Constructivism In Film
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Constructivism In Film A Cinematic Analysis
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Author : Vlada Petrić
language : en
Publisher: Cambridge University Press
Release Date : 2012
Constructivism In Film A Cinematic Analysis written by Vlada Petrić and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.
This book examines the radical experiments of early Soviet filmmakers, with a detailed analysis of The Man with the Movie Camera (1929).
Constructivism In Film A Cinematic Analysis
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Author : Vlada Petric
language : en
Publisher: CUP Archive
Release Date : 1993-06-25
Constructivism In Film A Cinematic Analysis written by Vlada Petric and has been published by CUP Archive this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-06-25 with Performing Arts categories.
Vlada Petric explicates the cinematic text of one of the most famous works of avant-garde nonfiction film, Dziga Vertov's Man with a Movie Camera
Visions Of Avant Garde Film
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Author : Kamila Kuc
language : en
Publisher: Indiana University Press
Release Date : 2016-12-12
Visions Of Avant Garde Film written by Kamila Kuc and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-12 with Performing Arts categories.
Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements—Symbolism, Expressionism, Futurism, and Constructivism—and to reveal their impact on later practices in art cinema.
Gan S Constructivism
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Author : Kristin Romberg
language : en
Publisher: University of California Press
Release Date : 2019-01-08
Gan S Constructivism written by Kristin Romberg and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-08 with Art categories.
This compelling new account of Russian constructivism repositions the agitator Aleksei Gan as the movement’s chief protagonist and theorist. Primarily a political organizer during the revolution and early Soviet period, Gan brought to the constructivist project an intimate acquaintance with the nuts and bolts of “making revolution.” Writing slogans, organizing amateur performances, and producing mass-media objects define an alternative conception of “the work of art”—no longer an autonomous object but a labor process through which solidarities are built. In an expansive analysis touching on aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory, Kristin Romberg invites us to consider a version of modernism organized around the radical flattening of hierarchies, a broad distribution of authorship, and the negotiation of constraints and dependencies. Moving beyond Cold War abstractions, Gan’s Constructivism offers a fine-grained understanding of what it means for an aesthetics to be political.
Understanding Cinema
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Author : Per Persson
language : en
Publisher:
Release Date : 2000
Understanding Cinema written by Per Persson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with categories.
Stenberg Brothers
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Author : Christopher Mount
language : en
Publisher: ABRAMS
Release Date : 1997
Stenberg Brothers written by Christopher Mount and has been published by ABRAMS this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Advertising categories.
The exhibition Stenberg Brothers: Constructing a Revolution in Soviet Design, organized by Christopher Mount, Assistant Curator in the Department of Architecture and Design, is the first critical survey of the work of these two seminal figures in the history of twentieth-century graphic design.
Harmony And Dissent
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Author : R. Bruce Elder
language : en
Publisher: Wilfrid Laurier Univ. Press
Release Date : 2010-04-22
Harmony And Dissent written by R. Bruce Elder and has been published by Wilfrid Laurier Univ. Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-22 with Performing Arts categories.
R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar, and highly questionable, epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that a crisis of cognition precipitated by modernity engendered, by way of response, a peculiar sort of “pneumatic (spiritual) epistemology.” Elder then shows that early ideas of the cinema were strongly influenced by this pneumatic epistemology and uses this conception of the cinema to explain its pivotal role in shaping two key moments in early-twentieth-century art: the quest to bring forth a pure, “objectless” (non-representational) art and Russian Suprematism, Constructivism, and Productivism.
Film And Urban Space
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Author : Geraldine Pratt
language : en
Publisher: Edinburgh University Press
Release Date : 2014-06-23
Film And Urban Space written by Geraldine Pratt and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-23 with Performing Arts categories.
Film and Urban Space: Critical Possibilities traces recurring debates about what constitutes film's political potential and argues that the relation between film and urban space has been crucial to these debates and their historical transformations. The book demonstrates that in the attempt to follow certain prescriptions shooting on location, disrupting normalizing time, experimenting with memory, interlinking the spaces of screen and cinema films invariably use the relation between film and urban space as a kind of laboratory, testing anew received prescriptions but invariably encountering new opportunities and new limits. A wide range of key films, from Dziga Vertov's 1928 Man with a Movie Camera to Jia Zhangke's 2008 24 City, are discussed in depth, each offering an argument for how the encounter between specific manifestations of modern urban space and politically engaged film strategies has served to challenge the status quo and stimulate critical thinking.
Static Films And Moving Pictures
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Author : Jennifer Valcke
language : en
Publisher: GRIN Verlag
Release Date : 2013
Static Films And Moving Pictures written by Jennifer Valcke and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art categories.
Doctoral Thesis / Dissertation from the year 2008 in the subject Art - Photography and Film, grade: cum laude, University of Edinburgh, language: English, abstract: Photomontage has more to do with film than with any other art form - they have in common the technique of montage. (Sergei Tretyakov) By considering that photomontage and film use the technique of cutting and gluing as dominant artistic device, and that montage, a technique unifying art and technology for the first time, emerged as a dominant artistic feature of the avant-garde, this thesis will explore the ideological and perceptual implications of its advent in avant-garde art and film. The technological advances of the beginning of the twentieth century, and particularly the advent of photography, allowed avant-garde artists to break free from traditional concepts of artistic production - they dispensed with the old criteria of uniqueness, originality, handicraft and personal style. At a time when many avant-garde artists abruptly ceased to paint, photomontage emerged as the privileged locus for a caesura with traditional art forms. Photomontage envisioned film aesthetics insofar as it combines and juxtaposes images of various perspectival planes and angles (Raoul Hausmann described his early photomontages as "motionless moving pictures"). A corresponding observation can be made on the use of montage in cinema, a technique which crucially underpins the illusion of movement created through the succession of photographic stills. The present thesis will investigate photomontage and film in order to examine the effect technological reproduction played in revolutionising artistic production, perception and ideology - where the technique and philosophy of montage was key.
The Philosophy Of Documentary Film
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Author : David LaRocca
language : en
Publisher: Lexington Books
Release Date : 2016-12-20
The Philosophy Of Documentary Film written by David LaRocca and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-20 with Philosophy categories.
The spirit that founded the volume and guided its development is radically inter- and transdisciplinary. Dispatches have arrived from anthropology, communications, English, film studies (including theory, history, criticism), literary studies (including theory, history, criticism), media and screen studies, cognitive cultural studies, narratology, philosophy, poetics, politics, and political theory; and as a special aspect of the volume, theorist-filmmakers make their thoughts known as well. Consequently, the critical reflections gathered here are decidedly pluralistic and heterogeneous, inviting—not bracketing or partitioning—the dynamism and diversity of the arts, humanities, social sciences, and even natural sciences (in so far as we are biological beings who are trying to track our cognitive and perceptual understanding of a nonbiological thing—namely, film, whether celluloid-based or in digital form); these disciplines, so habitually cordoned off from one another, are brought together into a shared conversation about a common object and domain of investigation. This book will be of interest to theorists and practitioners of nonfiction film; to emerging and established scholars contributing to the secondary literature; and to those who are intrigued by the kinds of questions and claims that seem native to nonfiction film, and who may wish to explore some critical responses to them written in engaging language.