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Basic Principles Of Artistic Singing


Basic Principles Of Artistic Singing
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Basic Principles Of Artistic Singing


Basic Principles Of Artistic Singing
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Author : John Fred Lissfelt
language : en
Publisher:
Release Date : 1938

Basic Principles Of Artistic Singing written by John Fred Lissfelt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1938 with Singing categories.




Basic Principles Of Artistic Singing


Basic Principles Of Artistic Singing
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Author : J. Fred Lissfelt
language : en
Publisher:
Release Date : 1966

Basic Principles Of Artistic Singing written by J. Fred Lissfelt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1966 with categories.




Basic Principles Of Artistic Singing


Basic Principles Of Artistic Singing
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Author : John Frederick Lissfelt
language : en
Publisher:
Release Date : 1966

Basic Principles Of Artistic Singing written by John Frederick Lissfelt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1966 with Singing categories.




Correct Principles Of Classical Singing


Correct Principles Of Classical Singing
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Author : Max Heinrich
language : en
Publisher:
Release Date : 1910

Correct Principles Of Classical Singing written by Max Heinrich and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1910 with Chants categories.




Position And Action In Singing A Study Of The True Conditions Of Tone A Solution Of Automatic Artistic Breath Control


Position And Action In Singing A Study Of The True Conditions Of Tone A Solution Of Automatic Artistic Breath Control
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Author : Edmund John Myer
language : en
Publisher:
Release Date : 1897

Position And Action In Singing A Study Of The True Conditions Of Tone A Solution Of Automatic Artistic Breath Control written by Edmund John Myer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1897 with Singing categories.




Bel Canto


Bel Canto
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Author : Cornelius L. Reid
language : en
Publisher:
Release Date : 1950

Bel Canto written by Cornelius L. Reid and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1950 with Singing categories.




Singing And Imagination


Singing And Imagination
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Author : Thomas Hemsley
language : en
Publisher: Oxford University Press, USA
Release Date : 1998-01

Singing And Imagination written by Thomas Hemsley and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-01 with Music categories.


This book is written in the belief that the essential basic principles underlying good singing are in themselves rather few, and very simple, but that their application is amazingly varied in light of the individual's needs. It is not intended as a manual of voice production, and does not concern itself with medical matters, nor directly with anatomy, physiology, and acoustics. While not belittling the value of appropriate scientific investigation, Hemsley believes that modern methodsof training have gone too far in the direction of the materialistic approach; that singing in all its aspects and at all times should be guided by the imagination, the feelings, and the intuition; that we have become so pre-occupied by voice per se and the vocal function since the advent of vocal science, that we too easily forget that singing is not voice, but modification of voice - `not only a langauge through which we understand the emotions of others, but also a means of exciting our sympathy with such emotions.' (H. Spencer). This book can be seen as an attempt to redress the balance. Quote from reader's report by Professor David Galliver: "Here is a comprehensive and well-ordered philosophy of the art of singing; one which integrates both technical and interpretative aspects. While the technical principles of the classical tradition of singing as expounded by the late Lucie Manen lie at its basis, what is put forward here is very much an extension and development,illumined by Thomas Hemsley's long and exceptionally wide experience as a professional singer and teacher, as well as by a wealth of historical evidence. The second part of the book applies these principles, emphasising the fundamental role played by artistic imagination aund understanding. The picture which emerges is essentially comprehensive, and offers a holistic approach to the art of singing. "The book is addressed to those `with a gift for singing who would like to understand betterhow to approach putting that gift to use'. It will appeal to a wide range of singers, professional and others, and will challenge those pedagogues who rely heavily on the so-called `scientific' approach at the expense of fundamental human and artistic considerations. Hemsley's own scientific qualifications give additional authority to his hard-hitting arguments. The book is engagingly written, with many personal examples and anecdotes; it certainly makes good reading."



Catalog Of Copyright Entries Third Series


Catalog Of Copyright Entries Third Series
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Author : Library of Congress. Copyright Office
language : en
Publisher: Copyright Office, Library of Congress
Release Date : 1968

Catalog Of Copyright Entries Third Series written by Library of Congress. Copyright Office and has been published by Copyright Office, Library of Congress this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Copyright categories.




The Singer S Art


The Singer S Art
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Author : Richard De Young
language : en
Publisher:
Release Date : 1980

The Singer S Art written by Richard De Young and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Singing categories.




The Art Of Singing Based On The Principles Of The Old Italian Singing Masters And Dealing With Breath Control And Production Of The Voice Together


The Art Of Singing Based On The Principles Of The Old Italian Singing Masters And Dealing With Breath Control And Production Of The Voice Together
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Author : William Shakespeare
language : en
Publisher: Theclassics.Us
Release Date : 2013-09

The Art Of Singing Based On The Principles Of The Old Italian Singing Masters And Dealing With Breath Control And Production Of The Voice Together written by William Shakespeare and has been published by Theclassics.Us this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09 with categories.


This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: ...he first seeks the quality of the sound. This is the meaning of the old Italian maxim, Cerca la qualita, e la quantita verra. (Strive for quality, and the quantity will follow.) When we restrict ourselves to notes which we can produce by a controlled breath we compel the voice to adjust itself to our breathforce. This alone is the natural voice. By force of breath we mean that quantity which, though subject ultimately to the physical build of the individual, is determined mainly by study and practice. The beginner finds he has little or no force of breath; nevertheless, in the hands of the artist it is an essential factor. By means of it he regulates the force of his voice (within its natural limits) as defined above; but it is of still greater importance to him for the purpose of enabling him to intensify the quality of his notes. Lamperti, hi his teaching, was never tired of repeating, "never sing with more voice than that which you can produce when you rightly control the breath." Again, "the force of the voice should always be less than the force of the breath that supports it." He used to say, "the voice should be dominated by the breath, and not the breath by the voice." Intensity is the basis of all expression in singing, and without it the highest effects of which the art is capable are impossible. There is no fault more often committed than that of mistaking force of voice for force of breath. There cannot be too much intensity of breath when the voice is rightly produced, but the bad singer, instead of intensifying the lighter gradations of the voice, is compelled to sing loud sounds wrongly produced. Good singing, by the use of the many gradations of the voice, is endowed with grace and ease...