Composing For The Films
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Composing For The Films
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Author : Theodor W. Adorno
language : en
Publisher: A&C Black
Release Date : 2005-01-01
Composing For The Films written by Theodor W. Adorno and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01-01 with Social Science categories.
This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films, while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialized culture; and, in this respect, it has a particular importance to the whole area of cultural studies. With an introduction by Graham McCann.
Composing For The Cinema
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Author : Ennio Morricone
language : en
Publisher: Scarecrow Press
Release Date : 2013-10-10
Composing For The Cinema written by Ennio Morricone and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-10 with Performing Arts categories.
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Complete Guide To Film Scoring
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Author : Richard Davis
language : en
Publisher: Hal Leonard Corporation
Release Date : 2010-05-01
Complete Guide To Film Scoring written by Richard Davis and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-05-01 with Music categories.
(Berklee Guide). Essential for anyone interested in the business, process and procedures of writing music for film or television, this book teaches the Berklee approach to the art, covering topics such as: preparing and recording a score, contracts and fees, publishing, royalties, copyrights and much more. Features interviews with 21 top film-scoring professionals, including Michael Kamen, Alf Clausen, Alan Silvestri, Marc Shaiman, Mark Snow, Harry Gregson-Williams and Elmer Bernstein. Now updated with info on today's latest technology, and invaluable insights into finding work in the industry.
Composing For The Films
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Author : Hanns Eisler
language : en
Publisher:
Release Date : 1971
Composing For The Films written by Hanns Eisler and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with categories.
Film And Television Composer S Resource Guide
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Author : Mark Northam
language : en
Publisher: Hal Leonard Corporation
Release Date : 1998
Film And Television Composer S Resource Guide written by Mark Northam and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Music categories.
Many musicians are finding a new market for their music scoring for films and television. This comprehensive resource guide provides all the practical tools and information needed about how to organize and run a film and television music business. Section I contains helpful marketing materials, such as sample letters, brochures, postcards, resumes, and product packaging. Section II provides forms, documents and examples for the management, production, recording and delivery of music for projects. Section III features frequently used sample contracts and agreements, and Section IV lists other composer resources, such as a glossary of terms and abbreviations, info on performing rights organizations, attorneys and agents, listings of different markets to tap, internet resources, and much more. Essential for any musician interested in a career in film and television music.
The Cambridge Companion To Film Music
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Author : Mervyn Cooke
language : en
Publisher: Cambridge University Press
Release Date : 2016-12-08
The Cambridge Companion To Film Music written by Mervyn Cooke and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-08 with Music categories.
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
The Oxford Handbook Of Film Music Studies
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Author : David Neumeyer
language : en
Publisher: Oxford University Press
Release Date : 2014
The Oxford Handbook Of Film Music Studies written by David Neumeyer and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Music categories.
The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.
The Art Of Film Music
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Author : George Burt
language : en
Publisher: UPNE
Release Date : 1994
The Art Of Film Music written by George Burt and has been published by UPNE this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Music categories.
An exploration of the powerful effect of music in films produced from the 1930s through the 1980s.
Scoring The Screen
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Author : Andy Hill
language : en
Publisher: Rowman & Littlefield
Release Date : 2017-07-01
Scoring The Screen written by Andy Hill and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-01 with Music categories.
SCORING THE SCREEN: THE SECRET LANGUAGE OF FILM MUSIC Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music. This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): “If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”
How To Become A Film Composer
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Author : Tom Harrison
language : en
Publisher: Centerstream Publications
Release Date : 2018-11
How To Become A Film Composer written by Tom Harrison and has been published by Centerstream Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11 with Film composers categories.
(Book). Tom Harrison's book How to Become a Film Composer gives up-and-coming composers the inspiration, information and the tools necessary to succeed in today's music for media industry. Harrison has spent years working on the front line in Hollywood, where he has held key positions on music teams for some of the world's most successful television shows. His own music can be heard all over television on projects ranging from Dateline NBC and The Voice to NBC Golf tournaments, WWW Monday Night Raw and beyond. How to Become a Film Composer begins with breaking down how to approach music in a dramatic context and how to cultivate your own unique sound. Next, Harrison covers the technical computer skills needed to work in this digital era of music production and finally provides a thorough guide to building a successful career. Whether you are a young student or a seasoned musician, if you want to learn more about what it takes to become a film composer, this is the book for you.