Cin Ma Et Histoire Coloniale
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Histoire Du Cin Ma Colonial Au Za Re Au Rwanda Et Au Burundi
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Author : Francis Ramirez
language : fr
Publisher:
Release Date : 1985
Histoire Du Cin Ma Colonial Au Za Re Au Rwanda Et Au Burundi written by Francis Ramirez and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Motion pictures categories.
Cin Ma Et Histoire Coloniale
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Author : Sébastien Sacarot-Chatelin
language : fr
Publisher:
Release Date : 2001
Cin Ma Et Histoire Coloniale written by Sébastien Sacarot-Chatelin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with categories.
Cinema Van Propagande Et R Sistance En Afrique Coloniale
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Author : Vincent Bouchard
language : fr
Publisher: University of Ottawa Press
Release Date : 2023-11-22
Cinema Van Propagande Et R Sistance En Afrique Coloniale written by Vincent Bouchard and has been published by University of Ottawa Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-22 with Art categories.
The “Cinema Van”, a vehicle equipped with film screening equipment, was used by the British, Belgian and French governments to distribute their “educational” films in colonial Africa in the 1940s and 1950s. The van also transported the qualified personnel, including the film commentator, who facilitated mediation with the audiences. In describing these practices as he constructs his analysis, Vincent Bouchard takes a perceptive look at the workings of this apparatus used for propaganda. Bouchard examines the influence the screenings had on the colonized African populations' understanding of the cinematic medium. What were the effects on their own systems of representation? What values were propagated by these screenings? What impact did these audiovisual recordings have on the perception, retention and transmission of experience and knowledge? Drawing on newly available archival material, this book explores the modes and practices of audience reception following their exposure to propaganda apparatus, as well as the evolution of these practices up to independence. The book examines certain forms of resistance in the face of these projections, which in some ways still continue today. Using a comparative approach, Cinema Van identifies the main cultural traits prevalent in the European administrations at the time, such as racial stereotyping and differing understandings of the cinematic medium. By compiling the information contained in activity reports, the author sketches out the discrepancy between the conception of propaganda tools and their use. Finally, he questions the modes of representation that they stage.
Le Cin Ma Colonial De L Atlantide Lawrence D Arabie
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Author : Pierre Boulanger
language : fr
Publisher: FeniXX
Release Date : 1975-01-01T00:00:00+01:00
Le Cin Ma Colonial De L Atlantide Lawrence D Arabie written by Pierre Boulanger and has been published by FeniXX this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975-01-01T00:00:00+01:00 with Fiction categories.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Colonial Cinema And Imperial France 1919 1939
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Author : David Henry Slavin
language : en
Publisher: JHU Press
Release Date : 2001-10-09
Colonial Cinema And Imperial France 1919 1939 written by David Henry Slavin and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-10-09 with History categories.
In this book, the author uses such key colonial-era films as L'Atlantide and Péṕe le Moko to document how the French cinema reflected the changing policies and values of French colonialism in the inter-war period.
L Espace Maghr Bin Dans Le Cin Ma Colonial Fran Ais 1919 1939
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Author : Abdelkader Benali
language : fr
Publisher:
Release Date : 1997
L Espace Maghr Bin Dans Le Cin Ma Colonial Fran Ais 1919 1939 written by Abdelkader Benali and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with categories.
LA MAJORITE DES FILMS COLONIAUX FRANCAIS CONSTITUE ACTUELLEMENT CE QUE NOUS POUMONS NOMMER UN CINEMA D'ARCHIVES, REPRESENTATIF D'UNE EPOQUE REVOLUE ET DONT LES IMPLICATIONS FORMELLES ET IDEOLOGIQUES NE SONT PLUS D'ACTUALITE. NE REPONDANT PAS AUX CRITERES ESTHETIQUES EDIFIES PAR L'HISTOIRE DU CINEMA, LE CINEMA COLONIAL FUT RECONNU, TRES VITE APRES LES INDEPENDANCES, COMME UN CINEMA DE PROPAGANDE, ET RELEGUE PAR CONSEQUENT DANS LA CATEGORIE DES " GENRES MINEURS ". SI L'HISTORIOGRAPHIE COLONIALE, ET MEME POST-COLONIALE, A FONDE SON ARGUMENTATION SUR UN RAPPORT COLON/COLONISE QUI NE QUITTE GUERE LE TERRAIN DE LA DIALECTIQUE, L'ANALYSE DES FILMS COLONIAUX DETERMINE UNE APPROCHE PLUS COMPLEXE ET MULTIDIRECTIONNELLE. SEUL UN VERITABLE DECODAGE DES COMPOSANTES FORMELLES SYMBOLIQUES ET METAPHORIQUES NOUS PERMET DE DEFINIR LE CHAMP INTERNE DE REFERENCES UTILISE POUR ASSURER AU PUBLIC FRANCAIS ET EUROPEEN UN POUVOIR D'IDENTIFICATION. NOTRE ETUDE EST UN PARCOURS QUI MARQUE UNE PROGRESSION, PARTANT DE LA CONSIDERATION GENERALE DE L'ENSEMBLE DU CORPUS VERS DES ANALYSES APPROFONDIES DES PLUS IMPORTANTS THEMES AUTOUR DESQUELS S'ARTICULE LE CONTENU DRAMATIQUE DES FILMS. LA PREMIERE PARTIE CONSIDERE L'ENSEMBLE DU CORPUS FILMIQUE A PARTIR DE SES IMPLICATIONS DANS LA PENSEE COLONIALE, ET DANS LE PROCESSUS FORMEL QU'IL ETABLI EN VUE D'INTEGRER LE MAGHREB DANS UN SYSTEME DE REPRESENTATION. LE DEUXIEME AXE CONCERNE L'ORGANISATION SPATIALE DU MAGHREB A L'INTERIEUR DES FICTIONS. NOUS Y RELEVONS LES MECANISMES D'INTERACTION ENTRE LES PERSONNAGES ET LES ESPACES OU ILS EVOLUENT. A CE PROPOS, L'ESPACEMAGHREBIN EST FORMULE SELON DEUX DEGRES DE PERCEPTION : IL EST PRESENTE EN TANT ESPACE ETRANGER, TOUT EN POSSEDANT LE STATUT D'ESPACE COLONIAL SOLIDEMENT APPROPRIE ET DOMESTIQUE. DANS LA PREMIERE CATEGORIE, LES ATTRIBUTS DU MAGHREB SE DEFINISSENT DE MANIERE GLOBALE, EN FONCTION DE SES DIFFERENCES PAR RAPPORT A LA METROPOLE QUI RESTE LE MODELE ET LE CRITERE D'APPRECIATION. UNE FOIS L'ESPACE COLONIAL DEFINI ET SA STRUCTURE ORGANISATIONNELLE RECONSTRUITE, NOUS PROCEDONS A L'ANALYSE DU PROFIL DU HEROS COLONIAL ET DE L'ENSEMBLE DES VALEURS DONT IL EST LE PORTE-PAROLE. LORS DE CETTE PROGRESSION, LES FILMS SONT CONSIDERES UNIQUEMENT SELON LEUR FONCTION DE MEDIATION ET DE TRADUCTION DE CODES PREETABLIS PAR UNE CONJONCTURE POLITIQUE, CULTURELLE ET INTELLECTUELLE PROPRE A L'EPOQUE COLONIALE
Publics Et Spectacle Cin Matographique En Situation Coloniale
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Author : Morgan Corriou
language : fr
Publisher:
Release Date : 2012
Publics Et Spectacle Cin Matographique En Situation Coloniale written by Morgan Corriou and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Cinema and society categories.
A La Recherche Des Images Oubli Es
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Author : Guido Convents
language : fr
Publisher:
Release Date : 1986
A La Recherche Des Images Oubli Es written by Guido Convents and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Africa, Sub-Saharan categories.
Histoire Du Cin Ma Au Za Re Pendant L Poque Coloniale
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Author : Okomba Wetshisambi
language : fr
Publisher:
Release Date : 1986
Histoire Du Cin Ma Au Za Re Pendant L Poque Coloniale written by Okomba Wetshisambi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Motion pictures categories.
Histoire Du Cin Ma Au Togo Tome I
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Author : Claude Forest
language : fr
Publisher: Editions L'Harmattan
Release Date : 2022-10-07
Histoire Du Cin Ma Au Togo Tome I written by Claude Forest and has been published by Editions L'Harmattan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-07 with Art categories.
Les traces de l'arrivée du cinématographe pour des premiers tournages sont tardives au Togo, et la première projection non commerciale date de 1913, durant la période coloniale allemande. Ce loisir s'implante sous le mandat français à l'orée de la Seconde Guerre mondiale et s'y développe dans la capitale au moment de l'indépendance grâce au dynamisme de deux entreprises dirigées par des Français, puis dans les villes de l'intérieur grâce à un riche commerçant togolais. Il connaîtra son acmé la décennie suivante, demeurant un loisir réellement populaire durant un quart de siècle, avant que le déclin des salles de cinéma, essentiellement dû à la profonde crise politico-sociale que connut le pays au début des années 1990, ne côtoie la faiblesse d'une production nationale. Les très rares films tournés au Togo durant ce premier siècle d'existence en acquièrent dès lors une valeur symbolique d'autant plus forte.