Broadway S Bravest Woman


Broadway S Bravest Woman
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Broadway S Bravest Woman


Broadway S Bravest Woman
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Author :
language : en
Publisher: SIU Press
Release Date :

Broadway S Bravest Woman written by and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on with Feminism categories.


"Expanding the awareness of the feminist writer's accomplishments, Broadway's Bravest Woman is a critical resource for students, scholars, and theatre artists. The collection, enhanced by six illustrations, not only offers the most complete portrayal to date of Treadwell as a significant feminist voice in modern America but also provides a glimpse into the social life and international relations of the United States in the interwar period of the twentieth century."--BOOK JACKET.



Broadway S Bravest Woman


Broadway S Bravest Woman
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Author : Sophie Treadwell
language : en
Publisher: SIU Press
Release Date : 2006

Broadway S Bravest Woman written by Sophie Treadwell and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Feminism categories.


"Expanding the awareness of the feminist writer's accomplishments, Broadway's Bravest Woman is a critical resource for students, scholars, and theatre artists. The collection, enhanced by six illustrations, not only offers the most complete portrayal to date of Treadwell as a significant feminist voice in modern America but also provides a glimpse into the social life and international relations of the United States in the interwar period of the twentieth century."--BOOK JACKET.



Shadowed Cocktails


Shadowed Cocktails
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Author : Donald R. Anderson
language : en
Publisher: SIU Press
Release Date : 2010-10-01

Shadowed Cocktails written by Donald R. Anderson and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-01 with Drama categories.


An important and prolific playwright, Philip Barry wrote hit plays such as The Philadelphia Story and Holiday. However, he has been largely forgotten and no book-length analysis of his work has appeared in more than forty years. With this book, Donald R. Anderson rescues the playwright from obscurity. Although Barry’s successes were with comedies of manners, he also wrote dramatic and experimental works. Anderson analyzes all of Barry’s plays (twenty-one in total) and questions the traditional characterization of the American playwright’s work. He begins with Barry’s early plays concerning intergenerational tensions and lessons learned from the Great War. Subsequent chapters explore Barry’s preoccupation with fidelity and infidelity, his struggles with his Catholic beliefs, and his investigations into sources of evil and despair. Anderson also looks at the plays of the late 1930s and the 1940s, including the posthumously produced Second Threshold. One chapter is devoted to Barry’s synergistic relationship with Katharine Hepburn: her role in lifting the playwright out of a mid-1930s slump and his role in rescuing her from the label of “box-office poison” with both The Philadelphia Story and the World War II drama Without Love. Anderson places Barry within the context of his times but also shows him drawing on past influences and anticipating theatrical developments of the latter part of the twentieth century. Part cultural history, part literary analysis, Shadowed Cocktails is sure to revitalize interest in this remarkable American author. and his role in rescuing her from the label of 'box-office poison' with both The Philadelphia Story and the World War II drama Without Love.



Ghost Light


Ghost Light
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Author : Michael Mark Chemers
language : en
Publisher: SIU Press
Release Date : 2010-03-16

Ghost Light written by Michael Mark Chemers and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-03-16 with Performing Arts categories.


Ghost Light: An Introductory Handbook for Dramaturgy offers useful and entertaining answers to the confounding questions: “What, exactly, is dramaturgy, and what does a dramaturg do?” According to Michael Mark Chemers, dramaturgs are the scientists of the theater world—their primary responsibility is to query the creative possibilities in every step of the production process, from play selection to costume design, and then research the various options and find ways to transform that knowledge into useful ideas. To say that dramaturgs are well-rounded is an understatement: those who choose this profession must possess an acute aesthetic sensibility in combination with an extensive knowledge of theater history and practice, world history, and critical theory, and they must be able to collaborate with every member of the creative team and theater administration. Ghost Light is divided into three sections. Part 1, “Philosophy,” describes what dramturgs do, presents a detailed history of dramaturgy, and summarizes many of the critical theories needed to analyze and understand dramatic texts. “Analysis” teaches the two essential skills of a dramaturg: reading and writing. It includes a “12-step program for script analysis” along with suggestions about how to approach various genres and play structures. “Practice,” the third part, delves into the relationships that dramaturgs forge and offers useful advice about collaborating with other artists. It also includes ideas for audience outreach initiatives such as marketing and publicity plans, educational programs, talkbacks, blogs, and program notes and lobby displays, all of which are often the responsibility of the dramaturg. Ghost Light was written with undergraduate students in mind and is perfectly suited for the classroom (each chapter concludes with a series of practical exercises that can be used as course assignments). However, dramaturgy is a skill that is essential to all theater practitioners, not just professional or aspiring dramaturgs, making Ghost Light a valuable addition to all theater libraries.



Women In Turmoil


Women In Turmoil
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Author : Robert A Schanke
language : en
Publisher: SIU Press
Release Date : 2008-08-18

Women In Turmoil written by Robert A Schanke and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-08-18 with Drama categories.


In this first publication of six plays by the flamboyantly uninhibited author, poet, and playwright Mercedes de Acosta (1893–1968), theater historian Robert A. Schanke rescues these lost theatrical writings from the dusty margins of obscurity. Often autobiographical, always rife with gender struggle, and still decidedly stageworthy, Women in Turmoil: Six Plays by Mercedes de Acosta constitutes a significant find for the canon of gay and lesbian drama. In her 1960 autobiography Here Lies the Heart, de Acosta notes that as she was contemplating marriage to a man in 1920, she was "in a strange turmoil about world affairs, my own writing, suffrage, sex, and my inner spiritual development." The voice in these plays is that of a lesbian in turmoil, marginalized and ignored. Her same-sex desires and struggles for acceptance fueled her writings, and nowhere is that more evident than in the plays contained herein. The women characters struggle with unfulfilling marriages, divorce, unrequited sexual desire, suppressed identity, and a longing for recognition. Of the six plays, only the first two were ever produced. Jehanne d’Arc (1922) premiered in Paris with de Acosta’s lover at the time, Eva Le Gallienne, starring and Norman Bel Geddes designing the set and lights. In 1934, de Acosta adapted it into a screenplay for Greta Garbo, then her lover, but it was never filmed. Portraying rampant anti-Semitism in a small New England town, Jacob Slovak (1923) was performed both on Broadway and in London, with the London production starring John Gielgud and Ralph Richardson. The Mother of Christ (1924) is a long one-act play written for the internationally known actress Eleonora Duse. After Duse’s death, several other actresses including Eva Bartok, Jeanne Eagels, and Lillian Gish explored productions of the play. Igor Stravinsky wrote a score, Norman Bel Geddes designed a set, and Gladys Calthrop designed costumes. However, the play was never produced. Her most autobiographical play, World Without End (1925), and her most sensational play, The Dark Light (1926), both unfold through plots of sibling rivalry, incest, and suicide. With overtones of Ibsen, Illusion (1928) continues the themes of de Acosta’s previous plays with her rough and seedy cast of characters, but here the playwright’s drama grows to incorporate a yearning for belonging as well as strong elements of class conflict. What notoriety remains associated with de Acosta has less to do with her writing than with her infamous romances with the likes of Greta Garbo, Marlene Dietrich, Isadora Duncan, Alla Nazimova, Eva Le Gallienne, Tamara Karsavina, Pola Negri, and Ona Munson. Through this collection of six powerfully poignant dramas, editor Robert A. Schanke strives to correct myths about Mercedes de Acosta and to restore both her name and her literary achievements to their proper place in history. Robert A. Schanke has authored the original biography, “That Furious Lesbian:” The Story of Mercedes de Acosta, also available from Southern Illinois University Press.



Mapping Appetite


Mapping Appetite
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Author : Pere Gallardo-Torrano
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2009-03-26

Mapping Appetite written by Pere Gallardo-Torrano and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-03-26 with Social Science categories.


As recent years have witnessed a strong interest in the cultural representation of the culinary, ranging from analyses of food representation in film and literature to cultural readings of recipes, menus, national cuisines and celebrity chefs, the study of food narratives amidst contemporary consumer culture has become increasingly more important. This book seeks to respond to the challenge by presenting a series of case studies dealing with the representation of food and the culinary in a variety of cultural texts including post-colonial and popular fiction, women’s magazines and food writing. The contributors to the first part of the volume explore the various functions of food in post-colonial writing ranging from Salman Rushdie and Anita Desai to Zadie Smith and Maggie Gee in the context of globalization and multiculturalism. In the second part of the volume the focus is on two genres of popular fiction, the romantic novel and science fiction. While the romantic novels of Joanne Harris, for instance, link food and cooking with female empowerment, in science fiction food is connected with power and technology. The essays in the third part of the book explore the role of food in travel writing, women’s magazines and African American cookery books, showing how issues of gender, nation and race are present in food narratives.



The Humana Festival


The Humana Festival
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Author : Jeffrey Ullom
language : en
Publisher: SIU Press
Release Date : 2008-06-19

The Humana Festival written by Jeffrey Ullom and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-06-19 with Performing Arts categories.


Far from the glittering lights of Broadway, in a city known more for its horse racing than its artistic endeavors, an annual festival in Louisville, Kentucky, has transformed the landscape of the American theater. The Actors Theatre of Louisville—the Tony Award–winning state theater of Kentucky—in 1976 successfully created what became the nation's most respected new-play festival, the Humana Festival of New American Plays. The Humana Festival: The History of New Plays at Actors Theatre of Louisville examines the success of the festival and theater’s Pulitzer Prize–winning productions that for decades have reflected new-play trends in regional theaters and on Broadway—the result of the calculated decisions, dogged determination, and good luck of its producing director, Jon Jory. The volume details how Actors Theatre of Louisville was established, why the Humana Festival became successful in a short time, and how the event’s success has been maintained by the Louisville venue that has drawn theater critics from around the world for more than thirty years. Author Jeffrey Ullom charts the theater’s early struggles to survive, the battles between troupe leaders, and the desperate measures to secure financial support from the Louisville community. He examines how Jory established and expanded the festival to garner extraordinary local support, attract international attention, and entice preeminent American playwrights to premier their works in the Kentucky city. In The Humana Festival, Ullom provides a broad view of new-play development within artistic, administrative, and financial contexts. He analyzes the relationship between Broadway and regional theaters, outlining how the Humana Festival has changed the process of new-play development and even Broadway’s approach to discovering new work, and also highlights the struggles facing regional theaters across the country as they strive to balance artistic ingenuity and economic viability. Offering a rare look at the annual event, The Humana Festival provides the first insider’s view of the extraordinary efforts that produced the nation’s most successful new-play festival.



Unfriendly Witnesses


Unfriendly Witnesses
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Author : Milly S. Barranger
language : en
Publisher: SIU Press
Release Date : 2008-06-10

Unfriendly Witnesses written by Milly S. Barranger and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-06-10 with Performing Arts categories.


Unfriendly Witnesses: Gender, Theater, and Film in the McCarthy Era examines the experiences of seven prominent women of stage and screen whose lives and careers were damaged by the McCarthy-era “witch hunts” for Communists and Communist sympathizers in the entertainment industry: Judy Holliday, Anne Revere, Lillian Hellman, Dorothy Parker, Margaret Webster, Mady Christians, and Kim Hunter. The effects on women of the anti-Communist crusades that swept the nation between 1947 and 1962 have been largely overlooked by cultural critics and historians, who have instead focused their attention on the men of the period. Author Milly S. Barranger looks at the gender issues inherent in the investigations and at the destructive impact the investigations had on the lives and careers of these seven women—and on American film and theater and culture in general. Issues of gender and politics surface in the women’s testimony before the committeemen, labeled “unfriendly” because the women refused to name names. Unfriendly Witnesses redresses the absence of women’s histories during this era of modern political history and identifies the enduring strains of McCarthyism in postmillennial America. Barranger recreates the congressional and state hearings that addressed the alleged Communist influence in the entertainment industry and examines in detail the cases of these seven women, including the appearance of actress Judy Holliday before the committee of Senator Pat McCarran, who aimed to limit the immigration of Eastern Europeans; actress Anne Revere and playwright Lillian Hellman, appearing before the House Un-American Activities Committee, sought the protections of the Fifth Amendment with different outcomes; of writer Dorothy Parker, who testified before a New York state legislative committee investigating contributions to “front” groups; and of director Margaret Webster, before Senator Joseph McCarthy’s subcommittee, whose aim was the indictment of Senator J. William Fulbright and the U.S. State Department. None escaped subsequent blacklisting, denial of employment, and notations in FBI files that they were threats to national security. Unfriendly Witnesses is enhanced by nine illustrations and extensive excerpts from Red Channels: The Report of Communist Influence in Radio and Television, originally published in 1950 at the height of the Red Scare, and which listed 151 allegedly subversive writers, directors, and performers. Barranger includes the complete entries from Red Channels for the seven women she discusses, which include the “subversive” affiliations that prompted the women’s interrogation by the government.



Rediscovering Mordecai Gorelik


Rediscovering Mordecai Gorelik
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Author : Anne Fletcher
language : en
Publisher: SIU Press
Release Date : 2009-03-30

Rediscovering Mordecai Gorelik written by Anne Fletcher and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-03-30 with Performing Arts categories.


Rediscovering Mordecai Gorelik explores the life and work of the pioneering scene designer whose career spanned decades in American theatre. Anne Fletcher’s insightful volume draws intriguing parallels and contrasts between Gorelik’s productions and the theatrical movements of the twentieth century, exposing the indelible mark he left on the stage. Through in-depth analysis of his letters, diaries, designs, and theoretical works, Fletcher examines the ways in which Gorelik’s productions can be used as a mirror to reflect the shifting dramatic landscapes of his times. Fletcher places Gorelik against the colorful historical backdrops that surrounded him—including the avant-garde movement of the 1920s, World War II, the Cold War, and absurdism—using the designer’s career as a window into the theatre during these eras. Within these cultural contexts, Gorelik sought to blaze his own unconventional path through the realms of theatre and theory. Fletcher traces Gorelik’s tenures with such companies as the Provincetown Players, the Theatre Guild, and the Theatre Union, as well as his relationships with icons such as Bertolt Brecht, revealing how his interactions with others influenced his progressive designs and thus set the stage for major dramatic innovations. In particular, Fletcher explores Gorelik’s use of scenic metaphor: the employment of stage design techniques to subtly enhance the tone or mood of a production. Fletcher also details the designer’s written contributions to criticism and theory, including the influential volume New Theatres for Old, as well as other articles and publications. In addition to thorough examinations of several of Gorelik’s most famous projects, Rediscovering Mordecai Gorelik contains explications of productions by such legends as John Howard Lawson, Clifford Odets, and Arthur Miller. Also included are numerous full-color and black-and-white illustrations of Gorelik’s work, most of which have never been available to the public until now. More than simply a portrait of one man, this indispensable volume is a cultural history of American theatre as seen through the career of a visionary designer and theoretician.



The Hanlon Brothers


The Hanlon Brothers
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Author : Mark Cosdon
language : en
Publisher: SIU Press
Release Date : 2010-02-16

The Hanlon Brothers written by Mark Cosdon and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-02-16 with Performing Arts categories.


The Hanlons—a family of six brothers from Manchester, England—were one of the world’s premiere performing troupes in the mid-nineteenth and early twentieth centuries, yet their legacy has been mostly forgotten. In The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833–1931, Mark Cosdon carefully documents the careers of this talented family and enumerates their many contributions to modern popular entertainment. As young men, the Hanlons stunned audiences all over the world with their daring acrobatic feats. After a tragic accident severely injured one brother (and indirectly led to his suicide in a manner achievable only by someone with considerable acrobatic talents), they moved into the safer arena of spectacle pantomime, where they became the rage of Parisian popular theatre. They achieved fame with their uproariously funny and technically astonishing production of Le Voyage en Suisse. After settling permanently in the northeastern United States, they developed two more full-length pantomimes, Fantasma and Superba. The three shows toured for more than thirty years, a testament to their popularity and to the Hanlons’ impressive business acumen. The book’s illustrations—including sketches of their performances, studio photographs of the Hanlons, and posters for all three of their major pantomimes—are essential to the understanding of their work. The Hanlon Brothers is painstakingly researched yet accessible and engaging. Cosdon has managed to provide a thorough and engrossing account of the Hanlons’ lives and careers, which will no doubt help to reestablish their legacy in the world of popular entertainment.