Black Drama Of The Federal Theatre Era
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Black Drama Of The Federal Theatre Era
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Author : Evelyn Quita Craig
language : en
Publisher:
Release Date : 1980
Black Drama Of The Federal Theatre Era written by Evelyn Quita Craig and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Drama categories.
Craig's study of black drama during the Federal Theatre era emphasizes the degree to which the plays written by black authors reflect "an authentic black identity in specific black historical and cultural situations." It provides valuable insights into an era and dramatic form, especially when the author compares plays about black life written by black authors to those written by white playwrights.
A History Of African American Theatre
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Author : Errol G. Hill
language : en
Publisher: Cambridge University Press
Release Date : 2003-07-17
A History Of African American Theatre written by Errol G. Hill and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-07-17 with Drama categories.
Table of contents
Blueprints For A Black Federal Theatre
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Author : Rena Fraden
language : en
Publisher: Cambridge University Press
Release Date : 1996-06-28
Blueprints For A Black Federal Theatre written by Rena Fraden and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-06-28 with Literary Criticism categories.
In the 1930s, the Work Progress Administration funded a massive Federal Theatre Project in America's major urban centres, presenting hundreds of productions, some of the most popular and memorable of which were produced in the highly controversial and avant garde 'Negro Units'. This experiment in government-supported culture brought to the forefront one of the central problems in American democratic culture - the representation of racial difference. Those in the profession quickly discovered inescapable ideological responsibilities attending any sort of show, whether apparently entertaining or political in nature. Exploring the liberal idealism of the thirties and the critical debates in black journals over the role of an African American theatre, Fraden also looks at the obstacles facing black playwrights, audiences, and actors in a changing milieu.
Black Drama Of The Federal Theatre Era
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FREE 30 Days
Author : Evelyn Quita Craig
language : en
Publisher:
Release Date : 1980
Black Drama Of The Federal Theatre Era written by Evelyn Quita Craig and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Drama categories.
Craig's study of black drama during the Federal Theatre era emphasizes the degree to which the plays written by black authors reflect "an authentic black identity in specific black historical and cultural situations." It provides valuable insights into an era and dramatic form, especially when the author compares plays about black life written by black authors to those written by white playwrights.
Radical Black Theatre In The New Deal
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Author : Kate Dossett
language : en
Publisher: UNC Press Books
Release Date : 2020-01-29
Radical Black Theatre In The New Deal written by Kate Dossett and has been published by UNC Press Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-29 with History categories.
Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.
The Federal Theatre Project In The American South
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Author : Cecelia Moore
language : en
Publisher: Lexington Books
Release Date : 2017-09-26
The Federal Theatre Project In The American South written by Cecelia Moore and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-26 with History categories.
The Federal Theatre Project in the American South introduces the people and projects that shaped the regional identity of the Federal Theatre Project. When college theatre director Hallie Flanagan became head of this New Deal era jobs program in 1935, she envisioned a national theatre comprised of a network of theatres across the country. A regional approach was more than organizational; it was a conceptual model for a national art. Flanagan was part of the little theatre movement that had already developed a new American drama drawn from the distinctive heritage of each region and which they believed would, collectively, illustrate a national identity. The Federal Theatre plan relied on a successful regional model – the folk drama program at the University of North Carolina, led by Frederick Koch and Paul Green. Through a unique partnership of public university, private philanthropy and community participation, Koch had developed a successful playwriting program and extension service that built community theatres throughout the state. North Carolina, along with the rest of the Southern region, seemed an unpromising place for government theatre. Racial segregation and conservative politics limited the Federal Theatre’s ability to experiment with new ideas in the region. Yet in North Carolina, the Project thrived. Amateur drama units became vibrant community theatres where whites and African Americans worked together. Project personnel launched The Lost Colony, one of the first so-called outdoor historical dramas that would become its own movement. The Federal Theatre sent unemployed dramatists, including future novelist Betty Smith, to the university to work with Koch and Green. They joined other playwrights, including African American writer Zora Neale Hurston, who came to North Carolina because of their own interest in folk drama. Their experience, told in this book, is a backdrop for each successive generation’s debates over government, cultural expression, art and identity in the American nation.
Theatre History Studies 2010 Vol 30
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Author : Rhona Justice-Malloy
language : en
Publisher: University of Alabama Press
Release Date : 2010-11-04
Theatre History Studies 2010 Vol 30 written by Rhona Justice-Malloy and has been published by University of Alabama Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-11-04 with History categories.
To mark the thirtieth anniversary of the Theatre History Studies journal, editor Rhona Justice-Malloy and the Mid-America Theatre Conference have collected a special-themed volume covering the past and present of African and African American theatre. Topics included range from modern theatrical trends and challenges in Zimbabwe and Kenya, and examining the history and long-range impact of Paul Robeson’s groundbreaking and troubled life and career, to gender issues in the work of Ghanaian playwright Efo Kodjo Mawugbe, and the ways that 19th-century American blackness was defined through Othello and Desdemona. This collection fills a vacancy in academic writing. Readers will enjoy it; academics can incorporate it into their curriculum; and students will find it helpful and illuminating.
Historical Dictionary Of African American Theater
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Author : Anthony D. Hill
language : en
Publisher: Rowman & Littlefield
Release Date : 2018-11-09
Historical Dictionary Of African American Theater written by Anthony D. Hill and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-09 with Performing Arts categories.
This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.
The Playbook
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Author : James Shapiro
language : en
Publisher: Faber & Faber
Release Date : 2024-06-04
The Playbook written by James Shapiro and has been published by Faber & Faber this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-06-04 with Literary Criticism categories.
From the 'Winner of Winners' of the Baillie Gifford Prize, a timely and dramatic story of a utopian American experiment, and the self-serving politicians that engineered its downfall. 1935 . As part of President Franklin D. Roosevelt's progressive New Deal, the Work Progress Administration is created to support unemployed workers, including writers, artists, musicians and actors. The Federal Theatre Project, a major part of that programme, begins to stage critically acclaimed, subsidised and groundbreaking productions across America, including Orson Welles's directorial debut, a landmark modern dance programme and shows that sought to tell the truth about racism, inequality and the dangers of fascism. 1938 . An opportunistic Texas congressman, Martin Dies, head of the newly formed House Un-American Activities Committee, successfully targets the Federal Theatre, exploiting rising tensions over communism and creating a new political playbook based on sensationalism, misinformation and fear - a playbook that has proved instrumental in our current culture wars. From one of the world's great storytellers, The Playbook is an invigorating re-enactment of a terrifyingly prescient moment in twentieth-century American cultural history.
The A To Z Of African American Theater
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Author : Anthony D. Hill
language : en
Publisher: Scarecrow Press
Release Date : 2009-09-02
The A To Z Of African American Theater written by Anthony D. Hill and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-09-02 with Performing Arts categories.
African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.