Cin Ma D Afrique Noire Francophone
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Cin Ma D Afrique Noire Francophone
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Author : André Gardies
language : fr
Publisher: Editions L'Harmattan
Release Date : 1985-01-01
Cin Ma D Afrique Noire Francophone written by André Gardies and has been published by Editions L'Harmattan this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985-01-01 with Art categories.
Né avec les indépendances, lié, dans son développement au destin des nouvelles souverainetés, le cinéma d'Afrique noire francophone s'engage dès son origine dans un vaste mouvement de réappropriation culturelle. Il donne à voir, prioritairement, les réalités continentales du présent comme du passé. Contrairement au cinéma narratif occidental qui montre pour raconter, l'acte de raconter devient second par rapport à ce geste premier qui consiste à montrer. Dès lors l'espace, en tant que réalité géographique et sociale, mais aussi et surtout en tant que mode d'agencement narratif, devient l'enjeu fondamental de ce cinéma. Il est ce miroir en lequel s'inscrivent les images d'un monde en devenir. Il est aussi ce lieu filmique où s'affirment le mieux l'authenticité et la spécificité du cinéma africain. C'est la thèse que soutient André Gardies tout au long de cet essai, à partir d'une démarche sémionarratologique tout à la fois claire et efficace.
Cin Ma Et D Veloppement En Afrique Noire Francophone
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Author : Pierre Pommier
language : fr
Publisher:
Release Date : 1971
Cin Ma Et D Veloppement En Afrique Noire Francophone written by Pierre Pommier and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with categories.
Cinema Et Developpement En Afrique Noire Francophone
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Author : Pierre Pommier
language : fr
Publisher:
Release Date : 1974
Cinema Et Developpement En Afrique Noire Francophone written by Pierre Pommier and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with categories.
Africa Shoots Back
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Author : Melissa Thackway
language : en
Publisher: Indiana University Press
Release Date : 2003
Africa Shoots Back written by Melissa Thackway and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with History categories.
Filmmakers in sub-Saharan francophone Africa have been using cinema since independence in the 1960s to challenge Western stereotypes. This text shows how directors have produced alternatives, focusing on issues of memory and history.
African Cinema
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Author : Manthia Diawara
language : en
Publisher: Indiana University Press
Release Date : 1992-04-22
African Cinema written by Manthia Diawara and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992-04-22 with History categories.
Manthia Diawara provides an insider's account of the history and current status of African cinema. African Cinema: Politics and Culture is the first extended study in English of Sub-Saharan cinema. Employing an interdisciplinary approach which draws on history, political science, economics, and cultural studies, Diawara discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present. The book traces the growth of African cinema through the efforts of pioneer filmmakers such as Paulin Soumanou Vieyra, Oumarou Ganda, Jean-René Débrix, Jean Rouch, and Ousmane Sembène, the Pan-African Filmmakers' Organization (FEPACI), and the Ougadougou Pan-African Film Festival (FESPACO). Diwara focuses on the production and distribution histories of key films such as Ousmane Sembène's Black Girl and Mandabi (1968) and Souleymane Cissé's Fine (1982). He also examines the role of missionary films in Africa, Débrix's ideas concerning 'magic, ' the links between Yoruba theater and Nigerian cinema, and the parallels between Hindu mythologicals in India and the Yoruba-theater - inflected films in Nigeria. Diawara also looks at film and nationalism, film and popular culture, and the importance of FESPACO. African Cinema: Politics and Culture makes a major contribution to the expanding discussion of Eurocentrism, the canon, and multi-culturalism.
Le Cin Ma En Afrique Noire Francophone
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Author : Delphine Fray
language : fr
Publisher:
Release Date : 1985*
Le Cin Ma En Afrique Noire Francophone written by Delphine Fray and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985* with Motion picture industry categories.
Francophone African Women Documentary Filmmakers
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Author : Suzanne Crosta
language : en
Publisher: Indiana University Press
Release Date : 2023-09-05
Francophone African Women Documentary Filmmakers written by Suzanne Crosta and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-09-05 with Performing Arts categories.
Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote.
African Filmmaking
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Author : Roy Armes
language : en
Publisher: Indiana University Press
Release Date : 2006
African Filmmaking written by Roy Armes and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Business & Economics categories.
A critique of filmmaking in the Maghreb and sub-Saharan Africa by noted film scholar Roy Ames
Sonic Space In Djibril Diop Mambety S Films
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Author : Vlad Dima
language : en
Publisher: Indiana University Press
Release Date : 2017-01-09
Sonic Space In Djibril Diop Mambety S Films written by Vlad Dima and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-09 with Performing Arts categories.
An analysis of the Senegalese film director’s work from the perspective of sound. The art of Senegalese director Djibril Diop Mambety’s cinema lies in the tension created between the visual narrative and the aural narrative. His work has been considered hugely influential, and his films bridge Western practices of filmmaking and oral traditions from West Africa. Mambety’s film Touki Bouki is considered one of the foundational works of African cinema. Vlad Dima proposes a new reading of Mambety’s entire filmography from the perspective of sound. Following recent analytical patterns in film studies that challenge the primacy of the visual, Dima claims that Mambety uses voices, noise, and silence as narrative tools that generate their own stories and sonic spaces. By turning an ear to cinema, Dima pushes African aesthetics to the foreground of artistic creativity and focuses on the critical importance of sound in world cinema. “Vlad Dima’s close readings of Mambèty’s films sing. His are smart, critically sound interpretations of aesthetically rich and thematically resonant works. This book will surely be of interest to anyone studying movie soundtracks, but it will also interest those who care about the affective dimensions of sound and audition, particularly in the global South.” —Noah Tsika, author of Nollywood Stars “This sophisticated and in-depth analysis aptly demonstrates Vlad Dima’s grasp of the contentious issues surrounding Mambèty’s film legacy as well as the overall perspectives on the degree to which Third Cinema and revolutionary filmmaking fit within an analysis of the Senegalese director’s oeuvre.” —James E. Genova, author of Cinema and Development in West Africa
Impersonal Enunciation Or The Place Of Film
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Author : Christian Metz
language : en
Publisher: Columbia University Press
Release Date : 2016-02-02
Impersonal Enunciation Or The Place Of Film written by Christian Metz and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-02 with Art categories.
Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in—and forces him to reassess—his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today.