Cinematic Projections


Cinematic Projections
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Cinematic Projections


Cinematic Projections
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Author : Luke Hockley
language : en
Publisher: Indiana University Press
Release Date : 2001

Cinematic Projections written by Luke Hockley and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Art categories.


An introduction to the world of postJungian film studies, this book redresses the dominance of Freudian theories of cinema and guides individuals through the intricacies of Jungian thought. In so doing, it provides the basis on which to construct a contemporary theory of cinema. Drawing on research into detective films and the myths of detection, Hockley weaves together psychological analysis with textual interpretation. The resulting hypothesis suggests that watching films is an intensely personal experience in which viewers, according to individual needs and desires, project and identify with films and their characters.



Projections Of Memory


Projections Of Memory
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Author : Richard I. Suchenski
language : en
Publisher: Oxford University Press
Release Date : 2016

Projections Of Memory written by Richard I. Suchenski and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Art categories.


Introduction -- The era of the image has arrived -- Towards the temenos: Gregory Markopoulos' Eniaios -- "We are no longer innocent": the long form aesthetic of Jacques Rivette -- The sense of an ending: Jean-Luc Godard's Histoire(s) du cinéma -- Conclusion



Projections


Projections
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Author : John Boorman
language : en
Publisher:
Release Date : 1994

Projections written by John Boorman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Film criticism categories.




Women Film Makers On Film Making


Women Film Makers On Film Making
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Author : Isabella Weibrecht
language : en
Publisher:
Release Date : 2004

Women Film Makers On Film Making written by Isabella Weibrecht and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Performing Arts categories.


This edition of Projections is focused around the experience of female film-makers and actresses. There are interviews, conversations and articles by actresses and directors, including Lisa Choledenko (Laurel Canyon) and Katia Lund (City of God).



Classical Projections


Classical Projections
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Author : Eleni Palis
language : en
Publisher: Oxford University Press
Release Date : 2022-02-02

Classical Projections written by Eleni Palis and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-02-02 with Performing Arts categories.


Quotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images can quote one another, convening interaction and creating new knowledge across time. Classical Projections offers film quotation as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though film quotations have appeared since silent cinema, Classical Projections focuses on quotations of classical Hollywood film--mainstream American studio production, 1915-1950--as quoted in post-classical Hollywood, roughly 1960 to present. This strategic historical frame asks: how does post-classical cinema visualize its awareness of coming after a classical or golden age? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? As a constitutive element of post-classical authorship, film quotations amass and manufacture classical Hollywood in retrospective, highly strategic ways. By revealing how quotational tellings of film history build and embolden exclusionary, myopic canons, Classical Projections uncovers opportunities to construct more capacious cultural memory.



Performance Projections


Performance Projections
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Author : Stephen Barber
language : en
Publisher: Reaktion Books
Release Date : 2014-11-15

Performance Projections written by Stephen Barber and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-15 with Art categories.


Film does far more than document performance—it actively recreates the time and space of performance and overhauls its rapport with the viewer’s eye and body. The first book to look in-depth at the intersection of film and performance in relation to issues and theories of space, Performance Projections travels from the origins of film in Europe and the United States to the world of digital media today, exploring the dynamic relationship between these vitally connected ideas. Drawing from a wide range of examples—including filmic depictions of German and Japanese and Chinese performance art and street cultures—Stephen Barber argues that the act of filming has the power to draw distinctively performative dimensions out of unruly human gatherings, such as riots and political protests, while also accentuating the outlandish and aberrant aspects of performance. Spanning the history of film, Barber moves from performance in film’s formative years, such as Edward Muybridge’s work in the 1880s, to contemporary performance artworks—for example, Rabih Mroué’s investigations of the often lethal camera phone filming of snipers in Syrian cities. Proposing that the future conception of filmed performance needs to be radically expanded in response to the transformations of digital film cultures, Performance Projections is a critical addition to the literature on both film and art history.



Practices Of Projection


Practices Of Projection
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Author : Gabriel Menotti
language : en
Publisher: Oxford University Press
Release Date : 2020-02-05

Practices Of Projection written by Gabriel Menotti and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-05 with Performing Arts categories.


To many, the technological aspects of projection often go unnoticed, only brought to attention during moments of crisis or malfunction. For example, when a movie theater projector falters, the audience suddenly looks toward the back of the theater to see a sign of mechanical failure. The history of cinema similarly shows that the attention to projection has been most focused when the whole medium is hanging in suspension. During Hollywood's economic consolidation in the '30s, projection defined the ways that sync-sound technologies could be deployed within the medium. Most recently, the digitization of cinema repeated this process as technology was reworked to facilitate mobility. These examples show how projection continually speaks to the rearrangement of media technology. Projection therefore needs to be examined as a pivotal element in the future of visual media's technological transition. In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone. Borrowing media theorist Siegfried Zielinksi's definition, Menotti and Crisp refer to projection as the "heterogeneous array of artefacts, technical systems, and particularly visual praxes of experimentation and of culture." From this, readers can understand the performative character of the moving image and the labor of the different actors involved in the utterance of the film text. Projection is not the same everywhere, nor equal all the time. Its systems are in permanent interaction with environmental circumstances, neighboring structures, local cultures, and social economies. Thus the idea of projection as a universal, fully autonomous operation cannot hold. Each occurrence of projection adds nuance to a wider understanding of film screening technologies.



From M Li S To New Media


From M Li S To New Media
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Author : Wendy Haslem
language : en
Publisher: Intellect (UK)
Release Date : 2019

From M Li S To New Media written by Wendy Haslem and has been published by Intellect (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with CELLULOSE ACETATE FILM categories.


From Méliès to New Media is an exploration of the presence and importance of film history in digital culture. The author demonstrates that new media forms are not only indebted to, but firmly embedded within the traditions and conventions of early film culture. This book presents a comparative examination of pre-cinema and new media: early film experiments with contemporary music videos; silent films and their digital restorations; German Expressionist film and post-noir cinema; French Gothic film and the contemporary digital remake; and more. Using a media archaeology approach, Wendy Haslem envisages the potential of new discoveries that foreground forgotten or marginalized contributions to film history.



The Contemporary Superhero Film


The Contemporary Superhero Film
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Author : Terence McSweeney
language : en
Publisher: Columbia University Press
Release Date : 2020-11-10

The Contemporary Superhero Film written by Terence McSweeney and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-10 with Performing Arts categories.


Audiences around the globe continue to flock to see the latest releases from Marvel and DC studios, making it clear that superhero films resonate with the largest global audience that Hollywood has ever reached. Yet despite dominating theater screens like never before, the superhero genre remains critically marginalized—ignored at best and more often actively maligned. Terence McSweeney examines this global phenomenon, providing a concise and up-to-date overview of the superhero genre. He lays out its narrative codes and conventions, exploring why it appeals to diverse audiences and what it has to say about the world in the first two decades of the twenty-first century. Unpacking the social, ideological, and cultural content of superhero films, he argues that the genre should be considered a barometer of contemporary social anxieties and a reflection of cultural values. McSweeney scrutinizes representations of gender, race, and sexuality as well as how the genre’s conventions relate to and comment on contemporary political debates. Beyond American contributions to the genre, the book also features extensive analysis of superhero films from all over the world, contrasting them with the dominant U.S. model. The book’s presentation of a range of case studies and critical debates is accessible and engaging for students, scholars, and enthusiasts at all levels.



Post Cinematic Theatre And Performance


Post Cinematic Theatre And Performance
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Author : P. Woycicki
language : en
Publisher: Springer
Release Date : 2014-10-29

Post Cinematic Theatre And Performance written by P. Woycicki and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-29 with Performing Arts categories.


A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.