[PDF] Barocco Padano Atti Del Ix Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii - eBooks Review

Barocco Padano Atti Del Ix Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii


Barocco Padano Atti Del Ix Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii
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Barocco Padano Atti Del Ix Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii


Barocco Padano Atti Del Ix Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii
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Author :
language : de
Publisher:
Release Date : 2002

Barocco Padano Atti Del Ix Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Music categories.




Barocco Padano Atti Del X Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii


Barocco Padano Atti Del X Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii
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Author :
language : de
Publisher:
Release Date : 2002

Barocco Padano Atti Del X Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Music categories.




Bolognese Instrumental Music 1660 1710


Bolognese Instrumental Music 1660 1710
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Author : Gregory Barnett
language : en
Publisher: Routledge
Release Date : 2017-07-05

Bolognese Instrumental Music 1660 1710 written by Gregory Barnett and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The periodmarked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical eventswitnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw the heyday of Bolognese music publishing, whose output of sonatas and related instrumental genres easily surpassed that of the once-dominating Venetian presses. The approach taken here departs from composer- and genre-centered monographs on Italian instrumental music in order to illuminate an array of topics that center on the Bolognese repertory: the social condition of instrumentalist-composers; the acumen of music publishers in the creation of the repertory; the diverse contexts of the instrumental dances; the influence of liturgical traditions on sonata topoi; the impact of psalmodic practice on tonal style; and the innovative climate that led to experiments with scoring and form in the earliest instrumental concertos. In sum, this book not only illustrates the historically significant and defining features of the music, but also links the surviving repertory to the flourishing musical culture in which it was created.



Music In The Collective Experience In Sixteenth Century Milan


Music In The Collective Experience In Sixteenth Century Milan
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Author : Christine Suzanne Getz
language : en
Publisher: Taylor & Francis
Release Date : 2023-05-31

Music In The Collective Experience In Sixteenth Century Milan written by Christine Suzanne Getz and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-05-31 with Music categories.


Renaissance music, like its sister arts, was most often experienced collectively. While it was possible to read Renaissance polyphony silently from a music manuscript or print, improvise alone, or perform as a soloist, the very practical nature of Renaissance music defied individualism. The reading and improvisation of polyphony was most frequently achieved through close co-operation, and this mutual endeavour extended beyond the musicians to include the society to which it is addressed. In sixteenth-century Milan, music, an art traditionally associated with the court and cathedral, came to be appropriated by the old nobility and the new aristocracy alike as a means of demonstrating social primacy and newly acquired wealth. As class mobility assumed greater significance in Milan and the size of the city expanded beyond its Medieval borders, music-making became ever more closely associated with public life. With its novel structures and diverse urban spaces, sixteenth-century Milan offered an unlimited variety of public performance arenas. The city's political and ecclesiastical authorities staged grand processions, church services, entertainments, and entries aimed at the propagation of both church and state. Yet the private citizen utilized such displays as well, creating his own miniature spectacle in a visual and an aural imitation of the ecclesiastical and political panoply of the age. Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan via its life within the city's most influential social institutions to show how fifteenth-century courtly traditions were adapted to the public arena. The book considers the relationship of the primary cappella musicale, including those of the Duomo, the court of Milan, Santa Maria della Scala, and Santa Maria presso San Celso, to the sixteenth-century institutions that housed them. In addition, the book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state, and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed. Finally, it musically documents Milan's transformation from a ducal state dominated by provincial traditions into a mercantile centre of international acclaim. Such an important study in Italian Renaissance music will therefore appeal to anyone interested in the culture of Renaissance Italy.



Barocco Padano Atti Del Xi Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii


Barocco Padano Atti Del Xi Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii
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AUDIOBOOK

Author :
language : it
Publisher:
Release Date : 2002

Barocco Padano Atti Del Xi Convegno Internazionale Sulla Musica Sacra Nei Secoli Xvii Xviii written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Music categories.




The Madrigal


The Madrigal
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Author : Susan Lewis Hammond
language : en
Publisher: Routledge
Release Date : 2012-08-06

The Madrigal written by Susan Lewis Hammond and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-06 with Art categories.


The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.



A Companion To Music At The Habsburg Courts In The Sixteenth And Seventeenth Centuries


A Companion To Music At The Habsburg Courts In The Sixteenth And Seventeenth Centuries
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Author :
language : en
Publisher: BRILL
Release Date : 2020-09-25

A Companion To Music At The Habsburg Courts In The Sixteenth And Seventeenth Centuries written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-25 with Music categories.


A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.



Mirrors Of Heaven Or Worldly Theaters


Mirrors Of Heaven Or Worldly Theaters
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Author : Jonathan E. Glixon
language : en
Publisher: Oxford University Press
Release Date : 2017

Mirrors Of Heaven Or Worldly Theaters written by Jonathan E. Glixon and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Music categories.


Mirrors of Heaven or Worldly Theaters? Venetian Nunneries and Their Music is the first in-depth study of the dynamic role of musical rituals at Venetian convents in the Early Modern era, examining the nuns as patrons and performers, of both simple plainchant and complex sacred polyphony. The book also considers organs, bells, and musical and theatrical entertainment by and for the nuns.



A Companion To Late Medieval And Early Modern Milan


A Companion To Late Medieval And Early Modern Milan
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Author :
language : en
Publisher: BRILL
Release Date : 2014-11-27

A Companion To Late Medieval And Early Modern Milan written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-27 with History categories.


Milan was for centuries the most important center of economic, ecclesiastical and political power in Lombardy. As the State of Milan it extended in the Renaissance over a large part of northern and central Italy and numbered over thirty cities with their territories. A Companion to Late Medieval and early Modern Milan examines the story of the city and State from the establishment of the duchy under the Viscontis in 1395 through to the 150 years of Spanish rule and down to its final absorption into Austrian Lombardy in 1704. It opens up to a wide readership a well-documented synthesis which is both fully informative and reflects current debate. 20 chapters by qualified and distinguished scholars offer a new and original perspective with themes ranging from society to politics, music to literature, the history of art to law, the church to the economy. Contributors are: Giuliana Albini, Giancarlo Andenna, Jane Black, Stefano D’Amico, Alessandra Dattero, Massimo Della Misericordia, Giuliano Di Bacco, Claudia Di Filippo, Federico Del Tredici, Andrea Gamberini, Christine Getz, T.J. Kuehn, Germano Maifreda, Patrizia Mainoni, Alessandro Morandotti, Simona Mori, Serena Romano, Giovanna Tonelli, Massimo Zaggia.



Cavalier Giovanni Battista Buonamente


Cavalier Giovanni Battista Buonamente
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Author : Peter Allsop
language : en
Publisher: Routledge
Release Date : 2017-07-05

Cavalier Giovanni Battista Buonamente written by Peter Allsop and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Giovanni Battista Buonamente was among the most original and inventive Italian composers of the seventeenth century. Peter Allsop reveals his importance as part of a tradition that stands in direct antithesis to that of the Corellian sonata today regarded as the 'norm'. This development is traced in a series of likely teacher-pupil relationships from Salamone Rossi to Marco Uccellini, the most prolific Italian composers of instrumental ensemble music in the first half of the seventeenth century. The first half of the book sets out what is known of Buonamente's turbulent career as he moved from the courtly environments of the Gonzaga household and Habsburg court to several less auspicious posts at various religious institutions, ending his life as maestro di cappella at the mother house of his order, S. Francesco in Assisi. A fascinating picture emerges of the nature of musical patronage against a background of war and plague in this time of great political instability. The later chapters comprise detailed discussions, supported with over 100 music examples, of the unusually wide range of genres for which Buonamente wrote: sinfonias, free sonatas, sets of variations, canzonas, dances; and he was the first Italian to cultivate the ensemble suite to any extent. The book concludes with an examination of his influence on his probable pupil Marco Uccellini and the interest Buonamente instigated in canonic writing, which was passed via Uccellini to a succession of Modenese composers.