Chinese Film Theory


Chinese Film Theory
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Chinese Film Theory


Chinese Film Theory
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Author : Xia Hong
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 1990-05-23

Chinese Film Theory written by Xia Hong and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-05-23 with Performing Arts categories.


This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself. The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.



Cinema Approaching Reality


Cinema Approaching Reality
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Author : Victor Fan
language : en
Publisher:
Release Date : 2016

Cinema Approaching Reality written by Victor Fan and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Film criticism categories.


Victor Fan brings together Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through the 1940s.



Chinese Film Theory


Chinese Film Theory
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Author : George Stephen Semsel
language : en
Publisher:
Release Date : 1990

Chinese Film Theory written by George Stephen Semsel and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with categories.




Film In Contemporary China


Film In Contemporary China
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Author : George S. Semsel
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 1993-02-28

Film In Contemporary China written by George S. Semsel and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-02-28 with Performing Arts categories.


Since 1986, Chinese film circles have turned from their study of Chinese film in terms of aesthetics and have begun to explore film in terms of ideological, political and cultural concerns. In particular, this concern has centered on matters of the marketplace, with much debate between film scholars and filmmakers over the qualities of entertainment. Film In Contemporary China draws together the first English translations of recent articles written by the most respected critics, theorists and filmmakers in China who discuss this significant new direction. Parts One and Two discuss the ideological problems now facing Chinese film scholars and filmmakers, focusing on the Fifth Generation filmmakers whose works brought Chinese filmmaking to international prominence. Part Three is a critical study of the relationship of traditional culture to contemporary aesthetics. The fourth part follows the theoretical and critical debate over the entertainment film which forms the basis for the Third Movement of Chinese film during the New Era. The fifth part concerns the ongoing debate over the values of film theory in relationship to filmmaking, and the final section summarizes developments in film scholarship following the events in Tiananmen Square in 1989. Film In COntemporary China is designed primarily for film scholars, especially those concerned with China, with international film more generally, and with the relationship between film and society.



Chinese Women S Cinema


Chinese Women S Cinema
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Author : Lingzhen Wang
language : en
Publisher: Columbia University Press
Release Date : 2011

Chinese Women S Cinema written by Lingzhen Wang and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with History categories.


The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of Asian, women's, film, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others, who have transformed Chinese cinematic modernity. Chinese Women's Cinema is a unique, transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Lingzhen Wang's comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relationship with female cinematic authorship and agency. She also reviews critiques of classical feminist film theory, along with recent developments in feminist practice, altogether remapping feminist film discourse within transnational and interdisciplinary contexts. Wang's subsequent redefinition of women's cinema, and brief history of women's cinematic practices in modern China, encourage the reader to reposition gender and cinema within a transnational feminist configuration, such that power and knowledge are reexamined among and across cultures and nation-states.



Film Studies In China


Film Studies In China
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Author : Contemporary Cinema (China Film Archive)
language : en
Publisher: Intellect (UK)
Release Date : 2020-07-22

Film Studies In China written by Contemporary Cinema (China Film Archive) and has been published by Intellect (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-22 with Motion picture industry categories.


"[This book] is a collection of selected articles chosen from issues of the journal Contemporary Cinema published throughout the year and translated for an English-speaking audience"--Back cover.



Chinese Films In Focus Ii


Chinese Films In Focus Ii
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Author : Chris Berry
language : en
Publisher: Bloomsbury Publishing
Release Date : 2017-10-25

Chinese Films In Focus Ii written by Chris Berry and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-25 with Performing Arts categories.


Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focus: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present. The essays, by leading authorities on Chinese cinema as well as up-and-coming scholars, are concise, accessible, rich, and on the cutting edge of current research. Each contributor outlines existing writing and presents an original perspective on the film, making this volume a rich resource for classroom use, scholarly research and general reading for anyone wanting to understand more about the historical development and rich variety of Chinese cinema. Contributors: Annette Aw, Chris Berry, Yomi Braester, Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar, Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand, Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung, David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao, Gang Gary Xu, Audrey Yue, Yingjin Zhang, John Zou The Editor: Chris Berry is Professor of Film and Television at Goldsmiths, University of London.



Contemporary Chinese Art And Film


Contemporary Chinese Art And Film
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Author : Jason C. Kuo
language : en
Publisher:
Release Date : 2013

Contemporary Chinese Art And Film written by Jason C. Kuo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art, Chinese categories.




Cinema Approaching Reality


Cinema Approaching Reality
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Author : Victor Fan
language : en
Publisher: U of Minnesota Press
Release Date : 2015-03-20

Cinema Approaching Reality written by Victor Fan and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-20 with Art categories.


In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through 1940s. His point of departure is a term popularly employed by Chinese film critics during this period, bizhen, often translated as “lifelike” but best understood as “approaching reality.” What these Chinese theorists mean, in Fan’s reading, is that the cinematographic image is not a form of total reality, but it can allow spectators to apprehend an effect as though they had been there at the time when an event actually happened. Fan suggests that the phrase “approaching reality” can help to renegotiate an aporia (blind spot) that influential French film critic André Bazin wrestled with: the cinematographic image is a trace of reality, yet reality is absent in the cinematographic image, and the cinema makes present this absence as it reactivates the passage of time. Fan enriches Bazinian cinematic ontology with discussions on cinematic reality in Republican China and colonial Hong Kong, putting Western theorists—from Bazin and Kracauer to Baudrillard, Agamben, and Deleuze—into dialogue with their Chinese counterparts. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn.



Film Studies In China


Film Studies In China
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Author : Contemporary Cinema
language : en
Publisher: Intellect
Release Date : 2017-10-01

Film Studies In China written by Contemporary Cinema and has been published by Intellect this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-01 with Performing Arts categories.


Film Studies in China is a collection of specially selected articles chosen from issues of the Contemporary Cinema journal published throughout the year. Contemporary Cinema is one of the most prestigious academic film studies journals in China. Recently, this journal has been active not only in publishing Chinese scholarship for Chinese readers but also in reaching out to academia across the globe. Film Studies in China collates the best scholarship published throughout the year in Contemporary Cinema and translates it for an English speaking readership in order to create a cross-cultural academic conversation on the fields of Chinese cinema and media studies.