Configurations Of The Real In Chinese Literary And Aesthetic Modernity


Configurations Of The Real In Chinese Literary And Aesthetic Modernity
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Configurations Of The Real In Chinese Literary And Aesthetic Modernity


Configurations Of The Real In Chinese Literary And Aesthetic Modernity
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Author : Peter Button
language : en
Publisher: BRILL
Release Date : 2009

Configurations Of The Real In Chinese Literary And Aesthetic Modernity written by Peter Button and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Social Science categories.


"Tracing the formation of the modern concept of literature in 20th century China, this book examines the emergence of the Chinese socialist realist novel in relation to the literary and philosophical currents globalized in the wake of capitalist modernity"--Provided by publisher.



The City In Modern Chinese Literature Film


The City In Modern Chinese Literature Film
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Author : Yingjin Zhang
language : en
Publisher:
Release Date : 1996

The City In Modern Chinese Literature Film written by Yingjin Zhang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Foreign Language Study categories.


"This study explores the ways in which the city and urban life have been represented in modern Chinese literature and film. The author has three aims: to trace the literary and filmic configurations (i.e., symbolic constructions) of the city in modern China; to investigate the ways the city is placed in an ambivalent - if not negative - light in these configurations; and to work toward an understanding of how one can study the nature of the city/country problematic in modern Chinese literary history." "The book draws upon many literary and filmic texts that have been either previously ignored or deemed of no importance, and presents them in such a way that they - together with certain canonical works interpreted from new perspectives - point to an important structure of urban imagination in modern China. Throughout, the author draws upon theoretical insights from a wide variety of disciplines - anthropology, history, psychology, sociology, as well as literature, film, and cultural studies - to illuminate particular issues."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved



Inside Out


Inside Out
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Author : Wendy Larson
language : en
Publisher:
Release Date : 1993

Inside Out written by Wendy Larson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Literary Criticism categories.


This collection of papers is the outcome of the symposium "Modernism and Postmodernism in Chinese Literature", which took place at Aarhus University, Denmark in October 1991, was arranged by Bei Dao and Anne Wedell-Wedellsborg of the Institute of East Asian Studies. One of the guiding ideas behind this initiative was to bring together scholars from Europe and America with China in the 1980s, as scholars, critics, editors or as writers. Those who study China, regardless of national origin, are increasingly abandoning the "objective" stance of writing about culture, and insisting on their own right to become participants in the creation of culture. This book brings together essays written by those who breach the categories -- scholars, cultural critics and writers, ethnic Chinese and non-Chinese. All of the contributors are working or studying in Western universities, and many have published in the overseas literary journal "Jintian". This mix marks the study of Chinese literature as a new space where Chinese literary discourse is not only studied, but also created. Although contributions to this volume are diverse, a central theme is the attempt to discover how literature is changing in definition and social function. Essays analyse the concepts of the autonomy of art and creativity, modernism and subjectivity, and the form and structure of narrative language. The focus on theory and rhetoric that informs these essays highlights a concern with the way in which literary discourse is represented by intellectuals, and the way in which this representation itself becomes a frame that constructs literary meaning. Investigations into the Mao Wenti (the Maoist literary style) that persists even in post-Mao writers, the seemingly contentless language of Can Wue's work, the concept "pure literature" and the anti-modernity stance of the poetic Feifei (No-no) school all provide clues to the developing cultural consciousness of contemporary China.



A Companion To Modern Chinese Literature


A Companion To Modern Chinese Literature
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Author : Yingjin Zhang
language : en
Publisher: John Wiley & Sons
Release Date : 2015-08-07

A Companion To Modern Chinese Literature written by Yingjin Zhang and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-07 with Literary Criticism categories.


This wide-ranging Companion provides a vital overview of modern Chinese literature in different geopolitical areas, from the 1840s to now. It reviews major accomplishments of Chinese literary scholarship published in Chinese and English and brings attention to previously neglected, important areas. Offers the most thorough and concise coverage of modern Chinese literature to date, drawing attention to previously neglected areas such as late Qing, Sinophone, and ethnic minority literature Several chapters explore literature in relation to Sinophone geopolitics, regional culture, urban culture, visual culture, print media, and new media The introduction and two chapters furnish overviews of the institutional development of modern Chinese literature in Chinese and English scholarship since the mid-twentieth century Contributions from leading literary scholars in mainland China and Hong Kong add their voices to international scholarship



Historical Dictionary Of Modern Chinese Literature


Historical Dictionary Of Modern Chinese Literature
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Author : Li-hua Ying
language : en
Publisher: Rowman & Littlefield
Release Date : 2021-11-15

Historical Dictionary Of Modern Chinese Literature written by Li-hua Ying and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-15 with Literary Collections categories.


Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and magical realism. Indeed, it encompasses a full range of ideological and aesthetic concerns. This second edition of Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.



Routledge Handbook Of Modern Chinese Literature


Routledge Handbook Of Modern Chinese Literature
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Author : Ming Dong Gu
language : en
Publisher: Routledge
Release Date : 2018-09-03

Routledge Handbook Of Modern Chinese Literature written by Ming Dong Gu and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-03 with Literary Criticism categories.


The Routledge Handbook of Modern Chinese Literature presents a comprehensive overview of Chinese literature from the 1910s to the present day. Featuring detailed studies of selected masterpieces, it adopts a thematic-comparative approach. By developing an innovative conceptual framework predicated on a new theory of periodization, it thus situates Chinese literature in the context of world literature, and the forces of globalization. Each section consists of a series of contributions examining the major literary genres, including fiction, poetry, essay drama and film. Offering an exciting account of the century-long process of literary modernization in China, the handbook’s themes include: Modernization of people and writing Realism, rmanticism and mdernist asthetics Chinese literature on the stage and screen Patriotism, war and revolution Feminism, liberalism and socialism Literature of reform, reflection and experimentation Literature of Taiwan, Hong Kong and new media This handbook provides an integration of biographical narrative with textual analysis, maintaining a subtle balance between comprehensive overview and in-depth examination. As such, it is an essential reference guide for all students and scholars of Chinese literature.



Imagining India In Modern China


Imagining India In Modern China
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Author : Gal Gvili
language : en
Publisher: Columbia University Press
Release Date : 2022-10-11

Imagining India In Modern China written by Gal Gvili and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-11 with Literary Criticism categories.


Winner, 2023 Harry Levin Prize, American Comparative Literature Association Beginning in the late Qing era, Chinese writers and intellectuals looked to India in search of new literary possibilities and anticolonial solidarity. In their view, India and China shared both an illustrious past of cultural and religious exchange and a present experience of colonial aggression. These writers imagined India as an alternative to Western imperialism—a Pan-Asian ideal that could help chart an escape route from colonialism and its brutal grasp on body and mind by ushering in a new kind of modernity in Asian terms. Gal Gvili examines how Chinese writers’ image of India shaped the making of a new literature and spurred efforts to achieve literary decolonization. She argues that multifaceted visions of Sino-Indian connections empowered Chinese literary figures to resist Western imperialism and its legacies through novel forms and genres. However, Gvili demonstrates, the Global North and its authority mediated Chinese visions of Sino-Indian pasts and futures. Often reading Indian literature and thought through English translations, Chinese writers struggled to break free from deeply ingrained imperialist knowledge structures. Imagining India in Modern China traces one of the earliest South-South literary imaginaries: the hopes it inspired, the literary rejuvenation it launched, and the shadow of the North that inescapably haunted it. By unearthing Chinese writers’ endeavors to decolonize literature and thought as well as the indelible marks that imperialism left on their minds, it offers new perspective on the possibilities and limitations of anticolonial movements and South-South solidarity.



Contested Modernities In Chinese Literature


Contested Modernities In Chinese Literature
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Author : C. Laughlin
language : en
Publisher: Springer
Release Date : 2005-06-03

Contested Modernities In Chinese Literature written by C. Laughlin and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-06-03 with Literary Criticism categories.


This book is a significant gathering of ideas on the subject of modern Chinese literature and culture of the past several years. The essays represent a wide spectrum of new approaches and new areas of subject matter that are changing the landscape of knowledge of modern and contemporary Chinese culture: women's literature, theatre (performance), film, graphic arts, popular literature, as well as literature of the Chinese diaspora. These phenomena and the approaches to them manifest interconnected trajectories for new scholarship in the field: the rewriting of literary history, the emergence of visual culture, and the quotidian apocalypse - the displacement of revolutionary romanticism and realism as central paradigms for cultural expression by the perspective of private, everyday experience.



China S Literary And Cultural Scenes At The Turn Of The 21st Century


China S Literary And Cultural Scenes At The Turn Of The 21st Century
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Author : Jie Lu
language : en
Publisher:
Release Date : 2007

China S Literary And Cultural Scenes At The Turn Of The 21st Century written by Jie Lu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with History categories.


China's literary and cultural production at the turn of the twenty-first century is marked by heterogeneity, plurality, and diversity. The eleven essays in this book offer an introduction to some of the most important works published at the turn of the twenty-first century.



The Lyrical In Epic Time


The Lyrical In Epic Time
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Author : David Der-wei Wang
language : en
Publisher: Columbia University Press
Release Date : 2015-01-20

The Lyrical In Epic Time written by David Der-wei Wang and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-20 with Literary Criticism categories.


In this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with poetry, fiction, film, intellectual treatise, political manifesto, painting, calligraphy, and music. Western critics, Wang shows, also used lyricism to critique their perilous, epic time. He reads Martin Heidegger, Theodor Adorno, Cleanth Brooks, and Paul de Man, among others, to complete his portrait. The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese—and global—modernity. Wang's remarkable survey reestablishes Chinese lyricism's deep roots in its own native traditions, along with Western influences, and realizes the relevance of such a lyrical calling of the past century to our time.