Cinema Philosophy Bergman


Cinema Philosophy Bergman
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Cinema Philosophy Bergman


Cinema Philosophy Bergman
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Author : Paisley Livingston
language : en
Publisher: OUP Oxford
Release Date : 2009-07-02

Cinema Philosophy Bergman written by Paisley Livingston and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-07-02 with Philosophy categories.


The increasingly popular idea that cinematic fictions can 'do' philosophy raises some difficult questions. Who is actually doing the philosophizing? Is it the philosophical commentator who reads general arguments or theories into the stories conveyed by a film? Could it be the film-maker, or a group of collaborating film-makers, who raise and try to answer philosophical questions with a film? Is there something about the experience of films that is especially suited to the stimulation of worthwhile philosophical reflections? In the first part of this book, Paisley Livingston surveys positions and arguments surrounding the cinema's philosophical value. He raises criticisms of bold theses in this area and defends a moderate view of film's possible contributions to philosophy. In the second part of the book he defends an intentionalist approach that focuses on the film-makers' philosophical background assumptions, sources, and aims. Livingston outlines intentionalist interpretative principles as well as an account of authorship in cinema. The third part of the book exemplifies this intentionalist approach with reference to the work of Ingmar Bergman. Livingston explores the connection between Bergman's work and the Swedish director's primary philosophical source-a treatise in philosophical psychology authored by the Finnish philosopher, Eino Kaila. Bergman proclaimed that reading this book was a tremendous philosophical experience for him and that he 'built on this ground'. With reference to materials in the newly created Ingmar Bergman archive, Livingston shows how Bergman took up Kaila's topics in his cinematic explorations of motivated irrationality, inauthenticity, and the problem of self-knowledge.



Ingmar Bergman Cinematic Philosopher


Ingmar Bergman Cinematic Philosopher
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Author : Irving Singer
language : en
Publisher: MIT Press
Release Date : 2009-09-18

Ingmar Bergman Cinematic Philosopher written by Irving Singer and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-09-18 with Photography categories.


The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies. Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed (The Best Intentions, Fanny and Alexander, Sunday's Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.



Existentialist Cinema


Existentialist Cinema
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Author : W. Pamerleau
language : en
Publisher: Springer
Release Date : 2009-03-31

Existentialist Cinema written by W. Pamerleau and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-03-31 with Performing Arts categories.


An exploration of the relationship between cinema and existentialism, in terms of their mutual ability to describe the human condition, this book combines analyses of topics in the philosophy of film with an exploration of specific existentialist themes expressed in the films of Fellini, Bergman and Woody Allen, among others.



Philosophy Of The Film


Philosophy Of The Film
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Author : Ian Jarvie
language : en
Publisher: Routledge
Release Date : 2003-09-02

Philosophy Of The Film written by Ian Jarvie and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-09-02 with Social Science categories.


Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.



Post War Modernist Cinema And Philosophy


Post War Modernist Cinema And Philosophy
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Author : H. Ford
language : en
Publisher: Springer
Release Date : 2012-10-29

Post War Modernist Cinema And Philosophy written by H. Ford and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-29 with Performing Arts categories.


A unique study of four major post-war European films by four key 'auteurs', which argues that these films exemplify film modernism at the peak of its philosophical reflection and aesthetic experimentation.



Ingmar Bergman Revisited


Ingmar Bergman Revisited
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Author : Maaret Koskinen
language : en
Publisher: Wallflower Press
Release Date : 2008

Ingmar Bergman Revisited written by Maaret Koskinen and has been published by Wallflower Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Motion picture producers and directors categories.


This title is a collection of essays based on a major international symposium held in Stockholm in 2005 on Ingmar Bergman's legacy. Moving beyond simple auteurist readings of his films, these writings evaluate the theatrical and literary sides of Bergman's work to reconsider his achievements.



Films And Dreams


Films And Dreams
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Author : Thorsten Botz-Bornstein
language : en
Publisher: Lexington Books
Release Date : 2007-11-29

Films And Dreams written by Thorsten Botz-Bornstein and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-11-29 with Performing Arts categories.


Films and Dreams considers the essential link between films and the world of dreams. To discuss dream theory in the context of film studies means moving from the original, clinical context within which dream theory was originally developed to an environment established by primarily aesthetic concerns. Botz-Bornstein deals with dreams as "self-sufficient" phenomena that are interesting not because of their contents but because of the "dreamtense" through which they deploy their being. A diverse selection of films are examined in this light: Tarkovsky's anti-realism exploring the domain of the improbable between symbolization, representation and alienation; Sokurov's subversive attacks on the modern image ideology; Arthur Schnitzler's shifting of thefamiliar to the uncanny and Kubrick's avoidance of this structural model in Eyes Wide Shut; and Wong Kar-Wai's dreamlike panorama of parodied capitalism.



Klein Sartre And Imagination In The Films Of Ingmar Bergman


Klein Sartre And Imagination In The Films Of Ingmar Bergman
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Author : Dan Williams
language : en
Publisher: Springer
Release Date : 2015-07-28

Klein Sartre And Imagination In The Films Of Ingmar Bergman written by Dan Williams and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-28 with Performing Arts categories.


This book explores connections between the diverse ideas of Melanie Klein, Jean-Paul Sartre and Ingmar Bergman. These ideas are explored in relation to their shared focus on imagination and through detailed readings of a number of Bergman's key films.



The Influence Of Existentialism On Ingmar Bergman


The Influence Of Existentialism On Ingmar Bergman
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Author : Charles B. Ketcham
language : en
Publisher: Edwin Mellen Press
Release Date : 1986

The Influence Of Existentialism On Ingmar Bergman written by Charles B. Ketcham and has been published by Edwin Mellen Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Performing Arts categories.


Traces the development of central themes in Bergman's cinema art by means of a detailed analysis of 11 films, from The Seventh Seal to Autumn Sonata. The text provides a concise summary of Bergman's life and career, and offers a cogent introduction to his art.



Philosophy Of The Film


Philosophy Of The Film
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Author : Ian Charles Jarvie
language : en
Publisher: Routledge
Release Date : 1987

Philosophy Of The Film written by Ian Charles Jarvie and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Performing Arts categories.


Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.