Constructing The Image Of The Mexican Revolution


Constructing The Image Of The Mexican Revolution
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Constructing The Image Of The Mexican Revolution


Constructing The Image Of The Mexican Revolution
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Author : Zuzana M. Pick
language : en
Publisher: University of Texas Press
Release Date : 2010-01-01

Constructing The Image Of The Mexican Revolution written by Zuzana M. Pick and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Performing Arts categories.


With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910–1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931–1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.



Constructing The Image Of The Mexican Revolution


Constructing The Image Of The Mexican Revolution
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Author : Zuzana M. Pick
language : en
Publisher: University of Texas Press
Release Date : 2010-01-15

Constructing The Image Of The Mexican Revolution written by Zuzana M. Pick and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-15 with Performing Arts categories.


With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910-1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931-1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.



The Mexican Revolution On The World Stage


The Mexican Revolution On The World Stage
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Author : Adela Pineda Franco
language : en
Publisher: SUNY Press
Release Date : 2019-07-23

The Mexican Revolution On The World Stage written by Adela Pineda Franco and has been published by SUNY Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-23 with History categories.


Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought. The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution. “The Mexican Revolution on the World Stage is a first-rate, thoroughly researched work that opens a new area of inquiry in the field. It reveals how the visual archive of the revolution has been locally and globally used and abused to either ascertain or contest the significance of the revolution in differing contexts and periods by delving into the ideological complexities, even paradoxes, of cultural production.” — Zuzana M. Pick, author of Constructing the Image of the Mexican Revolution: Cinema and the Archive “This book is a vital and compelling historical analysis of the contexts and contribution international filmmakers have made to the construction of the Mexican Revolution on film. The archival research is impressive and wide-ranging.” — Niamh Thornton, author of Revolution and Rebellion in Mexican Film



Revolution And Ideology


Revolution And Ideology
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Author : John A. Britton
language : en
Publisher: University Press of Kentucky
Release Date : 2021-09-15

Revolution And Ideology written by John A. Britton and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-09-15 with History categories.


Mexico and the United States share a border of more than 2,000 miles, and their histories and interests have often intertwined. The Mexican Revolution, which began in 1910 and continued in one form or another for the next thirty years, was keenly observed by U.S. citizens, especially those directly involved in Mexico through property ownership, investment, missionary work, tourism, journalism, and education. It differed from many other revolutions in this century in that Marxist–Leninist theory was only one of many radical and reformist influences. Historian John A. Britton examines contemporary accounts written by Americans commenting on social upheaval south of the border: radical writers John Reed, Anita Brenner, and Carlton Beals; novelists Katherine Anne Porter and D.H. Lawrence; social critics Stuart Chase and Waldo Frank; and banker-diplomat Dwight Morrow, to mention a few. Their writings constitute a valuable body of information and opinion concerning a revolution that offers important parallels with liberation movements throughout the world today. Britton's sources also shed light on the many contradictions and complexities inherent in the relationship between the United States and Mexico.



Photographing The Mexican Revolution


Photographing The Mexican Revolution
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Author : John Mraz
language : en
Publisher: University of Texas Press
Release Date : 2012-05-02

Photographing The Mexican Revolution written by John Mraz and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-02 with Photography categories.


The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).



Cinesonidos


Cinesonidos
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Author : Jacqueline Avila
language : en
Publisher: Oxford University Press
Release Date : 2019-09-16

Cinesonidos written by Jacqueline Avila and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-16 with Music categories.


During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy). In this book, author Jacqueline Avila looks at examples from all genres, exploring the ways that the popular, regional, and orchestral music in these films contributed to the creation of tropes and archetypes now central to Mexican cultural nationalism. Integrating primary source material--including newspaper articles, advertisements, films--with film music studies, sound studies, and Mexican film and cultural history, Avila examines how these tropes and archetypes mirrored changing perceptions of mexicanidad manufactured by the State and popular and transnational culture. As she shows, several social and political agencies were heavily invested in creating a unified national identity in an attempt to merge the previously fragmented populace as a result of the Revolution. The commercial medium of film became an important tool to acquaint a diverse urban audience with the nuances of Mexican national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.



The Mexican Revolution S Wake


The Mexican Revolution S Wake
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Author : Sarah Osten
language : en
Publisher: Cambridge University Press
Release Date : 2018-02-22

The Mexican Revolution S Wake written by Sarah Osten and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-22 with History categories.


A social and political history of Mexico's first political system after the Revolution that demonstrates the critical influence of regional socialist parties.



Revolution In Mexico S Heartland


Revolution In Mexico S Heartland
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Author : David LaFrance
language : en
Publisher: Rowman & Littlefield
Release Date : 2007-08

Revolution In Mexico S Heartland written by David LaFrance and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08 with History categories.


This carefully researched and richly detailed case study explores the most violent phase of the Mexican Revolution in the key state of Puebla. This book explains the tension between the forces that represented the modernizing centralized state and those who revolted and chose local autonomy. Because of its industry, resources, transportation, and large population during the Revolution, Puebla provides an excellent measuring stick for the rest of the nation during this conflict. David G. LaFrance examines politics, warfare, and state building within the context of autonomy, as well as the military, political, and economic changes that occurred in the name of the Revolution.



Artifacts Of Revolution


Artifacts Of Revolution
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Author : Patrice Elizabeth Olsen
language : en
Publisher: Rowman & Littlefield Publishers
Release Date : 2008-09-11

Artifacts Of Revolution written by Patrice Elizabeth Olsen and has been published by Rowman & Littlefield Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-09-11 with History categories.


This innovative history argues that we can understand important facets of the Mexican Revolution by analyzing the architecture designed and built in Mexico City during the formative years from 1920 to 1940. These artifacts allow us to trace and understand the path of the consolidation of the Mexican Revolution. Each individual building or development, by providing indelible evidence of the process by which the revolution evolved into a government, offers important insights into Mexican history. Seen in aggregate, they reveal an ongoing urban process at work; seen as a "composition," they reveal changes over time in societal values and aspirations and in the direction of the revolution. This book focuses on structure, change, and process for this remarkable city "in the true image of the gigantic heaven." The changes described in Fuentes' narrative are man-made, not wrought by impersonal or natural forces except on the rare occasions of earthquake and flood. Patrice Elizabeth Olsen views Mexico City as an artifact of those who created it—representing their ardor, humanity, and religion, as well as their politics. Individual chapters detail the expression of revolutionary values and aims in the physical form of Mexico City's built environment between 1920 and 1940, examining direction and meaning in terms of who is given license to design and build structures in the capital city, and equally important, who is excluded. Through the reshaping of the capital the revolution was extended and institutionalized; physical traces of the process of negotiation that enabled the revolution to be "fixed" in the Mexican polity appear in the city's skyline, parks, housing developments, and other new construction, as well as in modifications to existing colonial-era buildings. In this manner, the author argues, Mexico City's urban form crystallized as a product of the revolution as well as a part of the revolutionary process, as it has been of other conquests throughout its history.



Photography And Memory In Mexico


Photography And Memory In Mexico
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Author : Andrea Noble
language : en
Publisher: Manchester University Press
Release Date : 2011-01-15

Photography And Memory In Mexico written by Andrea Noble and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-01-15 with History categories.


Photography and Memory in Mexico traces the life stories of some of the famous photographic images made during the 1910 revolution, which have been repeatedly reproduced across a range of media in its aftermath. Which photographs have become icons of the revolution and why these particular images and not others? What is the relationship between photography and memory of the conflict? How do we construct a critical framework for addressing the issues raised by iconic photographs? Placing an emphasis on the life, afterlife and also the pre-life of those iconic photographs that haunt the post-revolutionary landscape, Andrea Noble approaches them as dynamic objects, where their rhetorical power is derived from a combination of their visual eloquence and their ability to coordinate patterns of identification with the memory of the revolution as a foundational event in Mexican history. Richly-illustrated, this book will be of interest to all those interested in photography, memory studies, and Mexican cultural history.