Canal Zone Richard Prince Yes Rasta
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Canal Zone Richard Prince Yes Rasta
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Author : Greg Allen
language : en
Publisher: Greg.Org
Release Date : 2011
Canal Zone Richard Prince Yes Rasta written by Greg Allen and has been published by Greg.Org this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Art categories.
Réponse de Greg Allen à la question si cet ouvrage est un livre d'artiste et si lui-même se considère comme un artiste : "For the shortest response, related perhaps to taxonomy or cataloguing, I agree to be described as an artist, though I generally avoid claiming this role for myself. There are a couple of variations of the books. The entire project can be considered a work of art. Some books, those ordered via websites like Amazon, which come directly from the distributor, are probably best considered as documents. When bookstores order books from me, I stamp them myself, and fulfill their orders. These could be considered a special edition, but not limited or numbered. A very few examples of the books have been prepared by me with a painted insert, and highlights/drawings. These are usually for friends, trade with artists, or, for sale in exhibition. I believe a pair of volumes like this was provided to a bookstore in Geneva recently, and if this is the particular set you are wondering about, they can certainly be considered artist books. The inspiration for this project was the unexpectedly substantive comments of a well-known artist who was compelled to discuss his work in a context beyond his control. Preserving and making the legal documentation available in an art context was certainly my goal, and however that is accomplished is fine : whether as criticism, art historical text, art, or performance. [I have so far done one staged reading of excerpts from Prince's deposition, and produced a unique hand-painted copy of the transcript for the collector involved with it.] A direct model for the books project was Martha Buskirk and Clara Weyergraf Serra's anthology, The Destruction of Tilted Arc [October Books]. That said, I intentionally opted for a facsimile approach rather than an editorial one because I felt that the aesthetic and informational elements of the court documents with their original formatting was significant, and I felt its absence in the Tilted Arc book. So in this way, the books were conceived as something more than just documentation. As you may know, a trade edition of Prince's deposition, designed beautifully by Lex Trueb, was published by Bookhorse.ch. I wrote the foreword for this edition and am credited as editor, and it is definitely the most traditional "book" version around. It is optimized to be read on a beach, which was not a factor I paid attention to for my original version. [I would say that Vol. 2 was created with even more aesthetic considerations, and as an appropriation and recontextualization of the highly specific aesthetic choices of the court system itself. It was also obviously intended to be and produced as a companion, or complement, to the original volume.] As for calling myself an artist, at this point, it's probably inevitable, and the easiest thing to do, but I still approach the question with ambivalence. I have spent a great deal of time in the art world as a "collector," and have long found that the implications of privilege and the power dynamic associated with collecting are problematic. But switching from collector to artist is not just a matter of trading one paradigm of credibility for another; it presents its own hurdles. So I am generally wary of presenting myself as an artist, even though I may be one of the few people who would see it as conflicted. I am also more than ambivalent about the claims of authorship or originality that seem so inextricably tied to the role of artist. For this reason especially, the Prince book project was a formative experiment in appropriation as a creative practice; it was still my book, even though I clearly did not write it. Over the last several years, I have realized that my blog and the projects it spawns constitute a practice; they don't just document one. Whether this results in objects that are immediately recognizable as artworks, or situations and propositions that question or evade this simple classification, the frame of artist and artwork is never not part of my process. I realized several paragraphs ago that this was too much information, and I went ahead with it anyway, so I hope you'll excuse any excess, and that you'll find the relevant information you need for your own purposes. It would please me greatly to know that you gave the books consideration, and I'd rather you use your own judgment to maximize their impact or reach than for me to be too doctrinaire about their status. If you have any additional questions or concerns, I hope you'll feel welcome to ask."
Canal Zone Richard Prince Yes Rasta 2
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Author : Greg Allen
language : en
Publisher:
Release Date : 2013-04-25
Canal Zone Richard Prince Yes Rasta 2 written by Greg Allen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-25 with Appropriation (Art) categories.
One of the most memorable documents in the original court case Cariou v. Prince, et al., besides the deposition of Richard Prince itself, was a distorted, photocopied exhibit prepared by Patrick Cariou and a friend. It diagrammed nearly every instance where Prince incorporated Cariou's YES RASTA photos into his Canal Zone paintings. The Appeals Court apparently agreed, because in the important appeal decision which not only reversed many findings of copyright infringement, but also made an expanded argument for fair use, they made a similar exhibit. This book presents the information and images from the Appeals Court's Cariou v. Prince Appendix, grouped by painting. It also includes all titles, dimensions, medium, page numbers, and other citation information as applicable, for your convenient reference. It is an indispensable companion to Prince's deposition transcript, &c., as previously published. - Greg Allen, greg.org: the making of, Apr 2013 142pp, 6x9x0.3 in., softcover, unsigned, unnumbered edition
Yes Rasta
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Author :
language : en
Publisher: powerHouse Books
Release Date : 2000
Yes Rasta written by and has been published by powerHouse Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Rastafari movement categories.
Essay by Perry Henzell A look into the secluded world of Rastafarians, a culture and religion closed to outsiders. With these bold portraits and landscapes, Cariou indelibly captures the strict, separatist, jungle-dwelling, fruit-of-the-land lifestyle, popularised by reggae legends Bob Marley and Peter Tosh. The book's release follows that of a collaborative reggae CD. With 105 tritone photos. '...the photos will stun you with the beauty of their locations and the poise and tranquillity of their subjects' - Newsday
The Deposition Of Richard Prince In The Case Of Cariou V Prince Et Al
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Author : Greg Allen
language : en
Publisher:
Release Date : 2012
The Deposition Of Richard Prince In The Case Of Cariou V Prince Et Al written by Greg Allen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Copyright categories.
Richard Prince
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Author :
language : en
Publisher:
Release Date : 2016-02-01
Richard Prince written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-01 with categories.
Komp Laint Dept
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Author :
language : en
Publisher: Karma, New York
Release Date : 2018-02-27
Komp Laint Dept written by and has been published by Karma, New York this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-27 with Art criticism categories.
The latest volume of writing by influential New York-based critic and curator Bob Nickas collects his 2012-14 column for Vice magazine's Komp-laint Dept. This column unleashed the full omnivorous range of the author's interests. There are essays on musicians such as Neil Young, Sun Ra, Royal Trux and Lydia Lunch, which look at their biographies and the history of Nickas' personal relationship with their music; there are lengthy and often very funny "complaints" about, among other things, two different presidents, Jeff Koons, New York architecture, the meeting of fashion and punk, religion in general, nostalgia and the problem with contemporary graffiti. Additionally, there are meditations on filmmakers such as David Cronenberg and Nicolas Refin. The book is rounded out by perhaps the definitive (two-part) examination of how and why Richard Prince uses appropriation. Bob Nickas has worked as a critic and curator in New York since 1984. He is the author of Theft Is Vision (2007) and The Dept. of Corrections (2016).
Media Authorship
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Author : Cynthia Chris
language : en
Publisher: Routledge
Release Date : 2013-02-15
Media Authorship written by Cynthia Chris and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-15 with Language Arts & Disciplines categories.
Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures—from visual arts to videogames, from textiles to television—contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask: What constitutes "media" and "authorship" in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content? What can we learn from cinematic and literary models of authorship—and critiques of those models—with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet? How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation? What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in "new media"? By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade—even, reauthored—by new practices in the digital media environment.
Richard Prince
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Author : Michael Newman
language : en
Publisher:
Release Date : 2006
Richard Prince written by Michael Newman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Art categories.
A study of a work from Richard Prince's series of Untitled (couples) that considers the long history of the image and Prince as a pioneer of the appropriated image.
Spiritual America
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Author : Richard Prince
language : en
Publisher:
Release Date : 1989
Spiritual America written by Richard Prince and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Photography categories.
"A distinction [Prince's] work brings out in particular is between pictures & what you do with pictures, between art & how art is used."-Stuart Morgan, Artscribe
The Beauty Of A Social Problem
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Author : Walter Benn Michaels
language : en
Publisher: University of Chicago Press
Release Date : 2015-07-13
The Beauty Of A Social Problem written by Walter Benn Michaels and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-13 with Art categories.
Bertolt Brecht once worried that how we feel about the victims of a social problem can get in the way of the beauty and attraction of the problem itself. In this book, Walter Benn Michaels explores the same dilemma through a study of several contemporary artist-photographers whose work speaks to questions of political economy. Michaels focuses on the work of several artists, mostly born in the 1970s and thus raised in a world where artistic ambition has been identified with a critique of autonomous form and of meaning as a function of intention. Michaels shows that these artists engage but also push beyond this critique of autonomy and intentionality, producing works that embody a new commitment to form and meaning. The explanation for this commitment, he argues, is these artists consciousness of making art in an economy riven by structural conflict, especially an unprecedented rise in inequality. For them, he argues, the relationship of the art work to the worldto its subject and to its beholderfunctions as an emblem of the relation between classes (rather than identities or subject positions). This book will join the short shelf of essential writings about the medium of photography."