Cinema Paradiso

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Cinema Paradiso

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Author : Giuseppe Tornatore
language : en
Publisher:
Release Date : 1994

Cinema Paradiso written by Giuseppe Tornatore and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Motion picture plays categories.

Cinema Paradiso Unclassified

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Author :
language : en
Publisher:
Release Date :

Cinema Paradiso Unclassified written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with Friendship categories.

After Fellini

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Author : Millicent Joy Marcus
language : en
Publisher: JHU Press
Release Date : 2002-06-05

After Fellini written by Millicent Joy Marcus and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-06-05 with History categories.

In this work, Marcus interprets a body of work that managed to transcend the decline of Italian cinema's prominence within the industry during the last two decades of the 20th-century.

My Cinema Paradiso A Movie Marathon Lifetime Memoir In 3 D Poetry

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Author : Tom Lyford
language : en
Publisher:
Release Date : 2010-04

My Cinema Paradiso A Movie Marathon Lifetime Memoir In 3 D Poetry written by Tom Lyford and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04 with Poetry categories.

MY CINEMA PARADISO is a Baby Boomer's memoir in poetry, counterpointing events and issues in the author's life with specific films from the 1940's to the present. The book celebrates Cinema Americana as the Great Escape and the Great Teacher.

Cinema Paradiso Sheet Music

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Author :
language : en
Publisher: Hal Leonard Corporation
Release Date : 2012-10-01

Cinema Paradiso Sheet Music written by and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-01 with Music categories.

(Piano Solo Sheets). Piano solo sheet music from the popular film of the same name, composed by Ennio and Andrea Morricone.

Giuseppe Tornatore

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Author : William Hope
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2006

Giuseppe Tornatore written by William Hope and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Motion picture producers and directors categories.

The nature of the spectatorâ (TM)s emotional and intellectual engagement with films has attracted increasing critical scrutiny over the past decade, and theoretical frameworks have been elaborated to analyse how and why viewers are moved by what they see on screen. Viewer responses are influenced by factors including genre expectations, involuntary physiological reactions to what is seen and heard, shifting attachments towards screen characters, and by specific devices within a filmâ (TM)s mise-en-scène, such as lighting and colour. Giuseppe Tornatore: Emotion; Cognition; Cinema is a film-by-film analysis of the work of the Oscar-winning director, a study that examines the nature of the strong affective charge that characterizes his films, and which also explores the cognitive and intellectual appeal of Tornatoreâ (TM)s cinema. The volume illustrates the ways in which an affective and intellectual synergy can develop between a filmâ (TM)s aesthetics and its conceptual agenda, as instantiated by films such as the celebrated Cinema Paradiso. The affective power that characterizes Tornatoreâ (TM)s work has long been acknowledged by critics, and while analysing the configurations of visual, aural, and narrative devices that generate such intensely poignant viewing experiences, the volume also elucidates the ways in which the directorâ (TM)s stylistic approach intensifies the significance of a range of social and cultural questions affecting Western society, issues that lie at the heart of his films. Reviews of the Book: Giuseppe Tornatore is one of the few authentically original voices to emerge in the cinematic world over the past quarter century. He champions community values, solidly grounded in emotional engagement and interaction, over the brash, loud, self-proclaiming egocentricity that has increasingly dominated western societies since the nineteen-eighties and, paradoxically, isolated the individual ever more intensely within his own subjective world. Yet, viewed superficially, his narratives appear old-fashioned, flirting frequently and precariously with overt melodrama and sentimentalism while managing nevertheless to mount a powerful critique of what our societies have become and what they have sacrificed that makes them the poorer. Eschewing the alienating, ironical deconstructionism of most of his contemporaries, Tornatore subtly employs every technical device at his disposal to enforce the spectatorâ (TM)s identification with the wistfulness of his protagonists, in their growing awareness of a sense of personal loss and nostalgia. Yet, this fulfils only part of his intention, for having snared us in a tangle of emotions, he then, in Pirandellian fashion, propels us towards the moment of intellectually-charged reflection, in which the filmâ (TM)s apparently negative terminus ad quem is transformed into the forceful negation of those contemporary values that have brought about the protagonistâ (TM)s sense of moral and affective dislocation. William Hopeâ (TM)s authoritative study carefully charts these processes as they unfold within individual films and across successive films, not neglecting, when appropriate, to comment on Tornatoreâ (TM)s continual refinements and extensions of his conceptual framework and applications of his visual techniques. However, this book goes well beyond illustration of a thesis for it is also concerned with how we watch films and react to them and how, through carefully judged juxtapositions of his material, use of cameras, variations in intensity of music or silences, and so on, Tornatore is able to make use of this essentially psychological knowledge to manoeuvre his spectators towards a realisation of his own cinematic, which is to say, moral vision of the contemporary world. Professor Doug Thompson, University of Hull William Hope's work gives to the cinema of Tornatore the degree of analytical thoroughness that it merits, (but which, until now, has not been afforded to this important contemporary director). The book offers a clear overview of Tornatore's films, and of the social and cultural context within which they are produced. Hope assesses the relevance of contemporary critical theory to the reception of Tornatore's work and especially to Cinema Paradiso. In so doing, he makes a valuable contribution to our understanding of Tornatore as a film-maker. Pauline Small, Queen Mary College, University of London

The A To Z Of Italian Cinema

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Author : Gino Moliterno
language : en
Publisher: Scarecrow Press
Release Date : 2009-10-12

The A To Z Of Italian Cinema written by Gino Moliterno and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-12 with Performing Arts categories.

The Italian cinema is regarded as one of the great pillars of world cinema. Films like Ladri di biciclette (1948), La dolce vita (1960), and Nuovo cinema Paradiso (1988) attracted unprecedented international acclaim and a reputation, which only continue to grow. Italian cinema has produced such acting legends as Sophia Loren and Roberto Benigni, as well as world-renowned filmmakers like Federico Fellini, Sergio Leone, Mario Bava, Dario Argento, and Lina WertmYller, the first woman to ever be nominated for the Best Director award. The A to Z of Italian Cinema provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology.

Cinema Paradiso

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Author :
language : en
Publisher:
Release Date : 2007

Cinema Paradiso written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.

Célébrer la magie du celluloïd lors d'une exposition qui explore l'intersection entre le cinéma et l'art : c'est ce que tente de faire le centre d'art de Southbank en présentant des oeuvres d'artistes comme Ugo Rondinone, Nicolas Jasmin (N.I.C.J.O.B), John Massey, Monica Bonvicini, Callum Morton, Janet Cardiff & George Bures Miller & João Penalva... Pour exemple les photographies, d'écran d’un blanc immaculé, de Sugimoto dans de vieux cinémas, aux mélanges de style baroque ou de décoration edwardienne et de drive-in ou le spectateur est dans l'attente de l'image suivante.

A History Of Italian Cinema

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Author : Irmbert Schenk
language : en
Publisher: Springer VS
Release Date : 2024-09-23

A History Of Italian Cinema written by Irmbert Schenk and has been published by Springer VS this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-09-23 with Performing Arts categories.

This book provides a complete description of the development of Italian film and cinema from its beginnings in 1895 until today. Special emphasis is placed on those periods in which Italian film history became aesthetically decisive for world cinematography: silent film of the 1910s, neorealism after World War II, and auteur and genre cinema around 1960. And then on the multifaceted development up to the present day, which still guarantees films from Italy a significant place in international cinema. The chapters are introduced with compact descriptions of Italy's political and social history and the institutional formation of film and cinema. This is the basis for the extensive examination of genres and films. The film analyses also include a look at the reception by the audiences.

Italian Cinema

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Author : William Hope
language : en
Publisher: Peter Lang
Release Date : 2005

Italian Cinema written by William Hope and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Literary Collections categories.

"This book explores the evolution of Italian cinema over the last twenty years, with particular reference to modern masterpieces such as Tornatore's Oscar-winning Nuovo cinema paradiso. The volume focuses on the work of some of the most prominent directors of recent times, combining an auteurist perspective with an incisive overview of the most important thematic and stylistic developments in modern Italian film-making." --book cover.