Cognitive Foundations Of Musical Pitch
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Cognitive Foundations Of Musical Pitch
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Author : Department of Psychology Cornell University Carol L. Krumhansl Associate Professor
language : en
Publisher: Oxford University Press, USA
Release Date : 1990-03-15
Cognitive Foundations Of Musical Pitch written by Department of Psychology Cornell University Carol L. Krumhansl Associate Professor and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-03-15 with Music categories.
This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.
Cognitive Foundations Of Musical Pitch
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Author : Carol L. Krumhansl
language : en
Publisher:
Release Date : 1990
Cognitive Foundations Of Musical Pitch written by Carol L. Krumhansl and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with categories.
Cognitive Foundations Of Musical Pitch
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Author : Carol L. Krumhansl
language : en
Publisher: Oxford University Press
Release Date : 2001-11-15
Cognitive Foundations Of Musical Pitch written by Carol L. Krumhansl and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-11-15 with Psychology categories.
This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.
Cognitive Foundations Of Musical Pitch
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Author : Carol L. Krumhansl
language : en
Publisher: Oxford University Press, USA
Release Date : 1990
Cognitive Foundations Of Musical Pitch written by Carol L. Krumhansl and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Science categories.
"Cognitive Foundations of Musical Pitch demonstrates how the perception of tonal organization relies on fundamental psychological principles and analyzes how these principles are reflected in musical structure."--Publisher's description.
The Harvard Dictionary Of Music
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Author : Don Michael Randel
language : en
Publisher: Harvard University Press
Release Date : 2003-11-28
The Harvard Dictionary Of Music written by Don Michael Randel and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-11-28 with Music categories.
This reference includes: entries on all styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America and the Near East; descriptions of instruments and their historical background; and articles reflecting the contemporary beat, including pop, jazz and rock.
Music Perception
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Author : Mari Riess Jones
language : en
Publisher: Springer Science & Business Media
Release Date : 2010-08-17
Music Perception written by Mari Riess Jones and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-08-17 with Medical categories.
The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The v- umes are aimed at all individuals with interests in hearing research including advanced graduate students, post-doctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in pe- reviewed journals. The volumes focus on topics that have developed a solid data and conceptual foundation rather than on those for which a literature is only beg- ning to develop. New research areas will be covered on a timely basis in the series as they begin to mature.
Foundations In Music Psychology
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Author : Peter Jason Rentfrow
language : en
Publisher: MIT Press
Release Date : 2019-03-12
Foundations In Music Psychology written by Peter Jason Rentfrow and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-12 with Music categories.
A state-of-the-art overview of the latest theory and research in music psychology, written by leaders in the field. This authoritative, landmark volume offers a comprehensive state-of-the-art overview of the latest theory and research in music perception and cognition. Eminent scholars from a range of disciplines, employing a variety of methodologies, describe important findings from core areas of the field, including music cognition, the neuroscience of music, musical performance, and music therapy. The book can be used as a textbook for courses in music cognition, auditory perception, science of music, psychology of music, philosophy of music, and music therapy, and as a reference for researchers, teachers, and musicians. The book's sections cover music perception; music cognition; music, neurobiology, and evolution; musical training, ability, and performance; and musical experience in everyday life. Chapters treat such topics as pitch, rhythm, and timbre; musical expectancy, musicality, musical disorders, and absolute pitch; brain processes involved in music perception, cross-species studies of music cognition, and music across cultures; improvisation, the assessment of musical ability, and singing; and music and emotions, musical preferences, and music therapy. Contributors Fleur Bouwer, Peter Cariani, Laura K. Cirelli, Annabel J. Cohen, Lola L. Cuddy, Shannon de L'Etoile, Jessica A. Grahn, David M. Greenberg, Bruno Gingras, Henkjan Honing, Lorna S. Jakobson, Ji Chul Kim, Stefan Koelsch, Edward W. Large, Miriam Lense, Daniel Levitin, Charles J. Limb, Psyche Loui, Stephen McAdams, Lucy M. McGarry, Malinda J. McPherson, Andrew J. Oxenham, Caroline Palmer, Aniruddh Patel, Eve-Marie Quintin, Peter Jason Rentfrow, Edward Roth, Frank A. Russo, Rebecca Scheurich, Kai Siedenburg, Avital Sternin, Yanan Sun, William F. Thompson, Renee Timmers, Mark Jude Tramo, Sandra E. Trehub, Michael W. Weiss, Marcel Zentner
Music And Schema Theory
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Author : Marc Leman
language : en
Publisher: Springer Science & Business Media
Release Date : 2012-12-06
Music And Schema Theory written by Marc Leman and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-06 with Science categories.
Music is an important domain of application for schema theory. The perceptual structures for pitch and timbre have been mapped via schemata, with results that have contributed to a better understanding of music perception. Yet we still need to know how a schema comes into existence, or how it functions in a particular perception task. This book provides a foundation for the understanding of the emergence and functionality of schemata by means of computer-based simulations of tone center perception. It is about how memory structures self-organize and how they use contextual information to guide perception.
Psychological Foundations Of Musical Behavior
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Author : Rudolf E. Radocy
language : en
Publisher: Charles C Thomas Publisher
Release Date : 2012-09-01
Psychological Foundations Of Musical Behavior written by Rudolf E. Radocy and has been published by Charles C Thomas Publisher this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-09-01 with Music categories.
The fifth edition of Psychological Foundations of Musical Behavior appears at a time of continuing worldwide anxiety and turmoil. We have learned a lot about human musical behavior, and we have some understanding of how music can meet diverse human needs. In this exceptional new edition, the authors have elected to continue a “one volume” coverage of a broad array of topics, guided by three criteria: The text is comprehensive in its coverage of diverse areas comprising music psychology; it is comprehensible to the reader; and it is contemporary in its inclusion of information gathered in recent years. Chapter organization recognizes the traditional and more contemporary domains, with special emphases on psychoacoustics, musical preference, learning, and the psychological foundations of rhythm, melody, and harmony. Following the introductory preview chapter, the text examines diverse views of why people have music and considers music’s functions for individuals, its social values, and its importance as a cultural phenomenon. “Functional music” and music as a therapeutic tool is discussed, including descriptions and relationships involving psychoacoustical phenomena, giving considerable attention to perception, judgment, measurement, and physical and psychophysical events. Rhythmic behaviors and what is involved in producing and responding to rhythms are explored. The organization of horizontal and vertical pitch, tonality, scales, and value judgments, as well as related pedagogical issues are also considered. The basic aspects of musical performance, improvisation, composition, existing musical preferences and tastes, approaches to studying the affective response to music with particular emphasis on developments in psychological aesthetics are examined. The text closely relates the development and prediction of musical ability, music learning as a form of human learning, and music abnormalities, concluding with speculation regarding future research directions. The authors offer their latest review of aspects of human musical behavior with profound recognition of music’s enduring values.
Tonal Pitch Space
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Author : Fred Lerdahl
language : en
Publisher: Oxford University Press
Release Date : 2004-12-09
Tonal Pitch Space written by Fred Lerdahl and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-12-09 with Music categories.
Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists.