British Cinema And The Cold War


British Cinema And The Cold War
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British Cinema And The Cold War


British Cinema And The Cold War
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Author : Tony Shaw
language : en
Publisher: I.B. Tauris
Release Date : 2001

British Cinema And The Cold War written by Tony Shaw and has been published by I.B. Tauris this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Business & Economics categories.


"Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the court-room drama based on the trial of Hungary's Cardinal Mindszenty, The Prisoner; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's classic novel Animal Farm. The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'."--BOOK JACKET.



Cinema In The Cold War


Cinema In The Cold War
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Author : Cyril Buffet
language : en
Publisher: Routledge
Release Date : 2017-10-02

Cinema In The Cold War written by Cyril Buffet and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-02 with Social Science categories.


The film industry was an important propaganda element during the Cold War. As with other conflicts, the Cold War was fought not just with weapons, but with words and images. Throughout the conflict, cinema was a reflection of the societies, the ideologies, and the political climates in which the films were produced. On both sides, great stars, major companies, famous scriptwriters, and filmmakers were enlisted to help the propaganda effort. It was not only propaganda that was created by the cinema of the Cold War – it also articulated criticism, and the movie industries were centres of the fabrication of modern myths. The cinema was undoubtedly a place of Cold War confrontation and rivalry, and yet there were aesthetic, technical, narrative exchanges between West and East. All genres of film contributed to the Cold War: thrillers, westerns, comedies, musicals, espionage films, documentaries, cartoons, science fiction, historical dramas, war films, and many more. These films shaped popular culture and national identities, creating vivid characters like James Bond, Alec Leamas, Harry Palmer, and Rambo. While the United States and the Soviet Union were the two main protagonists in this on-screen duel, other countries, such as Britain, Germany, Poland, Italy, and Czechoslovakia, also played crucially important parts, and their prominent cinematographic contributions to the Cold War are all covered in this volume. This book was originally published as a special issue of Cold War History.



Of Treason God And Testicles


Of Treason God And Testicles
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Author : Kathleen Starck
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2016-05-11

Of Treason God And Testicles written by Kathleen Starck and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-11 with Performing Arts categories.


Gender in general, and masculinity in particular, might not be the first associations the mind produces when presented with the subject matter of the Cold War. More likely contenders would be the arms race or the ideological dichotomy of Communism versus Capitalism. However, recent research has established beyond a doubt that the politics and diplomacy of the superpower conflict were not only strongly influenced by beliefs about gender, but simultaneously also generated them. In fact, in a social climate where gender conformity was considered as crucial as ideological conformity, the conflict gave rise to what might be called distinctive “Cold War masculinities.” At the same time, the socio-historical context of the Cold War markedly shaped the cinemas of one of the main Cold War players, the United States, and of its close ally, Great Britain. Both film industries produced films overtly or covertly depicting the Cold War, characterised by propaganda, coercion and resistance to varying degrees. Integrating these findings from the fields of masculinity studies and (cultural) Cold War studies, this book analyses in what shape the interplay between widespread political and ideological Cold War convictions and Cold War notions of masculinity found its way onto British and American cinema screens of the early Cold War.



Hollywood S Cold War


Hollywood S Cold War
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Author : Tony Shaw
language : en
Publisher: Edinburgh University Press
Release Date : 2007-09-19

Hollywood S Cold War written by Tony Shaw and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-09-19 with Performing Arts categories.


Hollywood's Cold War



The British Administrative System


The British Administrative System
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Author : A. G. Jordan
language : en
Publisher: Psychology Press
Release Date : 1994

The British Administrative System written by A. G. Jordan and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with History categories.


There is a great gap between the principles of public administration in Britain and the way in which policies are actually implemented. Grant Jordan explains and discusses the basic principles and theories before going on to show how in practice Governments tend to make up policy as they go along. Teachers and students of Public Policy and Public Administration will welcome the new approach of this text, which combines an analysis of theory and practice with discussions on recent developments.



Cold War Ii


Cold War Ii
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Author : Tatiana Prorokova-Konrad
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2020-12-15

Cold War Ii written by Tatiana Prorokova-Konrad and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-15 with Performing Arts categories.


Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.



Threatened Masculinity From British Fiction To Cold War German Cinema


Threatened Masculinity From British Fiction To Cold War German Cinema
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Author : Joseph P. Willis
language : en
Publisher: Routledge
Release Date : 2019-05-30

Threatened Masculinity From British Fiction To Cold War German Cinema written by Joseph P. Willis and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-30 with Literary Criticism categories.


The impact of the Cold War on German male identities can be seen in the nation’s cinematic search for a masculine paradigm that rejected the fate-centered value system of its National- Socialist past while also recognizing that German males once again had become victims of fate and fatalism, but now within the value system of the Soviet and American hegemonies that determined the fate of Cold War Germany and Central Europe. This monograph is the first to demonstrate that this Cold War cinematic search sought out a meaningful masculine paradigm through film adaptations of late-Victorian and Edwardian male writers who likewise sought a means of self-determination within a hegemonic structure that often left few opportunities for personal agency. In contrast to the scholarly practice of exploring categories of modern masculinity such as Victorian imperialist manliness or German Cold-War male identity as distinct from each other, this monograph offers an important, comparative corrective that brings forward an extremely influential century-long trajectory of threatened masculinity. For German Cold-War masculinity, lessons were to be learned from history—namely, from late-Victorian and Edwardian models of manliness. Cold War Germans, like the Victorians before them, had to confront the unknowns of a new world without fear or hesitation. In a Cold-War mentality where nuclear technology and geographic distance had trumped face-to-face confrontation between East and West, Cold-War German masculinity sought alternatives to the insanity of mutual nuclear destruction by choosing not just to confront threats, but to resolve threats directly through personal agency and self-determination.



The Cold War And Entertainment Television


The Cold War And Entertainment Television
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Author : Lori Maguire
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2016-08-17

The Cold War And Entertainment Television written by Lori Maguire and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-17 with Performing Arts categories.


An essential dimension of the Cold War took place in the realm of ideas and culture. While much work exists on cinema, relatively little research has been conducted on this subject in relation to television, despite the latter being a technology and popular cultural form that emerged during this period. This book rectifies that absence by examining the impact of the Cold War on entertainment television, and underlines the comparative aspect by studying programs from both blocs – without forgetting, of course, the outsize impact of American television. Although most of the focus is on the two main protagonists, the US and the USSR, chapters also consider programming from the UK, Czechoslovakia, Romania, and both East and West Germany. This book represents a contribution to the debate about the cultural Cold War through a rigorously comparative analysis of the two blocs. For this reason, the approach used is thematic. The study begins by considering the subject of censorship, and then goes on to look at the very particular case of the two Germanys. A series of comparative genre studies follow, including police and war, variety shows, and documentaries and docudramas. Perhaps surprisingly, the similarities are often greater than the differences between television in the two blocs.



Hollywood Exiles In Europe


Hollywood Exiles In Europe
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Author : Rebecca Prime
language : en
Publisher: Rutgers University Press
Release Date : 2014-01-14

Hollywood Exiles In Europe written by Rebecca Prime and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-01-14 with Performing Arts categories.


Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.



War Representation In British Cinema And Television


War Representation In British Cinema And Television
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Author : Kevin M. Flanagan
language : en
Publisher: Springer Nature
Release Date : 2019-10-25

War Representation In British Cinema And Television written by Kevin M. Flanagan and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-25 with Performing Arts categories.


This book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the “lost continent” of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain’s martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory.