Benjamin Deleuze And The Baroque
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Benjamin Deleuze And The Baroque
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Author : Noa Levin
language : en
Publisher: Bloomsbury Publishing
Release Date : 2025-02-06
Benjamin Deleuze And The Baroque written by Noa Levin and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-02-06 with Philosophy categories.
For Walter Benjamin and Gilles Deleuze, who both authored seminal theoretical works on early cinema and photography, the history of modern media begins much earlier, in Baroque culture and science. Benjamin, Deleuze and the Baroque argues that their media theories were informed by their respective readings of the philosophy and mathematics of G.W. Leibniz, and the Baroque can thus be seen as the locus of modern media. By critically comparing Benjamin and Deleuze's interpretations of the Baroque, Levin demonstrates the extent to which their theories of visual culture are intertwined with critiques of Enlightenment historiography and politics. Using a hermeneutic comparative approach, this book argues that the juxtaposition of Benjamin's reception of Leibniz with Deleuze's highlights the extent to which both authors' theories of image and media were informed by Leibniz's concepts of expression and perspectivism, themselves inspired by ground-breaking evolutions in optics and perspective. Providing close readings of Deleuze's The Fold and Benjamin's Origin of the German Trauerspiel, which remain understudied in the English language, it explores how, in their dual roles of philosopher and cultural critic, the pair may illuminate our own age of multiple crises through the Baroque.
Baroque Naturalism In Benjamin And Deleuze
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Author : Tim Flanagan
language : en
Publisher: Palgrave Macmillan
Release Date : 2022-10-20
Baroque Naturalism In Benjamin And Deleuze written by Tim Flanagan and has been published by Palgrave Macmillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-20 with Philosophy categories.
This book, itself a study of two books on the Baroque, proposes a pair of related theses: one interpretive, the other argumentative. The first, enveloped in the second, holds that the significance of allegory Gilles Deleuze recognized in Walter Benjamin’s 1928 monograph on seventeenth century drama is itself attested in key aspects of Kantian, Leibnizian, and Platonic philosophy (to wit, in the respective forms by which thought is phrased, predicated, and proposed).The second, enveloping the first, is a literalist claim about predication itself – namely, that the aesthetics of agitation and hallucination so emblematic of the Baroque sensibility (as attested in its emblem-books) adduces an avowedly metaphysical ‘naturalism’ in which thought is replete with predicates. Oriented by Barbara Cassin’s development of the concerted sense in which homonyms are critically distinct from synonyms, the philosophical claim here is that ‘the Baroque’ names the intervallic [διαστηματική] relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet – a state-rempli in which, phenomenologically speaking, experience comprises as much seeing as reading (as St Jerome encountering Origen’s Hexapla).
Baroque Naturalism In Benjamin And Deleuze
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Author : Tim Flanagan
language : en
Publisher: Springer Nature
Release Date : 2021-10-18
Baroque Naturalism In Benjamin And Deleuze written by Tim Flanagan and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-18 with Philosophy categories.
This book, itself a study of two books on the Baroque, proposes a pair of related theses: one interpretive, the other argumentative. The first, enveloped in the second, holds that the significance of allegory Gilles Deleuze recognized in Walter Benjamin’s 1928 monograph on seventeenth century drama is itself attested in key aspects of Kantian, Leibnizian, and Platonic philosophy (to wit, in the respective forms by which thought is phrased, predicated, and proposed).The second, enveloping the first, is a literalist claim about predication itself – namely, that the aesthetics of agitation and hallucination so emblematic of the Baroque sensibility (as attested in its emblem-books) adduces an avowedly metaphysical ‘naturalism’ in which thought is replete with predicates. Oriented by Barbara Cassin’s development of the concerted sense in which homonyms are critically distinct from synonyms, the philosophical claim here is that ‘the Baroque’ names the intervallic [διαστηματική] relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet – a state-rempli in which, phenomenologically speaking, experience comprises as much seeing as reading (as St Jerome encountering Origen’s Hexapla).
Rethinking The Baroque
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Author : Helen Hills
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2011
Rethinking The Baroque written by Helen Hills and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Art categories.
Retrieving the term 'baroque' from the margins of art history, scholars from a range of disciplines demonstrate that it is a productive means to engage with art history and theory. Rather than attempting to provide a survey of baroque as a chronological or geographical conception, the essays here attempt critical re-engagement with the term 'baroque'-its promise, its limits, and its overlooked potential-in relation to the visual arts.
Rethinking The Baroque
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Author : Helen Hills
language : en
Publisher: Routledge
Release Date : 2017-07-05
Rethinking The Baroque written by Helen Hills and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Architecture categories.
Rethinking the Baroque explores a tension. In recent years the idea of ?baroque? or ?the baroque? has been seized upon by scholars from a range of disciplines and the term ?baroque? has consequently been much in evidence in writings on contemporary culture, especially architecture and entertainment. Most of the scholars concerned have little knowledge of the art, literature, and history of the period usually associated with the baroque. A gulf has arisen. On the one hand, there are scholars who are deeply immersed in historical period, who shy away from abstraction, and who have remained often oblivious to the convulsions surrounding the term ?baroque?; on the other, there are theorists and scholars of contemporary theory who have largely ignored baroque art and architecture. This book explores what happens when these worlds mesh. In this book, scholars from a range of disciplines retrieve the term ?baroque? from the margins of art history where it has been sidelined as ?anachronistic?, to reconsider the usefulness of the term ?baroque?, while avoiding simply rehearsing familiar policing of periodization, stylistic boundaries, categories or essence. ?Baroque? emerges as a vital and productive way to rethink problems in art history, visual culture and architectural theory. Rather than attempting to provide a survey of baroque as a chronological or geographical conception, the essays here attempt critical re-engagement with the term ?baroque? - its promise, its limits, and its overlooked potential - in relation to the visual arts. Thus the book is posited on the idea that tension is not only inevitable, but even desirable, since it not only encapsulates intellectual divergence (which is always as useful as much as it is feared), but helps to push scholars (and therefore readers) outside their usual runnels.
The Oxford Handbook Of The Baroque
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Author : John D. Lyons
language : en
Publisher: Oxford University Press
Release Date : 2019-08-08
The Oxford Handbook Of The Baroque written by John D. Lyons and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-08 with Literary Criticism categories.
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Diagrams Of Power In Benjamin And Foucault
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Author : Mark Laurence Jackson
language : en
Publisher: Springer Nature
Release Date : 2022-09-04
Diagrams Of Power In Benjamin And Foucault written by Mark Laurence Jackson and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-09-04 with Philosophy categories.
This book’s overarching premise is that discussion and critique in the discourses of architecture and urbanism have their primary focus on engagements with form, particularly in the sense of the question as to what planning and architecture signify with respect to the forms they take, and how their meanings or content (what is “contained”) is considered in relation to form-as-container. While significant critical work in these disciplines has been published over the past 20 years that engages pertinently with the writings of Walter Benjamin and Michel Foucault, there has been no address to the co-incidence in the work of Benjamin and Foucault of an architectural figure that is pivotal to each of their discussions of the emergence of modernity: The arcade for Benjamin and the panoptic prison for Foucault have a parallel role. In Foucault’s terms, panopticism is a “diagram of power.” The parallel, for Benjamin, would be his understanding of “constellation.” In more recent architectural writings, the notion of the diagram has emerged as a key motif. Yet, and in as much as it supposedly relates to aspects of the work of Foucault, along with Gilles Deleuze, this notion of “diagram” amounts, for the most part, to a thinly veiled reinstatement of geometry-as-idea. This book redresses the emphasis given to form within the cultural philosophy of modernity and—particularly with respect to architecture and urbanism—inflects on the agency of force that opens a reading of their productive capacities as technologies of power. It is relevant to students and scholars in poststructuralist critical theory, architecture, and urban studies. “This is a book about Foucault and Benjamin and it is grounded in a deep knowledge of and reflection upon their works, but it is also underpinned by an impressive erudition. There are reflections on Hegel and Heidegger (central to the author) and Derrida, along with Kierkegaard, and others. This leads to a rich and suggestive discussion ... in staging a spatial-architectural-political conversation between Foucault and Benjamin.” - Anonymous Reviewer “Mark Jackson’s Diagrams of Power in Benjamin and Foucault, The Recluse of Architecture juxtaposes and interrogates its two leading actors so as to draw from and through them a theory of architecture, which is inseparable from its recluse. In doing so it elaborates a series of complex connections with their various interlocutors and inspirations, Hegel, Heidegger, Derrida, the Kabbalah, Agamben, allegory, Marx, Deleuze, Klossowski, tragedy, capitalism, modernity, and so on. The list is long and impressive. This is not only done with an extremely high degree of scholarship, but is presented in a light, lucid and very compelling manner in a voice both personal and authoritative. The recluse is the figure of mimesis itself, the appearance of a withdrawal, always already a ruin. This book not only contributes a highly astute reading of its philosophical objects, but it enacts the ontology of the recluse through its own unfolding, simultaneously revealing and withholding the meaning of architecture ‘as such’, so that we not only understand its meaning, but feel the pulsing differential of the book’s object as if it were alive within us.” - Stephen Zepke, Independent Researcher, Vienna
Deleuze And The Fold A Critical Reader
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Author : Sjoerd van Tuinen
language : en
Publisher: Springer
Release Date : 2009-11-30
Deleuze And The Fold A Critical Reader written by Sjoerd van Tuinen and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-11-30 with Philosophy categories.
Featuring contributions by leading academics this collection is a companion to one of the most intricate of Deleuze's philosophical texts, articulating Leibnizian thought within the context of Baroque expressionism, characterized by its interdisciplinary approach to philosophy. This reader offers an incisive critical overview of its key themes
English Renaissance Literature And Contemporary Theory
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Author : Paul Cefalu
language : en
Publisher: Springer
Release Date : 2007-08-06
English Renaissance Literature And Contemporary Theory written by Paul Cefalu and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-06 with Literary Criticism categories.
This book offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory - including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavoj Zizek, and Alenka Zupancic - can illuminate Early Modern literature and culture.
The Oxford Handbook Of The Baroque
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Author : John D. Lyons
language : en
Publisher:
Release Date : 2019
The Oxford Handbook Of The Baroque written by John D. Lyons and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Art categories.
Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes.