Between Symbolism And Realism


Between Symbolism And Realism
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Between Symbolism And Realism


Between Symbolism And Realism
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Author : Bennie Reynolds
language : en
Publisher: Vandenhoeck & Ruprecht
Release Date : 2011-11-16

Between Symbolism And Realism written by Bennie Reynolds and has been published by Vandenhoeck & Ruprecht this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-16 with Religion categories.


Bennie H. Reynolds analyzes of the language (poetics) of ancient Jewish historical apocalypses. He investigates how the dramatis personae, i.e., deities, angels/demons, and humans are described in the Book of Daniel (chapters 2, 7, 8, and 10–12) the Animal Apocalypse (1 Enoch 85–90), 4QFourKingdoms(a-b) ar, the Book of the Words of Noah (1QapGen 5 29–18?), the Apocryphon of Jeremiah C, and 4QPseudo-Daniel(a-b) ar. The primary methodologies for this study are linguistic- and motif-historical analysis and the theoretical framework is informed by a wide range of ancient and modern thinkers including Artemidorus of Daldis, Ferdinand de Saussure, Charles Peirce, Leo Oppenheim, Claude Lévi-Strauss, and Umberto Eco. The most basic contention of this study is that the data now available from the Dead Sea Scrolls significantly alter how one should conceive of the genre apocalypse in the Hellenistic Period. This basic contention is borne out by five primary conclusions. For example, while some apocalypses employ symbolic language to describe the actors in their historical reviews, others use non-symbolic language. Some texts, especially from the Book of Daniel, are mixed cases. Among the apocalypses that use symbolic language, a limited and stable repertoire of symbols obtain across the genre and bear witness to a series of conventional associations. While several apocalypses do not use symbolic ciphers to encode their historical actors, they often use cryptic language that may have functioned as a group-specific language. The language of apocalypses indicates that these texts were not the domain of only one social group or even one type or size of social group.



Signs For The Times


Signs For The Times
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Author : Chris Brooks
language : en
Publisher: Routledge
Release Date : 2016-07-01

Signs For The Times written by Chris Brooks and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-01 with History categories.


First published in 1984. Signs for the Times explores imaginative and creative relationships between three major areas of mid-Victorian arts: literature, painting and architecture. Through the detailed critical analysis of particular novels, prose writings, paintings and buildings, Chris Brooks establishes a fusion of realistic and symbolic values that he sees as central to the Victorian creative imagination. He argues that the creative achievement of the mid-nineteenth century needs to be seen far more as a whole than it has previously, and that fundamental imaginative terms are common to art and architecture, to major theoretical writers such as Carlyle, Ruskin and Rugin as well as to the central literary figure of Dickens. All those interested in literature, art, or architecture will welcome this interpretation of symbolic realism within the mid-Victorian world.



Between Symbolism And Realism


Between Symbolism And Realism
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Author : Bennie H. Reynolds III
language : en
Publisher: Vandenhoeck & Ruprecht
Release Date : 2011-11-16

Between Symbolism And Realism written by Bennie H. Reynolds III and has been published by Vandenhoeck & Ruprecht this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-16 with Religion categories.


Bennie H. Reynolds analyzes of the language (poetics) of ancient Jewish historical apocalypses. He investigates how the dramatis personae, i.e., deities, angels/demons, and humans are described in the Book of Daniel (chapters 2, 7, 8, and 10–12) the Animal Apocalypse (1 Enoch 85–90), 4QFourKingdoms(a-b) ar, the Book of the Words of Noah (1QapGen 5 29–18?), the Apocryphon of Jeremiah C, and 4QPseudo-Daniel(a-b) ar. The primary methodologies for this study are linguistic- and motif-historical analysis and the theoretical framework is informed by a wide range of ancient and modern thinkers including Artemidorus of Daldis, Ferdinand de Saussure, Charles Peirce, Leo Oppenheim, Claude Lévi-Strauss, and Umberto Eco. The most basic contention of this study is that the data now available from the Dead Sea Scrolls significantly alter how one should conceive of the genre apocalypse in the Hellenistic Period. This basic contention is borne out by five primary conclusions. For example, while some apocalypses employ symbolic language to describe the actors in their historical reviews, others use non-symbolic language. Some texts, especially from the Book of Daniel, are mixed cases. Among the apocalypses that use symbolic language, a limited and stable repertoire of symbols obtain across the genre and bear witness to a series of conventional associations. While several apocalypses do not use symbolic ciphers to encode their historical actors, they often use cryptic language that may have functioned as a group-specific language. The language of apocalypses indicates that these texts were not the domain of only one social group or even one type or size of social group.



Realism Naturalism Symbolism Modes Of Thought Expression In Europe 1848 1914


Realism Naturalism Symbolism Modes Of Thought Expression In Europe 1848 1914
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Author : NA NA
language : en
Publisher: Springer
Release Date : 2016-01-09

Realism Naturalism Symbolism Modes Of Thought Expression In Europe 1848 1914 written by NA NA and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-09 with History categories.




Realism Naturalism And Symbolism


Realism Naturalism And Symbolism
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Author : Roland N. Stromberg
language : en
Publisher:
Release Date : 1968

Realism Naturalism And Symbolism written by Roland N. Stromberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Europe categories.




Reality And Illusion In Tennessee Williams A Streetcar Named Desire


Reality And Illusion In Tennessee Williams A Streetcar Named Desire
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Author : Ilona Sontag
language : en
Publisher: GRIN Verlag
Release Date : 2010-03-09

Reality And Illusion In Tennessee Williams A Streetcar Named Desire written by Ilona Sontag and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-03-09 with Foreign Language Study categories.


Seminar paper from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1,7, RWTH Aachen University (Institut für Anglistik I), course: Hauptseminar "American Drama", language: English, abstract: Tennessee Williams, born Thomas Lanier Williams, is not only known for being a “talented, perceptive and influential American playwright” (Day 1987, vii), but also for his frequent use of symbols. “A Streetcar Named Desire” (1947), the work which will be dealt with in this paper, is a good example for of usage, since it contains a lot of different kinds of symbolism, for example concerning colours, names, music and many more. Numerous works will be found, if anyone searches for essays about symbolism in Williams’ works. Moreover, it is common knowledge that Streetcar is a play which deals not only superficially with a woman going insane, but a play which “bring[s] into violent contrast a neurotic woman’s dream world and the animalistic realism of her brother-in-law” (back of the book in the Diesterweg edition). But since there does not seem to be any work which deals with the question of how exactly Williams drew this contrast by use of symbolism, it will be my aim in this paper to analyse this question. Consequently, I will try to point out the main symbols with which Williams underlined the contrast between realism and illusion, especially considering names, colours, clothes, light, music and certain rituals of the main characters. In the second part of this paper, I will deal with the question to what degree the main characters Stanley and Blanche are strictly opposed to each other or may have something in common. I will also deal with the meaning of the ending concerning realism and illusion. Therefore, what will be discussed are the most striking antinomies and similes in the main characters’ attitudes. A general conclusion about the topic of symbolism in Tennessee Williams’ Streetcar will be given in the end. To introduce the reader to the topic and also to justify my choice of symbols, a definition of the notion of symbolism will be given right at the beginning of this paper. This will be done by including different approaches, so that a broader definition can be given. Furthermore, for this paper is based on symbolism in Streetcar by Tennessee Williams, it may also be very interesting for the reader to have a look at Williams’ attitude towards symbols which will be done at the end of the second chapter. One last point to mention in this introduction is that due to space restrictions not all symbols concerning the topic of illusion and realism can be discussed in this paper. Nevertheless, it is my aim to present the most striking ones.



From Realism To Symbolism


From Realism To Symbolism
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Author : Allen Staley
language : en
Publisher:
Release Date : 1971

From Realism To Symbolism written by Allen Staley and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with categories.




Symbolic Realism In Susan Glaspell S Trifles


Symbolic Realism In Susan Glaspell S Trifles
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Author : Mathias Keller
language : en
Publisher: GRIN Verlag
Release Date : 2007-11

Symbolic Realism In Susan Glaspell S Trifles written by Mathias Keller and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-11 with categories.


Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,3, http: //www.uni-jena.de/, 13 entries in the bibliography, language: English, abstract: Susan Glaspell's (1876-1948) literary career increased in significance when she and her husband George Cram Cook moved to their summer residence in Provincetown, Massachusetts, in 1915. They founded the Provincetown Players, a group of dramatists who were about to change the development of American literature considerably. Against the more commercial and conventional Broadway plays, they shifted, as a part of the "'little theatre' movement," the stage into a fisher's house and performed experimental plays. One of these plays was Trifles, Susan Glaspell's most reputed dramatic piece, which was first produced in 1916 and published in 1920. Her "first solo one-act play" is based on the Hossack's case, a real murder incident in Iowa on December 2, 1900 when she was a news reporter. Her reflection of this incident deals with an investigation process which takes place in the farmhouse of the murdered John Wright and his imprisoned wife Minnie. The officials, Mr. Peters (the Sheriff), the County Attorney and the neighbour Mr. Hale, search for evidences in this house to convict Minnie of the murder. At the same time, the Sheriff's and Mr. Hale's wives, Mrs. Peters and Mrs. Hale, are supposed to collect clothes for Minnie. While they are in the kitchen, they encounter the important evidences to draw conclusions of Minnie's miserable life, her deed and, hence, take the opportunity to influence the case by concealing the most crucial evidence from the men. The play is innovative, among other things, in the respect that the main characters are absent and that Glaspell, as a consequence, creates a second explanatory level by means of symbols underneath the plot surface. This level circumscribes in detail Minnie's misery and the reasons for killing her husband. By the same means Glaspell also generally cr



From Symbolism To Socialist Realism


From Symbolism To Socialist Realism
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Author : Irene Masing-Delic
language : en
Publisher:
Release Date : 2012

From Symbolism To Socialist Realism written by Irene Masing-Delic and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Russian literature categories.


Developed as a reader for upper division undergraduates and beginning graduates, From Symbolism to Socialist Realism offers broad variety of materials contextualizing the literary texts most frequently read in Russian literature courses at this level. These approaches range from critical-theoretical articles, cultural and historical analyses, literary manifestos and declarations of literary aesthetics, memoirs of revolutionary terrorism and arrests by the NKVD, political denunciations, and "literary vignettes" capturing the spirit of its particular time in a nutshell. The voices of this "polyphonic" reader are diverse: Briusov, Savinkov, Ivanov-Razumnik, Kollontai, Tsvetaeva, Shklovsky, Olesha, Zoshchenko, Zhdanov, Grossman, Evtushenko, and others. The range of specialists on Russian culture represented here is equally broad: Clark, Erlich, Grossman, Nilsson, Peace, Poznansky, Siniavskii, and others. Together they evoke and illuminate a complex and tragic era.



Symbolic Realism In Susan Glaspell S Trifles


Symbolic Realism In Susan Glaspell S Trifles
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Author : Mathias Keller
language : en
Publisher: GRIN Verlag
Release Date : 2007-01-26

Symbolic Realism In Susan Glaspell S Trifles written by Mathias Keller and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-26 with Literary Collections categories.


Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,3, http://www.uni-jena.de/, 13 entries in the bibliography, language: English, abstract: Susan Glaspell’s (1876-1948) literary career increased in significance when she and her husband George Cram Cook moved to their summer residence in Provincetown, Massachusetts, in 1915. They founded the Provincetown Players, a group of dramatists who were about to change the development of American literature considerably. Against the more commercial and conventional Broadway plays, they shifted, as a part of the "’little theatre’ movement," the stage into a fisher’s house and performed experimental plays. One of these plays was Trifles, Susan Glaspell’s most reputed dramatic piece, which was first produced in 1916 and published in 1920. Her "first solo one-act play" is based on the Hossack’s case, a real murder incident in Iowa on December 2, 1900 when she was a news reporter. Her reflection of this incident deals with an investigation process which takes place in the farmhouse of the murdered John Wright and his imprisoned wife Minnie. The officials, Mr. Peters (the Sheriff), the County Attorney and the neighbour Mr. Hale, search for evidences in this house to convict Minnie of the murder. At the same time, the Sheriff’s and Mr. Hale’s wives, Mrs. Peters and Mrs. Hale, are supposed to collect clothes for Minnie. While they are in the kitchen, they encounter the important evidences to draw conclusions of Minnie’s miserable life, her deed and, hence, take the opportunity to influence the case by concealing the most crucial evidence from the men. The play is innovative, among other things, in the respect that the main characters are absent and that Glaspell, as a consequence, creates a second explanatory level by means of symbols underneath the plot surface. This level circumscribes in detail Minnie’s misery and the reasons for killing her husband. By the same means Glaspell also generally criticizes the traditional gender roles by empowering the female characters and undercutting male authority.