Casting The Parthenon Sculptures From The Eighteenth Century To The Digital Age


Casting The Parthenon Sculptures From The Eighteenth Century To The Digital Age
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Casting The Parthenon Sculptures From The Eighteenth Century To The Digital Age


Casting The Parthenon Sculptures From The Eighteenth Century To The Digital Age
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Author : Emma M. Payne
language : en
Publisher: Bloomsbury Publishing
Release Date : 2021-04-08

Casting The Parthenon Sculptures From The Eighteenth Century To The Digital Age written by Emma M. Payne and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-08 with Social Science categories.


Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism.



Casting The Parthenon Sculptures From The Eighteenth Century To The Digital Age


Casting The Parthenon Sculptures From The Eighteenth Century To The Digital Age
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Author : Emma M. Payne
language : en
Publisher:
Release Date : 2021

Casting The Parthenon Sculptures From The Eighteenth Century To The Digital Age written by Emma M. Payne and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Archaeology categories.


"Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism"--



Destroy The Copy Plaster Cast Collections In The 19th 20th Centuries


Destroy The Copy Plaster Cast Collections In The 19th 20th Centuries
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Author : Annetta Alexandridis
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2022-09-05

Destroy The Copy Plaster Cast Collections In The 19th 20th Centuries written by Annetta Alexandridis and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-09-05 with Art categories.


Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.



The Parthenon Sculptures


The Parthenon Sculptures
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Author : Ian Dennis Jenkins
language : en
Publisher: Harvard University Press
Release Date : 2007

The Parthenon Sculptures written by Ian Dennis Jenkins and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.


The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.



The Modernity Of Ancient Sculpture


The Modernity Of Ancient Sculpture
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Author : Elizabeth Prettejohn
language : en
Publisher: I.B. Tauris
Release Date : 2012-09-15

The Modernity Of Ancient Sculpture written by Elizabeth Prettejohn and has been published by I.B. Tauris this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-09-15 with History categories.


What can modern art have to do with ancient sculpture? Surely the excitement of modern art lies in its utter repudiation of classical example? Elizabeth Prettejohn's important and revisionist new book argues otherwise: that ancient sculpture and modern art have been in constant dialogue since Johann Joachim Winckelmann invented the modern discipline of art history. It shows how ancient sculptures could inspire artists such as Rodin, Leighton or Picasso, and how modern artworks could help to interpret sculptors such as Pheidias and Praxiteles. The Modernity of Ancient Sculpture will have strong appeal to students of modern art and the classics alike.



Plaster Monuments


Plaster Monuments
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Author : Mari Lending
language : en
Publisher: Princeton University Press
Release Date : 2022-06-14

Plaster Monuments written by Mari Lending and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-06-14 with Architecture categories.


We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.



The Hunchback In Hellenistic And Roman Art


The Hunchback In Hellenistic And Roman Art
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Author : Lisa Trentin
language : en
Publisher: Bloomsbury Publishing
Release Date : 2015-06-18

The Hunchback In Hellenistic And Roman Art written by Lisa Trentin and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-18 with Art categories.


The subject of deformity and disability in the ancient Greco-Roman world has experienced a surge in scholarship over the past two decades. Recognizing a vast, but relatively un(der)explored, corpus of evidence, scholars have sought to integrate the deformed and disabled body back into our understanding of ancient society and culture, art and representation. The Hunchback in Hellenistic and Roman Art works towards this end, using the figure of the hunchback to re-think and re-read images of the 'Other' as well as key issues that lie at the very heart of ancient representation. The author takes an art-historical approach, examining key features of the corpus of hunchbacks, as well as representations of the deformed and disabled more generally. This provides fertile ground for a re-assessment of current, and likewise marginalized, scholarship on the miniature in ancient art, hyperphallicism in ancient art, and the emphasis on the male body in ancient art.



The Parthenon


The Parthenon
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Author : Jenifer Neils
language : en
Publisher: Cambridge University Press
Release Date : 2005-09-05

The Parthenon written by Jenifer Neils and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-09-05 with Art categories.


Provides an overview of a classical monument interjected with the discoveries of modern scholarship.



Master Of Attic Black Figure Painting


Master Of Attic Black Figure Painting
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Author : Elizabeth Moignard
language : en
Publisher: I.B. Tauris
Release Date : 2015-10-30

Master Of Attic Black Figure Painting written by Elizabeth Moignard and has been published by I.B. Tauris this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-30 with Crafts & Hobbies categories.


The great 6th-century BCE Attic potter-painter Exekias is acclaimed as the most accomplished exponent of late 'black-figure' art. His vases, vessels, bowls and amphorae are reproduced on postcards and in other media all over the world. Despite his importance in the history of art and archaeology, little has been written about Exekias in his own right. Elizabeth Moignard, a leading historian of classical art, here corrects that neglect by addressing her subject as more than just a painter. She positions Exekias as a remarkable but nevertheless grounded and receptive man of his age, working in an Athens that was sensitive to Homeric literature and drawing on that great corpus of poetry to explore its own emerging concepts of honour, heroism, leadership and military tradition. Discussing a range of ceramic pieces, Moignard illustrates their impact and meaning, deconstructing iconic images like the suicide of Ajax; the voyage of Dionysus surrounded by dolphins; and the killing by Achilles of the Amazon queen Penthesilea. This book is the most complete introduction to its subject to be published in English.



Visualizing Harbours In The Classical World


Visualizing Harbours In The Classical World
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Author : Federico Ugolini
language : en
Publisher: Bloomsbury Publishing
Release Date : 2020-05-14

Visualizing Harbours In The Classical World written by Federico Ugolini and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-14 with Architecture categories.


In recent years, there has been intense debate about the reality behind the depiction of maritime cityscapes, especially harbours. Visualizing Harbours in the Classical World argues that the available textual and iconographic evidence supports the argument that these representations have a symbolic, rather than literal, meaning and message, and moreover that the traditional view, that all these media represent the reality of the contemporary cityscapes, is often unrealistic. Bridging the gap between archaeological sciences and the humanities, it ably integrates iconographic materials, epigraphic sources, history and archaeology, along with visual culture. Focusing on three main ancient ports – Alexandria, Rome and Leptis Magna – Federico Ugolini considers a range of issues around harbour iconography, from the triumphal imagery of monumental harbours and the symbolism of harbour images, their identification across the Mediterranean, and their symbolic, ideological and propagandistic messages, to the ways in which aspects of Imperial authority and control over the seas were expressed in the iconography of the Julio-Claudian, Trajan and Severii periods, how they reflected the repute, growth and power of the mercantile class during the Imperial era, and how the use of imagery reflected euergetism and paideia, which would inform the Roman audience about who had power over the sea.