Comparative Aesthetics Art In Theory
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Comparative Aesthetics Art In Theory
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Author : George Lansing Raymond
language : en
Publisher:
Release Date : 1909
Comparative Aesthetics Art In Theory written by George Lansing Raymond and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1909 with Aesthetics categories.
Art In Theory
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Author : George Lansing Raymond
language : en
Publisher:
Release Date : 1894
Art In Theory written by George Lansing Raymond and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1894 with Aesthetics categories.
System Of Comparative Aesthetics
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Author : George Lansing Raymond
language : en
Publisher:
Release Date : 1909
System Of Comparative Aesthetics written by George Lansing Raymond and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1909 with categories.
Studies In Comparative Aesthetics Monographs Of The Society For Asian And Comparative Philosophy No 2
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Author : Eliot Deutsch
language : en
Publisher: University of Hawaii Press
Release Date : 2021-05-25
Studies In Comparative Aesthetics Monographs Of The Society For Asian And Comparative Philosophy No 2 written by Eliot Deutsch and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-25 with Philosophy categories.
No detailed description available for "Studies in Comparative Aesthetics (Monographs of the Society for Asian and Comparative Philosophy, no.2)".
Art In Theory An Introduction To The Study Of Comparative Aesthetics 1894
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Author : George Lansing Raymond
language : en
Publisher:
Release Date : 2008-08-01
Art In Theory An Introduction To The Study Of Comparative Aesthetics 1894 written by George Lansing Raymond and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-08-01 with categories.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Comparative Aesthetics The Genesis Of Art Form 3d Ed Rev 1909
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Author : George Lansing Raymond
language : en
Publisher:
Release Date : 1893
Comparative Aesthetics The Genesis Of Art Form 3d Ed Rev 1909 written by George Lansing Raymond and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1893 with categories.
Art In Theory
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Author : George Lansing Raymond
language : en
Publisher: Createspace Independent Publishing Platform
Release Date : 2015-07-20
Art In Theory written by George Lansing Raymond and has been published by Createspace Independent Publishing Platform this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-20 with categories.
The author's abilities and work in this line are too well-known to need an introduction to the Princeton public. The chief endeavour of the work is to get back to the first principles of art as revealed in the way in which they manifest themselves in the conditions of mind as related to those of matter. The author rejects the method of historic criticism as unsatisfactory and vicious in aesthetics, showing that the higher arts do not conform to its fundamental dictum that all art is the expression of the age in which it appears, but, on the contrary, are always more or less traditional. The fact which has distinguished the greatest masters in art, as in philosophy and science, is that they have resisted the influences of traditionalism sufficiently to be moved as much by their own feeling and thinking as by those of others who have preceded them; as much, therefore, by that which results from a psychologic method as by that which follows the historic. In an age when the influence of the latter is so potent, we must emphasize again, as in every period when production is at its best, the importance of the former. An extended treatment is given the subject of beauty, whose various theories are stated and discussed, and from them is drawn a conclusion which meets the leading requirements of all. The prominent characteristics of beauty, as complexity, unity and variety, and its effects, both physiological and psychological, are treated fully. Throughout is emphasized the idea that the general effect produced by all art-forms is representative. To this term the author applies a more extended significance than has been done heretofore, denoting by it an effect, the presence or absence of which in any work determines the presence or absence of artistic excellence. The term can be applied to all art-forms, considered either as expressive of thought and feeling in the mind of the artist, or reproducing by way of imitation things heard or seen in the external world. All works of art must contain enough of the imitative element to represent the surroundings suggested. This is true even of music, the least imitative of the arts, and can be affirmed even more strongly of literature, painting, sculpture or architecture. The peculiarity of all art is, therefore, that it not only presents, but literally represents both the thoughts which it expresses and the form through which it expresses them. The volume closes with a short but interesting criticism from the pen of Professor J. Mark Baldwin on Professor Raymond's theory of beauty, confirming the essential agreement between the theory and the results of modern investigation in physiological psychology. -Nassau Literary Review, Volume 49 [1894]
Art In Theory
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Author : George Lansing Raymond
language : en
Publisher:
Release Date : 1906
Art In Theory written by George Lansing Raymond and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1906 with Aesthetics categories.
Art In Theory An Introduction To The Study Of Comparative Aesthetics Second Edition Revised
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Author : George Lansing RAYMOND
language : en
Publisher:
Release Date : 1904
Art In Theory An Introduction To The Study Of Comparative Aesthetics Second Edition Revised written by George Lansing RAYMOND and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1904 with categories.
Art In Theory An Introduction To The Study Of Comparative Aesthetics
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Author : George Lansing Raymond
language : en
Publisher: Theclassics.Us
Release Date : 2013-09
Art In Theory An Introduction To The Study Of Comparative Aesthetics written by George Lansing Raymond and has been published by Theclassics.Us this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09 with categories.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1909 edition. Excerpt: ...that notes which are harmonious are such as contain the same elements of pitch, or--what is the same thing--are notes in which effects of like pitch are repeated. For instance, when a string like that of a bass viol is struck, its note, if musical, is not single or simple: it is compound. Suppose that it produces the tone of the bass C--representing a sound-wave caused by the whole length of the string. This C is the main, or, as it is termed, the prime tone that we hear. But, at the same time, this same string usually divides at the middle, producing what is called a partial tone of the C above the bass, representing a sound-wave caused by one half the string's length. It often produces, too, partial tones of the G above this, of the C above this, and of the E above the last C representing sound-waves caused, respectively, by one third, one fourth, and one fifth of the string's length. These are not all the possible partial tones; nor are all the partials, in every instrument, invariably compounded with every prime tone: but only the pitch of these and, at times, of partials caused by waves of one sixth and one seventh of the string's length, with these partial's halves, duplicates, quadruplicates, etc., can produce harmony, the ear being apparently unable to detect like effects with more complicated subdivisions. In other words, the C, G, C, and E in this upper staff are in harmony with the lower C, because made up of effects that already enter into its composition. The chord as a whole, therefore, or any analogous development of it, is a result of putting like effects with like. The term harmony, though applied primarily to tones, is applied also to colors; and here it results from the same process, from the putting together of things..