Visions Of Avant Garde Film
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Visions Of Avant Garde Film
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Author : Kamila Kuc
language : en
Publisher: Indiana University Press
Release Date : 2016-12-12
Visions Of Avant Garde Film written by Kamila Kuc and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-12 with Performing Arts categories.
Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements—Symbolism, Expressionism, Futurism, and Constructivism—and to reveal their impact on later practices in art cinema.
Dreams Of Chaos Visions Of Order
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Author : James Peterson
language : en
Publisher: Wayne State University Press
Release Date : 1994
Dreams Of Chaos Visions Of Order written by James Peterson and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Experimental films categories.
Addresses the question of how--and to what extent--viewers can make sense of American avant-garde films. Peterson examines the implicit assumptions of other scholars, advocates an alternative to dominant approaches to the avant-garde cinema, and questions some long-standing cliches about the history of the avant garde. Includes numerous (but tiny) photographs. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
Light Moving In Time
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Author : William Charles Wees
language : en
Publisher:
Release Date : 1992
Light Moving In Time written by William Charles Wees and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Performing Arts categories.
To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art. To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art.
Eyes Upside Down
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Author : P. Adams Sitney
language : en
Publisher: Oxford University Press
Release Date : 2008-04-18
Eyes Upside Down written by P. Adams Sitney and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-04-18 with Performing Arts categories.
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War. With three chapters each devoted to Stan Brakhage and Robert Beavers, two each to Hollis Frampton and Jonas Mekas, and single chapters on Marie Menken, Ian Hugo, Andrew Noren, Warren Sonbert, Su Friedrich, Ernie Gehr, and Abigail Child, Eyes Upside Down is the fruit of Sitney's lifelong study of visionary aspirations in the American avant-garde cinema.
The Avant Garde Feature Film
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Author : William E.B. Verrone
language : en
Publisher: McFarland
Release Date : 2011-11-08
The Avant Garde Feature Film written by William E.B. Verrone and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-08 with Performing Arts categories.
Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre. Included are works by such visionary filmmakers as David Lynch, Luis Bunuel, Jean Cocteau, Jean-Luc Godard, Guy Maddin and Derek Jarman. The first of the two appendices contains a filmography of key avant-garde feature films, from Haxan: Witchcraft Through the Ages (1922) to Maximum Shame (2010). The second appendix offers a brief list of directors who have made significant contributions to films that take alternative approaches to cinematic practice, establishing new grounds for analysis and evaluation.
Avant Garde Film
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Author : Michael O'Pray
language : en
Publisher: Columbia University Press
Release Date : 2003-09-17
Avant Garde Film written by Michael O'Pray and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-09-17 with Performing Arts categories.
Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film at a level appropriate for undergraduate study. It covers the developments of experimental film-making since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the young British artists. Through in-depth case-studies, the book introduces students not only to the history of the avant-garde but also to varied analytical approaches to the films themselves - ranging from abstraction (Richter, Ruttmann) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni).
Indefinite Visions
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Author : Beugnet Martine Beugnet
language : en
Publisher: Edinburgh University Press
Release Date : 2017-07-07
Indefinite Visions written by Beugnet Martine Beugnet and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-07 with Performing Arts categories.
Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can record better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.
Visionary Film
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Author : P. Adams Sitney
language : en
Publisher: Oxford University Press, USA
Release Date : 2002
Visionary Film written by P. Adams Sitney and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Art categories.
Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.
A Dictionary Of Film Studies
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Author : Annette Kuhn
language : en
Publisher: OUP Oxford
Release Date : 2012-06-21
A Dictionary Of Film Studies written by Annette Kuhn and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-21 with Performing Arts categories.
Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.
A Line Of Sight
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Author : Paul Arthur
language : en
Publisher: U of Minnesota Press
Release Date : 2005-01-01
A Line Of Sight written by Paul Arthur and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01-01 with Performing Arts categories.
Arthur (English and film studies, Montclair State U.) balances close analysis of major and lesser-known films with detailed examinations of their production, distribution and exhibition. He addresses the avant-garde's cultural significance and reexamines accepted critical categories and artistic options. Rather than treating American avant-garde ci