
Publisher:
Release Date : 1892
A Dictionary Of Hymnology written by John Julian and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1892 with Church history categories.
Catalogue Of The Musical Manuscripts At Peterhouse Cambridge
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Author : Dom Anselm Hughes
language : en
Publisher: Cambridge University Press
Release Date : 2015-10
Catalogue Of The Musical Manuscripts At Peterhouse Cambridge written by Dom Anselm Hughes and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10 with Music categories.
First published in 1953, this book contains a catalogue of musical manuscripts from the collection of Peterhouse College, Cambridge. The manuscripts, all of which originated in the period 1540-1640, are divided into two groups: a set of four Latin partbooks described as the 'Henrician set' and two sets of English partbooks with some Latin insertions called the 'Caroline sets'. Transcripts of two scores are given: Christ rising again by Thomas Wilson and O Sapientia by Robert Ramsey. A contemporary organ book is also included. This volume will be of value to anyone with an interest in the Peterhouse Manuscripts and early English music.
Natus Sapientia
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Author : Cristina Cassia
language : en
Publisher: A-R Editions, Inc.
Release Date :
Natus Sapientia written by Cristina Cassia and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. Although most known motetti missales cycles appear within the Milanese Libroni, two unique anonymous cycles appear together in Munich, Bayerische Staatsbibliothek Mus. Ms. 3154 (the Leopold Codex), a source evidently compiled in Innsbruck. The cycle Natus sapientia, like the Milanese motetti missales cycles, consists of eight motets, but with texts focusing on the crucifixion of Jesus rather than Marian themes. This edition improves upon previously published versions by providing full text underlay for all voices and correcting apparent mistakes while retaining the unusual dissonances that characterize this cycle.