Cine Censura Y Exilio En Am Rica Latina
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Cine Censura Y Exilio En Am Rica Latina
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Author : Alfonso Gumucio Dagron
language : es
Publisher:
Release Date : 1984
Cine Censura Y Exilio En Am Rica Latina written by Alfonso Gumucio Dagron and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Motion pictures categories.
The Cinema Of Latin America
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Author : Alberto Elena
language : en
Publisher: Columbia University Press
Release Date : 2004-03-24
The Cinema Of Latin America written by Alberto Elena and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-03-24 with Performing Arts categories.
The Cinema of Latin America is the first volume in the new 24 Frames series of studies of national and regional cinema. In taking an explicitly text-centered approach, the books in this series offer a unique way of considering the particular concerns, styles and modes of representation of numerous national cinemas around the world. This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning to popular and academic appreciation. Through 24 individual concise and insightful essays that each consider one significant film or documentary, the editors of this volume have compiled a unique introduction to the cinematic output of countries as diverse as Brazil, Argentina, Cuba, Mexico, Bolivia, Chile and Venezuala. The work of directors such as Luis Buñuel, Thomas Guiterrez Alea, Walter Salles, and Alfonso Arau is discussed and the collection includes in-depth studies of seminal works as such Los Olvidados, The Hour of the Furnaces, Like Water For Chocolate, Foreign Land, and Amoros Perros.
New Latin American Cinema
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Author : Michael T. Martin
language : en
Publisher: Wayne State University Press
Release Date : 1997
New Latin American Cinema written by Michael T. Martin and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Art categories.
Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, esays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and economic autonomy. This volume comprises essays on the development of the New Latin American Cinema as a comparative national project. Essays are grouped by nation into two regions - Middle and Central America and Caribbean and South America - for comparitive study, particularly between capitalist and post-revolutionary socialist formations. The selected essays examine the relationship between cinema and nationhood and the ambiguous categories of culture, identity and nation within the socio-historical specificities of the movement's development, especially in Cuba, Brazil, Mexico, Chile and Argentina. This collection will serve as an essential reference and research tool for the study of world cinema. The collection, while celebrating the diversity and innovation of the New Latin American Cinema, explicates the historical importance of filmmaking as a cultural form and political practice in Latin America.
Cinema And Social Change In Latin America
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Author : Julianne Burton
language : en
Publisher: University of Texas Press
Release Date : 2010-06-28
Cinema And Social Change In Latin America written by Julianne Burton and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-28 with Performing Arts categories.
Since the late 1960s, films from Latin America have won widening audiences in North America and Europe. Until now, no single book has offered an introduction to the diverse personalities and practices that make up this important regional film movement. In Cinema and Social Change in Latin America, Julianne Burton presents twenty interviews with key figures of Latin American cinema, covering three decades and ranging from Argentina to Mexico. Interviews with pioneers Fernando Birri, Nelson Pereira dos Santos, and Glauber Rocha, renowned feature filmmakers Tomás Gutiérrez Alea and Carlos Diegues, prize-winning documentarists Patricio Guzmán and Helena Solberg-Ladd, among others, endeavor to balance personal achievement against the backdrop of historical, political, social, and economic circumstances that have influenced each director's career. Presented also are conversations that cast light on the related activities of acting, distribution, theory, criticism, and film-based community organizing. More than their counterparts in other regions of the world, Latin American artists and intellectuals acknowledge the degree to which culture is shaped by history and politics. Since the mid-1950s, a period of rising nationalism and regional consciousness, talented young artists and activists have sought to redefine the uses of the film medium in the Latin American context. Questioning the studio and star systems of the Hollywood industrial model, these innovators have developed new forms, content, and processes of production, distribution, and reception. The specific approaches and priorities of the New Latin American Cinema are far from monolithic. They vary from realism to expressionism, from observational documentary to elaborate fictional constructs, from "imperfect cinema" to a cinema that emulates the high production values of the developed sectors, from self-reflexive to "transparent" cinematic styles, from highly industrialized modes of production to purely artisanal ones. What does not vary is the commitment to film as a vehicle for social transformation and the expression of national and regional cultural autonomy. From early alternative cinema efforts in Argentina, Brazil, and Cuba to a contemporary perspective from within the Mexican commercial industry to the emerging cinema and video production from Central America, Cinema and Social Change in Latin America offers the most comprehensive look at Latin American film available today.
The New Latin American Cinema
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Author : Zuzana M. Pick
language : en
Publisher: University of Texas Press
Release Date : 2010-01-01
The New Latin American Cinema written by Zuzana M. Pick and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Performing Arts categories.
During the 1967 festival of Latin American Cinema in Viña del Mar, Chile, a group of filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly three decades later, the New Cinema has produced an impressive body of films, critical essays, and manifestos that uses social theory to inform filmmaking practices. This book explores the institutional and aesthetic foundations of the New Latin American Cinema. Zuzana Pick maps out six areas of inquiry—history, authorship, gender, popular cinema, ethnicity, and exile—and explores them through detailed discussions of nearly twenty films and their makers, including Camila (María Luisa Bemberg), The Guns (Ruy Guerra), and Frida (Paul Leduc). These investigations document how the New Latin American Cinema has used film as a tool to change society, to transform national expressions, to support international differences, and to assert regional autonomy.
South American Cinema
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Author : Timothy Barnard
language : en
Publisher: University of Texas Press
Release Date : 2010-06-28
South American Cinema written by Timothy Barnard and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-28 with Performing Arts categories.
Originally issued in hardcover in 1996 by Garland Publishing, this important reference work is now available in paperback for a wider audience. A distinguished team of contributors has compiled entries on 140 significant South American feature films from the silent era until 1994. The entries discuss each film's subject matter, critical reception, and social and political contexts, as well as its production, distribution, and exhibition history, including technical credits. The entries are grouped by country and arranged chronologically. Both fiction and documentary films (some no longer in existence) are included, as well as extensive title, name, and subject indexes and glossaries of film and foreign terms.
Third World Film Making And The West
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Author : Roy Armes
language : en
Publisher: Univ of California Press
Release Date : 1987-07-29
Third World Film Making And The West written by Roy Armes and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987-07-29 with Performing Arts categories.
This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume.
Otherness And The Media
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Author : Hamid Naficy
language : en
Publisher: Routledge
Release Date : 2016-10-04
Otherness And The Media written by Hamid Naficy and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-04 with Performing Arts categories.
This anthology on otherness and the media, first published in 1993, was prompted by the proliferation of writings centring on issues of ‘difference’, ‘diversity’, ‘multiculturalism’, ‘representation’ and ‘postcolonial’ discourses. Such issues and discourses question existing canons of criticism, theory and cultural practice but also because they suggest a new sense of direction in theorisation of difference and representation.
The Art And Politics Of Bolivian Cinema
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Author : Sànchez-H., José
language : en
Publisher: Scarecrow Press
Release Date : 1999-08-05
The Art And Politics Of Bolivian Cinema written by Sànchez-H., José and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-08-05 with Performing Arts categories.
In Bolivia, politics have always shaped art, particularly when it comes to film. This book presents Bolivia's most significant filmmakers largely in their own words. Since 1981, José Sánchez-H. has personally interviewed most of the filmmakers featured and has consistently maintained a commitment to rigorous scholarship and attention to new developments. One of the first studies in English on Bolivian cinema, this work provides the non-Bolivian with important information about Bolivian cinema and its cultural and political context. The chapters flow from a broad profile of the country and its history through a chronological presentation of the history of Bolivian cinema to careful treatments of important films, filmmakers, and periods in Bolivian film history. Filmmakers treated include Antonio Eguino, Jorge Sanjines, Jorge Ruiz, Marcos Loayza, Paolo Agazzi, and Oscar Soria. Sanchez-H. includes information about every aspect of the cinema including the music. Appendixes include a chronology of the films and political events, a list of awards won by Bolivian films, and useful addresses.
Argentine Cinema
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Author : Daniela Ingruber
language : en
Publisher: LIT Verlag Münster
Release Date : 2012
Argentine Cinema written by Daniela Ingruber and has been published by LIT Verlag Münster this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Motion pictures categories.