C Zanne And The End Of Impressionism A Study Of The Theory Technique And Critical Evaluation Of Modern Art


C Zanne And The End Of Impressionism A Study Of The Theory Technique And Critical Evaluation Of Modern Art
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C Zanne And The End Of Impressionism


C Zanne And The End Of Impressionism
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Author : Richard Shiff
language : en
Publisher: University of Chicago Press
Release Date : 2014-12-15

C Zanne And The End Of Impressionism written by Richard Shiff and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-15 with Art categories.


Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.



Cezanne And The End Of Impressionism


Cezanne And The End Of Impressionism
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Author : Richard Shiff
language : en
Publisher:
Release Date : 1986

Cezanne And The End Of Impressionism written by Richard Shiff and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Impressionism (Art) categories.




C Zanne And The End Of Impressionism A Study Of The Theory Technique And Critical Evaluation Of Modern Art


C Zanne And The End Of Impressionism A Study Of The Theory Technique And Critical Evaluation Of Modern Art
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Author :
language : en
Publisher:
Release Date : 1984

C Zanne And The End Of Impressionism A Study Of The Theory Technique And Critical Evaluation Of Modern Art written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.




James Mcneill Whistler And France


James Mcneill Whistler And France
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Author : Suzanne Singletary
language : en
Publisher: Taylor & Francis
Release Date : 2016-11-18

James Mcneill Whistler And France written by Suzanne Singletary and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-18 with Art categories.


James McNeill Whistler and France: A Dialogue in Paint, Poetry, and Music is the first full-length and in-depth study to position this painter within the overall trajectory of French modernism during the second half of the nineteenth century and to view the artist as integral to the aesthetic projects of its most original contributors. Suzanne M. Singletary maintains that Whistler was in a unique situation as an insider within the emerging French avant-garde, thereby in an enviable position to both absorb and transform the innovations of others – and that until now, his widespread influence as a catalyst among his colleagues has been neither investigated nor appreciated. Singletary contends that Whistler’s importance rivals that of Manet, whose multi-layered (and often unexpected) interconnections with Whistler are the focus of one chapter. In addition, Whistler’s pivotal role in linking the legacies of Baudelaire, Delacroix, Gautier, Wagner, and other mid-century innovators to the later French Symbolists has previously been largely ignored. Courbet, Degas, Monet, and Seurat complete the roster of French artists whose dialogue with Whistler is highlighted.



Cezanne And The End Of Impressionism


Cezanne And The End Of Impressionism
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Author : Richard Shiff
language : en
Publisher:
Release Date : 1984

Cezanne And The End Of Impressionism written by Richard Shiff and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.




The Pursuit Of Spiritual Wisdom


The Pursuit Of Spiritual Wisdom
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Author : Naomi E. Maurer
language : en
Publisher: Fairleigh Dickinson Univ Press
Release Date : 1998

The Pursuit Of Spiritual Wisdom written by Naomi E. Maurer and has been published by Fairleigh Dickinson Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.


This book explores van Gogh's and Gauguin's concepts of spirituality in life and art, and the ways in which their ideas and the events of their personal lives shaped their creation of repertoires of meaningful symbolic motifs.



Critical Readings In Impressionism And Post Impressionism


Critical Readings In Impressionism And Post Impressionism
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Author : Mary Tompkins Lewis
language : en
Publisher:
Release Date : 2007

Critical Readings In Impressionism And Post Impressionism written by Mary Tompkins Lewis and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.


The essays in this wide-ranging text capture the theoretical range and scholarly rigor of criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art.



Potential Images


Potential Images
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Author : Dario Gamboni
language : en
Publisher: Reaktion Books
Release Date : 2002

Potential Images written by Dario Gamboni and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Ambiguity categories.


In Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.



Books In Print Supplement


Books In Print Supplement
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Author :
language : en
Publisher:
Release Date : 1994

Books In Print Supplement written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with American literature categories.




A Theory Of The Tache In Nineteenth Century Painting


A Theory Of The Tache In Nineteenth Century Painting
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Author : ?stein Sj?ad
language : en
Publisher: Routledge
Release Date : 2017-07-05

A Theory Of The Tache In Nineteenth Century Painting written by ?stein Sj?ad and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.