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Cinema And Technology


Cinema And Technology
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Cinema And Technology


Cinema And Technology
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Author : Bruce Bennett
language : en
Publisher: Palgrave MacMillan
Release Date : 2008-11-27

Cinema And Technology written by Bruce Bennett and has been published by Palgrave MacMillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-11-27 with Business & Economics categories.


The essays collected in Cinema and Technology map out a new interdisciplinary terrain, combining contemporary analyses of material and visual culture, deploying the methods of film studies, media and cultural studies, media anthropology, and science and technology studies. Rather than describing a technological "crisis," or separating the technological and aesthetic halves of the cinema, they present a manifold, expansive reconsideration of the life of technologies in the cultures, theories and practices of cinematic production and consumption.



Cinema And Technology


Cinema And Technology
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Author : Stephen Neale
language : en
Publisher:
Release Date : 1985

Cinema And Technology written by Stephen Neale and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Performing Arts categories.




The Cinema In Flux


The Cinema In Flux
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Author : Lenny Lipton
language : en
Publisher: Springer Nature
Release Date : 2021-04-07

The Cinema In Flux written by Lenny Lipton and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-07 with Science categories.


The first of its kind, this book traces the evolution of motion picture technology in its entirety. Beginning with Huygens' magic lantern and ending in the current electronic era, it explains cinema’s scientific foundations and the development of parallel enabling technologies alongside the lives of the innovators. Product development issues, business and marketplace factors, the interaction of aesthetic and technological demands, and the patent system all play key roles in the tale. The topics are covered sequentially, with detailed discussion of the transition from the magic lantern to Edison’s invention of the 35mm camera, the development of the celluloid cinema, and the transition from celluloid to digital. Unique and essential reading from a lifetime innovator in the field of cinema technology, this engaging and well-illustrated book will appeal to anyone interested in the history and science of cinema, from movie buffs to academics and members of the motion picture industry.



Silver Screen To Digital


Silver Screen To Digital
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Author : Carlo Montanaro
language : en
Publisher: John Libbey Publishing
Release Date : 2019-12-03

Silver Screen To Digital written by Carlo Montanaro and has been published by John Libbey Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-03 with Performing Arts categories.


An era has ended. After one hundred and twenty-five years, a change has taken place in cinemas. The thousands of figures formed by silver and coloured pigments can no longer be viewed through transparent film, instead, everything has become digital, compressed, virtual and built into the rapid alternation of millions (hopefully, for quality's sake) of dots, or pixels within a very neat and minuscule grid. But projection is just the last link in a chain that is transforming the most direct language invented by humanity over the centuries. The other links – shooting, editing, special effects, re-elaboration and sound reproduction – have by now undergone radical transformations that have often signified progress. Perhaps, it is worth the trouble, then, having accepted this transformation-revolution once and for all, to understand where we started out from, how cinematographic language was born and how its grammar first and later its syntax evolved thanks to technological development. Without lightweight equipment for sound recording, sensitive emulsions, portable and compact lighting, it would not have been possible, at the end of the 50s, for example, to create identifiable "currents" of experimentation and concept under such titles as free cinema or nouvelle vague, which were largely based on footage from life and no longer reconstructed in the studio. That which filmmakers today can achieve even more effectively thanks to a range of digital technologies, paradoxically, involves working with even more-minimal equipment such as a smartphone in front of green or blue screens, against absolutely virtual backgrounds. In short: no more silver and more and more pixels.



Cinema And Technology


Cinema And Technology
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Author :
language : en
Publisher:
Release Date : 2023*

Cinema And Technology written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023* with categories.




How To Read A Film Technology Image Sound


How To Read A Film Technology Image Sound
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Author : James Monaco
language : en
Publisher: UNET 2 Corporation
Release Date : 2013

How To Read A Film Technology Image Sound written by James Monaco and has been published by UNET 2 Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Performing Arts categories.


This is section 2 of How To Read a Film, enhanced and expanded. Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Monaco looks at film from many vantage points, as both art and craft, sensibility and science, tradition, and technology. Monaco stresses the still-evolving digital context of film throughout and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.



Film Style And Technology


Film Style And Technology
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Author : Barry Salt
language : en
Publisher:
Release Date : 1992

Film Style And Technology written by Barry Salt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Performing Arts categories.


The first and only history of motion picture style. The relation of film style to film technology. New methods for the formal analysis of films. A practical approach to film theory. The application of all this to the analysis and evaluation of the films of Max Ophuls. A complete rewrite of the first twenty-five years of film history.



Technology And Culture The Film Reader


Technology And Culture The Film Reader
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Author : Andrew Utterson
language : en
Publisher: Psychology Press
Release Date : 2005

Technology And Culture The Film Reader written by Andrew Utterson and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Cinematography categories.


Bringin together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.



The Orientation Of Future Cinema


The Orientation Of Future Cinema
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Author : Bruce Isaacs
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2013-02-14

The Orientation Of Future Cinema written by Bruce Isaacs and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-14 with Performing Arts categories.


What is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cinema and a century-long history of the moving image when the theatre is outmoded as a social and aesthetic space, as celluloid gives over to digital technology, as the art-house and multiplex are overtaken by a proliferation of home entertainment systems? The Orientation of Future Cinema offers an ambitious and compelling argument for the continued life of cinema as image, narrative and experience. Commencing with Lumière's Arrival of a Train at a Station, Bruce Isaacs confronts the threat of contemporary digital technologies and processes by returning to cinema's complex history as a technological and industrial phenomenon. The technology of moving images has profoundly changed; and yet cinema materialises ever more forcefully in digital capture and augmentation, 3-D perception and affect, High Frame Rate cinema, and the evolution of spectacle as the dominant aesthetic mode in contemporary studio production.



Cinematic Appeals


Cinematic Appeals
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Author : Ariel Rogers
language : en
Publisher: Columbia University Press
Release Date : 2013-10-22

Cinematic Appeals written by Ariel Rogers and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-22 with Performing Arts categories.


Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen films drew the spectator into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. The technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with manipulating the viewer’s physical response and more with generating information flow, awe, disorientation, and the disintegration of spatial boundaries. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time. Films discussed include Elia Kazan’s East of Eden (1955), Star Wars: The Phantom Menace (1999), The Matrix (1999), and Thomas Vinterberg’s Dogme film The Celebration (1998).