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Contemporary French Queer Cinema


Contemporary French Queer Cinema
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French Queer Cinema


French Queer Cinema
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Author : Nick Rees-Roberts
language : en
Publisher: Edinburgh University Press
Release Date : 2014-03-17

French Queer Cinema written by Nick Rees-Roberts and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-17 with Social Science categories.


A full account of the formation and reception of contemporary queer film in France.



Queering Contemporary French Popular Cinema


Queering Contemporary French Popular Cinema
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Author : Darren Waldron
language : en
Publisher: Peter Lang
Release Date : 2009

Queering Contemporary French Popular Cinema written by Darren Waldron and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Literary Criticism categories.


Queering Contemporary French Popular Cinema combines close film analysis with a small-scale qualitative investigation of audience responses to examine images of queerness in contemporary French popular cinema and their reception. Through its blending of the textual and the empirical, this book provides a unique insight into the ways in which sexuality and gender are represented on the cinema screen, as well as the spectator reactions they elicit. Since the mid-1990s, depictions of lesbians, gay men, and queer forms of sexual desire and identity have shifted to the mainstream of French cinematographic representation - as evidenced by the box-office success of a series of highly commercial comic films, including Gazon maudit (Josiane Balasko, 1995), Pédale douce (Gabriel Aghion, 1996), Le Placard (Francis Véber, 2000), and Chouchou (Merzak Allouache, 2003). Alongside this commercial strand, a series of small-budget alternative comedies and other genre films have also challenged heteronormative conceptualizations of sexuality and gender. Films such as Sitcom (François Ozon, 1998), L'Homme est une femme comme les autres (Jean-Jacques Zilbermann, 1997), Pourquoi pas moi? (Stéphane Giusti, 1999), Drôle de Félix (Olivier Ducastel and Jacques Martineau, 2000), and Les Chansons d'amour (Christophe Honoré, 2007) portray desire as fluid and/or gender as unfixed. With their use of parody and their blending of comedy with the musical, melodrama, romance or road movie, these and other similar films have resonated with a burgeoning viewing public, tired of having to seek queerness in connotation, of appropriating marginal characters in ostensibly straight narratives, and of tragedy and trauma as the principal modes of representation and spectator address.



Contemporary French Queer Cinema


Contemporary French Queer Cinema
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Author : Joanna Knight Smith
language : en
Publisher:
Release Date : 2015

Contemporary French Queer Cinema written by Joanna Knight Smith and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with categories.


This thesis examines how recent French queer films may mirror, interrogate and engage with sexual politics in France. The key political changes include the 1999 Pacte Civil de Solidarité legislation and the legalization of same-sex marriage in 2013. The thesis focuses on French queer films which are sexually explicit, including simulated and unsimulated sex acts. Using Michael Warner's The Trouble with Normal and Michel Foucault's conceptions of homosexuality, the thesis suggests that the sexual politics in France ostensibly normalize and desexualize gay and lesbian modes of desire. This thesis ultimately argues that the explicit sex scenes in the films discussed are not gratuitous. Rather they are integral to the director's engagement with contemporary French sexual politics. French queer cinema, as such, remains a key critical lens through which to analyze the global shift towards the legalization of gay marriage and the unpredictable social, sexual, and political implications of normalization.



Queer Cinema In Contemporary France


Queer Cinema In Contemporary France
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Author : Todd W. Reeser
language : en
Publisher: Manchester University Press
Release Date : 2022-08-09

Queer Cinema In Contemporary France written by Todd W. Reeser and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-09 with Performing Arts categories.


Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma. The films of these five major French directors exemplify queer cinema in the twenty-first century. Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors’ careers, from their earliest, often unknown films to their later, major films with wide international release. Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring. Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject.



Queer Topographies In Contemporary French Cinema


Queer Topographies In Contemporary French Cinema
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Author : Clemence G. Ozel
language : en
Publisher:
Release Date : 2018

Queer Topographies In Contemporary French Cinema written by Clemence G. Ozel and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with categories.


Until the 1980s, the history of French cinema was for the most part written without the work of women filmmakers. Despite a recent surge of interest, the works that focus on the films of women filmmakers remain few. This project therefore seeks to replace women at the center of French film production by focusing on the films of three directors with very diverse backgrounds. Close readings of the films of Céline Sciamma, Virginie Despentes, and Emilie Jouvet, as well as the consideration of changing modes of film production will shed light onto the existence of a queer space within French film production. This project will therefore pave the way for the study of French films through an original lens, which will disrupt the history of French cinema as well as the very ways in which queer films have been examined. Instead of focusing on the thematic content of the films, this work will demonstrate that their queerness lies in their aesthetics and modes of production. In other words, this project opens up a new space for French film studies, at the center of which is queer.



Queer Cinema In Contemporary France


Queer Cinema In Contemporary France
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Author : Todd Reeser
language : en
Publisher:
Release Date : 2024-10-29

Queer Cinema In Contemporary France written by Todd Reeser and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-10-29 with Performing Arts categories.


Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across five French directors' careers, from their earliest, often unknown films to their later, major films with international release.



Cinematic Queerness


Cinematic Queerness
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Author : Florian Grandena
language : en
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Release Date : 2011

Cinematic Queerness written by Florian Grandena and has been published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Gays in motion pictures categories.


The last three decades have witnessed the proliferation of gay/lesbian-themed films both on our screens and at international film festivals. This trend - termed 'hypervisibility' by Julianne Pidduck - has gone far beyond the boundaries of countries with a multicultural tradition and now reaches many territories, including the French-speaking world. What is the narrative and thematic originality of such films in French-speaking contexts? Do such feature films develop problematics and approaches specific to areas such as metropolitan France or Francophone Canada? The sixteen essays included in this collection (six in English and ten in French) aim to answer to such questions by offering in-depth and challenging discussions of film productions from France and Quebec, ranging from Patrice Chéreau's L'Homme blessé/The Wounded Man (1983) via Josiane Balasko's Gazon maudit (1995) to Jean-Marc Vallée's C.R.A.Z.Y. (2005). Works by Olivier Ducastel and Jacques Martineau, Sébastien Lifshitz, Gaël Morel, François Ozon and Léa Pool are also examined.



French And Spanish Queer Film


French And Spanish Queer Film
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Author : Chris Perriam
language : en
Publisher: Edinburgh University Press
Release Date : 2016-06-02

French And Spanish Queer Film written by Chris Perriam and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-02 with Performing Arts categories.


Advancing the current state of film audience research and of our knowledge of sexuality in transnational contexts, French and Spanish Queer Film analyses how French LGBTQ films are seen in Spain and Spanish ones in France.



French Minority Cinema


French Minority Cinema
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Author : Cristina Johnston
language : en
Publisher: BRILL
Release Date : 2010-01-01

French Minority Cinema written by Cristina Johnston and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Performing Arts categories.


Through the prisms of ethnicity, gender, and sexuality, French Minority Cinema explores key questions of identity and social interaction in the context of republican France, across two significant ‘minority’ cinemas: cinéma de banlieue and gay cinema. It offers the first comprehensive parallel study of these two bodies of film and their inter-relations, examining issues of national cinema and identity and the problematic status of minorities within the contemporary Republic. Against a backdrop of political and media debates on the PACS, parity, the affaire du voile and the French principle of laïcité, banlieue youth dissatisfaction, and gay parenting, French Minority Cinema charts the negotiatory discourse that has emerged through, and around, a core corpus of films released over the past two decades. This study will be of interest to scholars and students alike, working in the fields of French, Film, and Gay and Lesbian/Queer Studies.



Queering The Migrant In Contemporary European Cinema


Queering The Migrant In Contemporary European Cinema
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Author : James S. Williams
language : en
Publisher: Routledge
Release Date : 2020-08-27

Queering The Migrant In Contemporary European Cinema written by James S. Williams and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-27 with Social Science categories.


This exciting and original volume offers the first comprehensive critical study of the recent profusion of European films and television addressing sexual migration and seeking to capture the lives and experiences of LGBTIQ+ migrants and refugees. Queering the Migrant in Contemporary European Cinema argues that embodied cinematic representations of the queer migrant, even if at times highly ambivalent and contentious, constitute an urgent new repertoire of queer subjectivities and socialities that serve to undermine the patrolled borders of gender and sexuality, nationhood and citizenship, and refigure or queer fixed notions and universals of identity like ‘Europe’ and national belonging based on the model of the family. At stake ethically and politically is the elaboration of a ‘transborder’ consciousness and aesthetics that counters the homonationalist, xenophobic and homo/trans-phobic representation of the ‘migrant to Europe’ figure rooted in the toxic binaries of othering (the good vs bad migrant, host vs guest, indigenous vs foreigner). Bringing together 16 contributors working in different national film traditions and embracing multiple theoretical perspectives, this powerful and timely collection will be of major interest to both specialists and students in Film and Media Studies, Gender and Queer Studies, Migration/Mobility Studies, Cultural Studies, and Aesthetics.