Cinema And The Urban Poor In South India
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Cinema And The Urban Poor In South India
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Author : Sara Dickey
language : en
Publisher: Cambridge University Press
Release Date : 2007-09-17
Cinema And The Urban Poor In South India written by Sara Dickey and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-09-17 with Social Science categories.
This study of the Indian cinema is concerned particularly with cinema-goers in Madurai, a city in Tamil Nadu, South India. Sara Dickey reviews the history of Tamil film, explains the structure of the industry, and presents the perspective of the filmmakers. However, the core of the book is an analysis of the films themselves and the place they have in the lives of poor people, who organize fan clubs, discuss the films and the actors, and in various ways relate these fantasy worlds to their own lives. Dickey argues that the effect of these films is ultimately conservative, for they glorify poverty while holding out the hope of a better future. Her rich ethnography makes an interesting contribution to the study of film in India and, more generally, to the understanding of popular culture in an Indian city.
Living Class In Urban India
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Author : Sara Dickey
language : en
Publisher: Rutgers University Press
Release Date : 2016-07-14
Living Class In Urban India written by Sara Dickey and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-14 with Business & Economics categories.
Many Americans still envision India as rigidly caste-bound, locked in traditions that inhibit social mobility. In reality, class mobility has long been an ideal, and today globalization is radically transforming how India’s citizens perceive class. Living Class in Urban India examines a nation in flux, bombarded with media images of middle-class consumers, while navigating the currents of late capitalism and the surges of inequality they can produce. Anthropologist Sara Dickey puts a human face on the issue of class in India, introducing four people who live in the “second-tier” city of Madurai: an auto-rickshaw driver, a graphic designer, a teacher of high-status English, and a domestic worker. Drawing from over thirty years of fieldwork, she considers how class is determined by both subjective perceptions and objective conditions, documenting Madurai residents’ palpable day-to-day experiences of class while also tracking their long-term impacts. By analyzing the intertwined symbolic and economic importance of phenomena like wedding ceremonies, religious practices, philanthropy, and loan arrangements, Dickey’s study reveals the material consequences of local class identities. Simultaneously, this gracefully written book highlights the poignant drive for dignity in the face of moralizing class stereotypes. Through extensive interviews, Dickey scrutinizes the idioms and commonplaces used by residents to justify class inequality and, occasionally, to subvert it. Along the way, Living Class in Urban India reveals the myriad ways that class status is interpreted and performed, embedded in everything from cell phone usage to religious worship.
Consuming Modernity
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Author : Carol Appadurai Breckenridge
language : en
Publisher: U of Minnesota Press
Release Date : 1995
Consuming Modernity written by Carol Appadurai Breckenridge and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Social Science categories.
The book aims to illustrate that what is distinctive about any particular society is not the fact of its modernity, but rather its own unique debates about modernity. Behind the embattled arena of culture in India, for example, lie particular social and political interests such as the growing middle class, the entrepreneurs and commercial institutions, and the state. The contributors address the roles of these various intertwined interests in the making of India's public culture, each examining different sites of consumption. The sites which are explored include cinema, radio, cricket, restaurants and tourism. The book also makes distinct the differences among public, mass and popular culture.
Anthropology Mass Communication
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Author : Mark Allen Peterson
language : en
Publisher: Berghahn Books
Release Date : 2005
Anthropology Mass Communication written by Mark Allen Peterson and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Social Science categories.
Anthropological interest in mass communication and media has exploded in the last two decades, engaging and challenging the work on the media in mass communications, cultural studies, sociology and other disciplines. This is the first book to offer a systematic overview of the themes, topics and methodologies in the emerging dialogue between anthropologists studying mass communication and media analysts turning to ethnography and cultural analysis. Drawing on dozens of semiotic, ethnographic and cross-cultural studies of mass media, it offers new insights into the analysis of media texts, offers models for the ethnographic study of media productio and consumption, and suggests approaches for understanding media in the modern world system. Placing the anthropological study of mass media into historical and interdisciplinary perspectives, this book examines how work in cultural studies, sociology, mass communication and other disciplines has helped shape the re-emerging interest in media by anthropologists. A former Washington D.C. journalist, Mark Allan Peterson is currently Assistant Professor of Anthropology at Miami University, Oxford, Ohio. He has published numerous articles on American, South Asian and Middle Eastern media, and has taught courses on anthropological approaches to media t at he American University in Cairo, the University of Hamburg, and Georgetown University.
Popular Cinema And Politics In South India
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Author : S. Rajanayagam
language : en
Publisher: Routledge
Release Date : 2015-06-12
Popular Cinema And Politics In South India written by S. Rajanayagam and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-12 with Social Science categories.
This work breaks new ground in the understanding of South Indian cinema and politics. Through incisive analysis and original concepts it illustrates the private, public and cinematic personas of MGR and Rajinikanth. It challenges the popular and scholarly myths surrounding them and shows the constant negotiation of their on-screen and off-screen identities. The book revisits the entire political history of post-Independent Tamil Nadu through its cinema,and presents a refreshing psycho-political and cultural map of contemporary South India. This absorbing volume will be an important read for scholars, teachers and students of film studies, culture and media studies, and politics, especially those interested in South India.
Tamil Cinema In The Twenty First Century
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Author : Selvaraj Velayutham
language : en
Publisher: Routledge
Release Date : 2020-12-29
Tamil Cinema In The Twenty First Century written by Selvaraj Velayutham and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-29 with Education categories.
Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India’s largest film industries. Since its inception a century ago, Tamil cinema has undergone major transformations, and today it stands as a foremost cultural institution that profoundly shapes Tamil culture and identity. This book investigates the structural, ideological, and societal cleavages that continue to be reproduced, new ideas, modes of representation and narratives that are being created, and the impact of new technologies on Tamil cinema. It advances a critical interdisciplinary approach that challenges the narratives of Tamil cinema to reveal the social forces at work.
South Asian Cinemas
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Author : Sara Dickey
language : en
Publisher: Routledge
Release Date : 2018-10-24
South Asian Cinemas written by Sara Dickey and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-24 with Social Science categories.
This path-breaking collection explores the breadth and depth of South Asia’s many vibrant cinemas. It extends well beyond Bollywood to Nepali, Sri Lankan, Pakistani Panjabi, Bhojpuri, Bengali, Kannada, and early Tamil cinemas, while unpacking the category of 'Bollywood' itself. The coverage of cinematic features is equally far-ranging, exploring music, dance, audiences, filmmakers, industries, and the mutual influences among South Asia’s cinemas. With a mix of ethnographic, historical, auteur, and textual approaches, this exciting collection presents the first wide-reaching analysis of South Asian cinemas. The nine chapters include a new theoretical and historical engagement by the co-editors about the burgeoning area of South Asian cinemas in the academy, as well as original research by young and established scholars. From historical to contemporary considerations, to close analyses and empirical material from fieldwork, to a rich and revealing photographic essay, this collection will be novel reading for a new generation of work into an important global cinematic region. This book was originally published as a special issue of South Asian Popular Culture.
Passages Of Play In Urban India
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Author : Prasad Khanolkar
language : en
Publisher: Taylor & Francis
Release Date : 2022-08-12
Passages Of Play In Urban India written by Prasad Khanolkar and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-12 with Social Science categories.
In this book, Prasad Khanolkar offers a new way of thinking about ‘slums’ and southern cities based on a grounded engagement with the relationship between media, objects, spaces, and people in the everyday life of slum localities in Mumbai, India. Over the past few decades, Mumbai, like many cities in the global South, has experienced a series of overarching governmental missions to program it into an interoperable and profitable city. Its ‘slums’, which house a majority of its population don’t fit within the dominant registers and continue to be deemed as excess. Urban residents inhabiting Mumbai’s slum localities thus find themselves in the middle of missions, policies, and programs that are not of their making, just as often that they find themselves localized by lack of resources, caste system, communal conflicts, and territorial jurisdictions. Drawing on extensive fieldwork in slum localities of Mumbai, this book explores how its residents engage in different forms of play in order to extend and expand their field of possibilities, despite the limitations and fixities. The book attends to some of these playacts: imparting stories with different thicknesses, rehearsing roles on and offscreen, engaging in deceptive performances, experimenting with repetitive everyday rhythms, and recycling matter and forms. Through these playacts, urban residents explore the virtual abilities of different mediums to put bodies, objects, and spaces into new forms of relationships and create passages to depart from programmed urban futures. By attending to these proliferating urban passages of different residents in slum localities, the book makes a case for rethinking southern cities as mediums for urban lives to converge and depart without an overarching framework. The book makes a significant contribution in the field of urban studies, urban anthropology, urban geography, and urban sociology. It will be of interest to scholars and students working on postcolonial cities, Southern urbanisms, infrastructure studies, and urban planning in the global South.
Handbook Of Research On Social And Cultural Dynamics In Indian Cinema
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Author : Biswal, Santosh Kumar
language : en
Publisher: IGI Global
Release Date : 2020-06-26
Handbook Of Research On Social And Cultural Dynamics In Indian Cinema written by Biswal, Santosh Kumar and has been published by IGI Global this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-26 with Social Science categories.
Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.
Shakespeare And Indian Cinemas
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Author : Poonam Trivedi
language : en
Publisher: Routledge
Release Date : 2018-08-06
Shakespeare And Indian Cinemas written by Poonam Trivedi and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-06 with Literary Criticism categories.
This book is the first to explore the rich archive of Shakespeare in Indian cinemas, including less familiar, Indian language cinemas to contribute to the assessment of the expanding repertoire of Shakespeare films worldwide. Essays cover mainstream and regional Indian cinemas such as the better known Tamil and Kannada, as well as the less familiar regions of the North Eastern states. The volume visits diverse filmic genres, starting from the earliest silent cinema, to diasporic films made for global audiences, television films, independent films, and documentaries, thus expanding the very notion of ‘Indian cinema’ while also looking at the different modalities of deploying Shakespeare specific to these genres. Shakespeareans and film scholars provide an alternative history of the development of Indian cinemas through its negotiations with Shakespeare focusing on the inter-textualities between Shakespearean theatre, regional cinema, performative traditions, and literary histories in India. The purpose is not to catalog examples of Shakespearean influence but to analyze the interplay of the aesthetic, historical, socio-political, and theoretical contexts in which Indian language films have turned to Shakespeare and to what purpose. The discussion extends from the content of the plays to the modes of their cinematic and intermedial translations. It thus tracks the intra–Indian flows and cross-currents between the various film industries, and intervenes in the politics of multiculturalism and inter/intraculturalism built up around Shakespearean appropriations. Contributing to current studies in global Shakespeare, this book marks a discursive shift in the way Shakespeare on screen is predominantly theorized, as well as how Indian cinema, particularly ‘Shakespeare in Indian cinema’ is understood.